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The Canterbury Tales
作者Author  /  Geoffrey  Chaucer  傑弗瑞.喬叟

The Canterbury Tales 

 

Cecilia Liu / 劉雪珍

 
 Introduction

 The General Prologue

 The Wife of Bath's Prologue and Tale

 The Pardoner's Prologue and Tale

 The Miller's Tale

 
 Introduction
  The Canterbury Tales contains a wide variety of stories ranging from religious devotion to scandalous behavior. Many of the tales reflect the personalities and characteristics of the teller, but a few are also told simply to irritate certain members of the traveling party. Whatever the reason for the telling, all of the stories have one thing in common, which is that they all have either one or more points or morals that bring the whole tale together.

First, we should know why the travelers begin to tell stories in the first place. In the Prologue, we find the reason is because they are all participating in a game. The Host brings up a brilliant suggestion for a way to pass the time on their long journey. The game is that everyone tells four tales, two on the way to Canterbury, and two on the way back. The Host is the judge who decides who told the best story. The winner receives the prize a free dinner paid for by all the other travelers. Everyone agrees to play the game, and this agreement becomes a debt that they all have to pay.

The Host also thinks of a way to decide who the first taleteller should be. He asks everyone do what is the equivalent of drawing straws. The Knight is the one who draws the shortest straw, so he is the first one to tell his tale.

The Knight's Tale is a very long tale. It is all about chivalry and the love that two princes hold for one woman. This tale has a number of purposes. The first one is to touch on many of the virtues that knights were associated with at that time. These virtues are those of chivalry and honor. The Knight? story also reflects a knight? station in life as a warrior who fights for his country, a good and noble cause, and the honor of a lady. It is also a tale about love. The Knight says, "A man must love, for all his wit; There? no escape though he should die for it, Be she a maid, a widow or a wife"(34). The two princes loved one woman whom they have seen only at a distance, and yet are still willing to do anything for her.

Next comes the Miller's Tale. The second tale is originally supposed to have come from the Monk, but the Miller is determined to tell a tale of his own to match the Knight?. The Miller is also very drunk at this time, and because of his drunkenness, neither the Host nor the Reeve wants him to go next. They think it would be better for all concerned if he tells his story at a later time so that he could sober up a little bit. However, the Miller throws what could only be described as a temper tantrum and says, "At all events I mean to talk, or else I'll go my way"(87). This drunken behavior did not endear the Miller to those around him. In fact, Chaucer says in his Prologue that the Miller is a wrangler and a buffoon who cheats all of his customers. So, perhaps many do not have a good opinion of the Miller to begin with.

The Miller's Tale has two main purposes. The first is to say that two people who get married should be alike, in age most especially. The carpenter in the Miller's tale is an old man who marries a young maid who has yet to experience much of life. The marriage was doomed from the start. The second point of this tale is to warn people to be careful of whom they trust. The carpenter trusts his wife and Nicholas, and ends up being thrown into the mad house because of them.

One other very possible purpose for the Miller to tell this story is so that he could make fun of the Reeve. The tale is about a gullible carpenter, and the Reeve, is a carpenter by trade. This last point is very probable since the Reeve is the only one who took any personal offence to the Miller's tale.

In order to "give him tap for tap"(108), the Reeve insists on going next. There is just one problem. Before the Reeve tells his tale, he begins to preach about sins, specifically those exhibited by the Miller. Only the Host is adamantly against him continuing in such a vein. So, the Reeve decides to tell a tale about a cheating miller. This tale is, in all likely-hood, very close to the truth about the real Miller since it corresponds so well with Chaucer's description of him in the Prologue.

The main point of the Reeve's tale is that what goes around comes around. The miller tries to cheat the scholars and they make him look like a fool in turn. This point is a very good one, but an even better one comes from the Cook when he says, "Be careful who you bring into the hall, Says Solomon in Ecclesiasticus, For guests who stay the night are dangerous"(119). This last statement is very true because people can be very deceptive and have a hidden agenda. So, it is better to be careful now than sorry later.

