| 95 |
Abjection and Transgression: A Psychoanalytic Reading of Mina Loy’s Avant-Garde Poetics 抑斥現象與僭越界線：旻娜‧洛伊前衛詩學之精神分析學式閱讀 |
Carol, Yi-Wei Lin 林依薇 |
Dr. Joseph Murphy 墨樵 老師 |
| 95 |
Call and Response, Passing and Integration: The Musical Structure of Jean Toomer’s Cane 呼喊與迴響，流動與整合：吉恩．圖瑪之《甘蔗》的音樂性結構 |
Chris, Cheng-Hsuan Wu 吳塵軒 |
Dr. Joseph Murphy 墨樵 老師 |
| 94 |
Memory, Where the Nightmare Begins: The Process of Stephen Dedalus' Subjectivation 記憶, 惡夢之始: 斯提芬‧戴達羅斯主體化的過程 |
George, Chih-Hsien Hsieh 謝志賢 |
Dr. Li-ling Tseng 曾麗玲 老師 |
| 94 |
Fragmentation and Hybridity of Self-Identity in Salman Rushdie's The Ground Beneath Her Feet 魯西迪《在她腳下地面》中自我認同之分裂與混雜 |
May, Zi-Hui Su 蘇子惠 |
Dr. Kate Chi-wen Liu 劉紀雯 老師 |
| 94 |
Willa Cather's My Antonia: A Critical Reading and Translation 維拉凱瑟之《我的安東尼亞》：評論與翻譯之探討 |
Martin, Su Bo Tung 蘇柏同 |
Bro. Nicholas Koss 康士林 老師 |
| 94 |
Power “Wrestling” in Chinua Achebe’s Anthills of the Savannah －The Roles of Intellectuals in the Modernization of Post-Colonial Africa 權力的角力：論後殖民非洲現代化過程中知識份子之角色—以其努．阿契比之《荒原上的蟻丘》為例 |
Joyce, Tzu-Ling Chen 陳姿伶 |
Dr. David Yu 余盛延 老師 |
| 94 |
“You are free to reinvent yourself”: Margaret Atwood’s The Blind Assassin as a Feminist Historiographic Metafiction 『隨心所欲、重建自我』：瑪格麗特．愛特伍德之 女性歷史後設小說《盲眼刺客》 |
Christine Yi-Hsiu Hsieh 謝怡秀 |
Dr. Kate Chi-wen Liu 劉紀雯 老師 |
| 93 |
The Female Body as a Site of Control, Reaction and Resistance: Margaret Atwood's The Edible Woman and The Handmaid's Tale 控制、反應及抗拒之場域：論瑪格麗特．艾特伍德的《可食的女人》與《侍女的故事》中之女體 |
Julia Pei-Hsuan Hsieh 謝佩璇 |
Dr. Kate Chi-wen Liu 劉紀雯 老師 |
| 93 |
The Omitted Fifth Song: A Reading of Sir Philip Sidney's Astrophil and Stella 消失的第五首詩歌: 解讀菲力普.悉尼爵士的<<艾斯特菲爾與史黛拉>> |
Lily Ching Li Huang 黃晶莉 |
Dr. Raphael J. Schulte 蕭笛雷 老師 |
| 93 |
The Variation of Traditional Love Sonnets: Imitation, Mimesis, and Deviation in Lady Mary Wroth's Pamphilia to Amphilanthus 變奏的傳統商籟：論《潘菲莉雅致安菲藍塞斯》書中的模仿、擬態、與變異 |
Alex Chien Yi Wu 吳建毅 |
Dr. Raphael J. Schulte 蕭笛雷 老師 |
| 93 |
Nightmare Comes True - Social Confinement in Female Gothic Works: The Italian by Ann Radcliffe and The Butcher's Wife by Ang Li 惡夢成真－女性哥德小說中的社會幽禁：以安．瑞克莉芙的《義大利人》和李昂的《殺夫》為例 |
Sophia Hwei-hsin Hsu 許蕙薪 |
Bro. Nicholas Koss 康士林 老師 |
| 93 |
The Constructions of Self and Space in Shakespeare's The Merchant of Venice 莎劇「威尼斯商人」中自我與空間的建構 |
Jessica Shu-Yuan Huang 黃淑媛 |
Dr. Raphael J. Schulte 蕭笛雷 老師 |
| 92 |
Deconstructing and Re-mapping Irish Cartography: Postcolonialism, Rhetoric, Gender, and Identity in Eavan Boland's 愛爾蘭地圖的解構與重組：伊凡‧鮑倫的〈殖民地〉中後殖民主義、修辭、性別與身份認同之探討 |
Vivian Fang-Ying Liao 廖芳瑩 |
Dr. Raphael J. Schulte 蕭笛雷 老師 |
| 92 |
History, Politics, and Poetics in Thomas Kinsella's Poems 湯瑪斯‧金瑟勒詩作中的歷史、政治與詩學 |
Buck Hsieh Fang Lee 李協芳 |
Dr. Raphael J. Schulte 蕭笛雷 老師 |
| 92 |
Body and Identity in Sylvia Plath's Work 蘇薇雅‧普麗絲作品中的身體與自我認同 |
Claire Yu-Min Chen 陳玉敏 |
Dr. Raphael J. Schulte 蕭笛雷 老師 |
