Recontextualizing Postcolonial Resistance: Politics of Transgression in Arundhati Roy's The God of Small Things 後殖民抵抗之再脈絡化:阿蘭達蒂‧洛伊《微物之神》中的踰越政治
Finding Her Place within Early Victorian Society: The Role and Significance of the Governess in Jane Eyre and Vanity Fair 從《簡愛》和《浮華世界》看英國維多利亞時代家庭女教師的角色意義和重要性
Female Subjectivity in Ambivalence, Fear and Fiction: A Kristevan Reading of Margaret Atwood’s Lady Oracle. 矛盾、恐懼及虛構世界中的女性主體性:以克莉絲多娃理論看瑪格麗特‧愛特伍的《女祭司》
Trauma Narratives as Working-Through in Margaret Atwood’s The Blind Assassin 瑪格麗特‧愛特伍《盲眼刺客》中的創傷修通
ALAN STRANG’S SUBJECTIVITY: LACANIAN UNCONSCIOUS IN PETER SHAFFER’S EQUUS 《戀馬狂》 : 在拉岡「無意識」理論下亞倫‧斯特的主體性
Emily Dickinson's Rhizomatic Fascicle 16: Deterritorialization and Violence 艾蜜莉‧狄金生根莖式的詩觀:手稿第16冊中的解域與暴力
Shifting Borders: Mark Doty's Atlantis 移動邊界:馬克多蒂的〈亞特蘭蒂斯〉
Art as Sublimation: A Lacanian Reading of Oscar Wilde's The Picture of Dorian Gray 藝術即昇華:奧斯卡‧王爾德《格雷的肖像》的拉崗式閱讀
A SPATIOTEMPORAL REPRESENTATION OF SELF-REVOLUTION IN MARGARET ATWOOD’S LIFE BEFORE MAN 瑪格麗特‧愛特伍德《人類生存之前》中自我演進在時空中之再現
CULTURAL CONSTRUCTIONS OF RACIAL IDENTITIES IN ARTHUR MILLER’S FOCUS AND CLARA 種族認同中的文化建構:以亞瑟‧米勒的《焦點》和《克拉瑞》為例
Can a Racial Subaltern Speak in a Colonial Society? J. M. Coetzee’s Waiting for the Barbarians and Foe 柯慈《仇敵》與《等待野蠻人》:種族附屬者是否能在殖民社會發言?
Pleasure Pursued and Lost in The Picture of Dorian Gray: The Tragedy of Lord Henry Wotton 亨利爵士的悲劇: 論格雷的畫像中的縱慾與墮落
King Lear's Madness and Rhizomatic Lines of Flight 李爾王的瘋狂與地下莖狀的逃亡路線
“Shell and Kernel”: A Narratolgical Approach to Joseph Conrad’s Lord Jim 外殼與內核:康拉德小說中敘事形式與內容之研究
Individuation, Redemption, and Transcendence: A Jungian Archetypal Reading on the Exploration of Self in C. S. Lewis’s The Chronicles of Narnia 心靈成長,救贖,與超凡: 以榮格原型理論探索《納尼亞傳奇》中的自我