The Cook was very drunk by the time the Reeve had finished his tale and he wanted to tell a story in keeping with the Reeve and Miller's stories. In fact, he was absolutely delighted with the Reeve's tale because the Miller was pickled (119). The only problem with the Cook's story is that it is unfinished. Still, even though the story is incomplete, it is obvious where the tale is headed since the Cook is in the frame of mind to follow the Reeve and the Miller. It could only have been another story about base behavior. Also, if you are not careful, you may miss the moral of this tale. The moral is to throw out a rotten apple before it spoils the whole bunch.

Chaucer makes it a point to add a disclaimer to these three previous tales. He says that he regrets having to repeat their stories, and that, "The Miller was a churl, I've told you this, So was the Reeve, and other some as well, And harlotry was all the had to tell"(88). However, he includes them because he wants an honest account of what occurs on the trip to Canterbury.

When the Cook is through speaking, the Host is upset about how much time has been wasted by the Cook and his two predecessors. He turns to the Man of Law to change the mood. The Man of Law is more than willing to take his turn, only he does not want his story to be like those of the old Muses called Pierides (125). So, he tells a noble tale that is full of sorrow and grief. It is about following God's laws, and that people who break these laws are punished. This aspect of obeying laws ties in with the type of profession the Man of Law is in. The story's moral is to show that if you keep Faith in the Lord, He will guide you on your way and protect you.

After the Man of Law completes his tale, the Host turns to the Monk and asks him to tell another tale. Unfortunately, in the process of asking him the Host insults the Monk, so he refuses to speak. This is when the Host notices the Nun's Priest and does the same thing all over again. While asking the Nun? Priest to tell a story, he insults him at the same time by saying he should tell a story to make himself feel better since he rides a decrepit looking horse. Fortunately, the Priest does not take offence to the Host's insult and is more than happy to go next.

The point of this story is that too much pride will get you in trouble. Chanticleer allows all of the flattery to go to his head and nearly dies because of it. He also touches on the fact that you should listen to your dreams because they may keep you from danger.

The Physician tells the next tale. There is no specific reason given about why he goes next. Still, he tells a story that has many good, thought-provoking points. The first of these points is found at the end of the tale. It is "Forsake your sins before your sins forsake you"(239). If you don? turn your back on your sins, you will have to suffer the consequences. Another point is a moral lesson that the gifts that nature gives us, gifts like beauty, may make us feel good, but will often cause us trouble (240). A final interesting point is a warning that Chaucer gives to parents that while their kids are under their care, it is their duty to watch over them. This last point is interesting because it could be applied to the present time, and then maybe there would not be so many news stories about kids and crime.

Following the Physician is the Pardoner. The Host asks him to tell a funny story to counteract the seriousness of the Physician? story. However, the other travelers cry out in protest saying, "No, no, don't let him tell a dirty joke"(24)! So, he abides by their plea and tells a story about avarice instead. He tells this tale for his own selfish purposes, though, because he admits in his prologue that he often tells stories to get people to buy his wares. He is a fraud because he has a side business going on with his "long glass bottles cram-full of bones and ragged bits of clout" (241) that he promises will cure any ailment, whether it be a sickness or an emotion like jealously. Of course, this promise is a lie.

The purpose of the Pardoner's tale is to reiterate the lesson that avarice is the root of all evil. It is very ironic, however, that the Pardoner preaches against the very vice that he makes a living out of (243) and suffers from as well. He is a greedy man because after he tells his story, he immediately peddles his wares to the rest of the group. Even though, he makes the attempt to sell his indulgences and fake relics, the only thing he truly accomplishes is to upset everyone, especially the Knight who is ready to do him bodily harm.

Next is the Wife of Bath's Tale. This story is interesting because of the fact that her tale seems to reflect her fifth marriage. She had used trickery to get her husband to submit to her, just as the old woman does to the knight. Even the Friar comments at the end of her tale that she raised a lot of good issues that are constantly debated in the schools. However, he objects to her tale because it is too serious, and because he believes the story telling is just a game (292).

She has two very important points in her story. The first one is "Gentility must come from God alone. That we are gentle comes to us by grace And by no means is it bequeathed with place"(289). This first moral is a reflection on the behavior of the knight in her tale who had believed he could do as he wished simply because his profession is regarded more highly than others.

To be honest, the other point of her tale is probably the true purpose for her telling this story. This purpose is to say that woman should govern their husbands, or at the very least have a relationship that is balanced in such a way that what the woman wants to happen will happen. This last point is in accordance with how the Wife of Bath behaves in her own life. She is obviously a very independent woman since she runs her own business and is so outspoken.

Following the Wife of Bath's tale is the Friar's. He is very impatient to tell his tale because the Summoner had angered him after the Wife's prologue. The Summoner had accused him of spoiling everyone? fun because he interrupted the Wife's tale. So, the Friar wants to get back at him.

The Friar has two purposes for telling his story. The first reason is because it is about an evil summoner, and he knows the Summoner will take exception to his tale. The Friar gives the other purpose as being:

    And so dispose your heart that it withstand
    The fiend who would enslave you in his band.
    He may not tempt you though above your might,
    For Christ will be your champion and your knight. (303)

It is a good moral. It says we should stay away from the devil and his temptations, but to not worry if we think the devil is too strong for usbecause Christ will be by our side.

As expected, the Summoner takes serious offense to the Friar's tale. He demands that he be allowed to tell a story that tells real truth about the Friar's profession. Other than to try to make friars in general look like liars and hypocrites, the moral lesson of this tale it that it is wrong to lie and cheat others. Though, to be honest, it is a very funny thing when the friar's hand is farted on.

Once again, it is the Cook's turn to tell a story. It is the Host who wants the Cook to tell another story. The only problem is the Cook is beyond drunk; he is nearly falling off of his horse. So, to help him out, the Manciple says he will take the Cook? place if it makes things easier for the poor drunk, but only if the Host gives his permission (475).

There are many good points in the Manciple's tale. The first one is that it is useless to try to keep a hold on your wife. He says this for two reasons: one is that a good wife who is innocent of any offense would be wronged by such possessiveness, and two, that it is nearly impossible to catch a wicked wife, so the effort to check up on her would be wasted. Another point is a moral lesson to not let anger get the best of a situation. A calm head is much more productive than a hot one. A final lesson is to "Never tell anyone in all your life That any other has enjoyed his wife, For he will hate you mortally, believe it"(483). This last point is very true because no one likes to hear bad news, and the bearer of the bad news is the one the hearer remembers most.

Finally, the Parson is the only one left to go. The reason for this is obvious; everyone knows his tale would not be a tale, but a sermon instead. The Parson refuses to tell a story because he believes that fables are wretched and uncouth (486). All he does in his sermon is speak about the Seven Deadly Sins and the remedies for them.

All of these tales are told for a specific reason, whether it is to make fun of one of the other travelers or to give a lesson to everyone. These lessons or points are each very important lessons to be learned. I only wish I knew who had won the game so that I could judge for myself if his or her story was truly the best one.

 ****All citations are from: Chaucer, Geoffrey. The Canterbury Tales. Trans. Nevill Coghill. London: Penguin, 1951.

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 The General Prologue
 
Time:  April/ spring day   

Place: Southwark, at the Tabard Inn on their way to Canterbury

The narrator Chaucer portrays the 29 Canterbury pilgrims.

The Prologue gives an admirable description of the uncomplicated life of England in the Middle Ages. Here are portraits of all levels of English life. In this group Chaucer brings together all of the foibles and virtues of man and the manners and morals of his time with remarkable clarity.  Through The Prologue Chaucer alternately praises or chides the travelers with deftly drawn word portraits which provide insights into the life of his time.  Influenced by Boccacio's Decameron, Chaucer uses the device of the religious pilgrimage to bring together such a diverse group. The shrine of St. Thomas a Becket to which the pilgrims are going was reputed to have great healing qualities. Some of pilgrims are going for health rather than religious reasons. W of Bath was a little deaf; Pardoner was beardless; the cook, a sore; summoner, boils and other skin trouble; Miller, an awful wart on his nose; the reeve was choleric, etc.

The knight:

perfect and genteel man who loved truth, freedom, chivalry and honor. The most socially  prominent person on the journey; the battles he fought were all religious wars of some nature.

The Squire:

a candidate for knighthood; a lover who can sing lusty songs, compose melodies, poetry

 

Yeoman:

dressed in green; an expert woodsman, an excellent shot with the bow/ arrow.

Prioress:

Madame Eglantine; a gentle lady; well-educated though her French wasn't accepted Parisian  French. Coy and delicate; table manner; More a woman than a nun! Without vocation but with the dogs and jewelry that satirical literature always condemns nuns for. Associates of the Prioress: 3 priests and another nun.

Monk:

a lover of hunting, fine foods; bald headed, ugly, fat; dressed in fine clothes. Favorite food was  a roasted swan.  No other monk is more worldly than he is.  Here Chaucer demonstrated his use of irony: Chaucer selects and arranges his material so that the reader can come to a conclusion about  the character. When the monk says that he doesn't approve of the solitary prayerful existence in a  monastery, Chaucer pretends to be convinced that the Monk's argument is right. Everything that  the monk does is a violation of his monastic orders. His love of the worldly goods, food, and  pleasure, and his dislike of the quiet monastery contradict his religious vows.

Friar:

Hubert --a wanton and merry man who had helped many girls get married after he got them in  trouble. Chief butts of medieval satirists; knowing the taverns and inns better than the leper houses  and almshouses. Chaucer says there was no better man than the Friar when it comes to the practice of his profession. Always able to get money from people (thru every vicious and immoral method). The best of his type--scoundrel.
 

Merchant:

rich and powerful rising middle class; shrewd; knew how to bargain; well-dressed. No  one would tell he was deeply in debt.

Clerk:

student at Oxford; extremely thin on a thin horse; threadbare clothes; quiet; a real scholar.Next to the knight, he is one of the most admired people on the pilgrimage.

 

Sergeant of Law:

able attorney; makes people think that he is busier and wiser than he really is.

Franklin:

a large landowner with wealth, but not of noble birth. Red face and white beard; enjoys good living; generally liked by the other pilgrims. The Haberdasher, the Dyer, the Carpenter, the Weaver, and the Carpet maker: belong to a guild.

 

Cook:

a master of his trade; good at cooking, but he has a running sore on his shin, because his best dish was a creamed chicken pie whose white sauce might be the same color as the pus from the sore.

Shipman:

a huge man, uncouth; a master of vessel and knew all the ports; not ride well; like a fish out of water as sat on his horse.

 

Doctor of Physic:

know astronomy (astrology) and something of nature; but nothing of the Bible. Made a lot of money during the plague; love gold.

Wife of Bath:

a bit deaf, excellent seamstress and weaver; married 5 times; with aggressive feminism; in fancy/colorful clothes: scarlet red stockings; gap-toothed; amorous; laugh and joke.

 

Parson:

poor, but rich in holy thoughts and works; live the perfect life first and then teach it. True Christian priest; Amid the worldly clerics and the false and superficial religious adherents, the poor parson stands out as the ideal portrait of what a parish priest should be.

Manciple:

steward for a law school (a dorm for lawyers) in London; cunning, though unlettered; cheating the well-educated lawyers by putting aside a tidy little sum for himself.

Miller:

a big brawny man to outwrestle any man/ even a ram. Short shouldered, broad and thick set; red beard, a wart on his nose from which bristly red hairs protruded made him look fearful. Play the bagpipes as the pilgrims left the town. (He tells a dirty story about a carpenter John.)

Summoner:

ugly: fire-red complexion, pimples and boils, a scaly infection around the eyebrows, and a moth-eaten beard; loves garlic, onions, leeks, and strong wine; speaking Latin to show off. His physical appearance fits his profession well since he is paid to summon sinners for a trial before a church court. He is so ugly and gruesome looking that a summon from him is in itself a horrible experience. Chaucer ironically implies that he is a good fellow because sinners could easily bribe him. The reader should be aware of these subtle ironic statements which are often made in paradoxical situations.

Pardoner:

a church official who had authority from Rome to sell pardon and indulgence to those charged with sins. Hypocrite, phony, ugly but in fashionable clothes--loud, high-pitched voice, greed, big eyes, yellow hair, beardless (a "gelding or a mare"); sing and preach so as to frighten everyone into buying his pardons at a great price. One of the most corrupt of the churchmen. In the prologue to his tale, he confesses to his hypocrisy. Chaucer implies that he is not really a man, that he is either sexually impotent or perverted.

Reeve:

manager of a large estate. Shrewd, businesslike, capable; cheating his lords by lending him what was his own; A skinny man/ bad temper; ride last (in the back)--suspicious, trusting nobody. Once a carpenter, he feels the need for revenge by telling a dirty story about a miller later.

Plowman:

a small tenant farmer, but the ideal Christian man; honest with neighbors; paid his tithes

The Host:

Harry Bailey; a merry man  suggests that, to tell stories to shorten the long journey--two tales on the way to Canterbury and two more tales on the way back; the man who told his story best was to be given a sumptuous dinner by the other members of the party--a good strategy to make money 3 people who draw lots first: the prioress, the clerk, knight--they're good and able to start story-telling

Image Source: The Pilgrims in the Ellesmere Manuscript of Chaucer's Canterbury Tales.  San Marino: The Henry E. Huntington Library and Art Gallery.

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 The Wife of Bath's Prologue And Tale
 

 
  • The Wife of Bath's Prologue
    • To justify her five marriages and to suggest that the thing women most desire is to complete control over their husbands. 1. A defense of her marriage 2. A confession of her techniques and a plea for certain reform for women. She uses two basic arguments: 1. If women remained virgins, there would be no one left to give birth to more virgins, 2. the sex organs are to be used for pleasure as well as function. The W of Bath can quote scripture to prove her points. Her prologue refutes the popular theory that women should be submissive, especially in matters of sex. And her argument is against the authorities of the church and state and that she is a woman who prefers experience to scholarly arguments.
    • Dame Alison:
        -- amorous, nagging
        -- fun, practical, nice to her husbands--generous
        --Her love of life is als
      o praiseworthy
        --Despite the loss of youth and beauty, she faces her future not only with a woman's ability to endure and enjoy what she cannot reshape, but also with a zest for life.
        -- frank: she tells the truth better than the pardoner.
        -- she uses psychology to manage her husbands
        -- she enjoys her past, accept the fact; a good nature

  • The Wife of Bath's Tale
    • This tale is an exemplum, a tale told to prove a point. And the reader should remember that the narrator is an old hag telling a story about an old hag who gained sovereignty over her husband.
    • In Chaucer's time, the lit. was filled with the favorite theme of vilifying the frailty of woman. Chaucer's tale is not a moral diatribe for or against woman. He creates a woman in the person of the W. of B who both exemplifies all that has been charged against women but openly glories in the possession of these qualities. Chaucer does not make it clear whether he sympathizes with the Wife's opinion of marriage and celibacy, but it is obvious that he did not agree with the prevailing notions of his time about celibacy.  Usually a second marriage is considered sinful.  A revolutionary document! Also there was considerable praise for perpetual virginity. But if everyone practices virginity, who is to beget more virgins? The Wife of Bath pleads for the emancipation of women in the Middle Ages.
    • The story matches the storyteller--consistency
    • How does it fit the Wife of Bath (Why does she tell this kind of tale)?
      1. she tells the story to prove that everything will turn out well if the wife rules, if the wives have mastery over their husbands.
      2. She is attacking the establishment (the way things were, the church, the knighthood, the unholy friar). She is making fun of the unholy men, like the friar: "Women may now go safely where they like: They'll find no other satyr there but he: And he'll do nothing worse than take their honour."
      3. She wants to prove that women are not amorous as men thought at that time.  The wife's revenge: women at that time were thought evil, amorous.
    • The knight's ordeal/test (in old stories heroes solves riddles): to solve the riddle-- what women most  desire. His second ordeal: to choose between two--a beautiful but unfaithful, or a ugly, old but faithful wife.  He passes the test (by placing himself in his wife's governance and let his wife choose for him) and is rewarded: he gets a beautiful, young and good wife, and a happy life.
    • The knight is very rude to his old wife at first--a knight should not behave like this. He should be grateful that this old woman saves his life. She teaches him a lesson (leads the knight's initiation) which he should have learned before he becomes a knight: Poverty is not guilt; one should respect old age. It's noble deeds that make the nobleman; it is not wealth or rank makes a knight a knight.
    • Chaucer took his own idea about the knight, ill-behaved, ill-mannered (unlike other knight stories) The value of woman's sovereignty. 
    • The story is suited to the Wife's own character psychologically and dramatically, for she, like the old woman, had wedded a young man--though unlike the old woman, she couldn't restore her former youth and beauty!  

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 The Pardoner's Prologue and Tale
 

 
  • The Pardoner's Prologue
    • The prologue starts out with a confession--because he is with strangers and will not see them again The Pardoner is also an exhibitionist (in words): a clever hypocrite exploits Christian principles in order to rich himself.
      "The love of money is the root of all evil"--the center of his preach/tale--used most effectively in order
      to frighten his hearers into a generosity that will fulfill his own rapacity (cupidity)/greed.
      Exempla (exemplum): stories that illustrate concretely the sermon's point; give example to illustrate
      Consistency is in the general prologue and in the introduction to the pardoner and the tale.
  • The Pardoner's Tale
    • The tale is about the destructiveness of avarice.
    • Time: the bubonic plague; Black Death
    • Lechery, drunkenness, greed, gluttony (drunk, eating), gambling, perjury--there are also what the pardoner is doing--He is laughing at his own weakness for he is doing the same thing himself.
    • The climax of the story moves very fast (only a few lines): The story of the young men who seek Death only to find him in a treasure that had made them forget him is a masterpiece of irony.  
    • The pardoner's candid confession has concealed the fact that he is a eunuch, but his secret is revealed in the epilogue by the Host's coarse response when the Pardoner tries to collect money from the pilgrims--His verbal facility by which he maintains his superiority fails him.
    • Ironical:
      1. The pardoner is very good at speaking, but in the end of the story he is too angry to speak, to refute the Host.
      2. After his tale, he tries to trick them yet fails.
    • Why does he trick them since he should know they are intelligent?
      1. So highly developed is his sense of irony that it enables him to feel superior to other people.
      2. He has been drinking too much.
      3. It's a habit to get payment.
      4. He over-estimates his cleverness; over-confident and under-estimates the Host.
      5. As exhibitionist, once he starts, he can't stop; He is going to do it again.
    • The epilogue: the Host's revenge--point out the pardoner's physical weakness: not a complete man, a eunuch!
    • It is interesting to see the interaction among the pilgrims.

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 The Miller's Tale
 
  Stories such as this were rather common in the inns of Chaucer's time. The tale has its bawdy moments, but it is funny to see the stupidity of the jealous carpenter fall for Nicholas' preposterous flood rather than the ends for which the trick was devised.  The carpenter is cuckolded and has a broken arm because of his extreme jealousy. Nicholas has a severely burned rear end. Absalon has been mistreated in another way. Destiny or poetic justice played an important role in the tale. Vision and astrology play a role, too. The contrast between the noble Knight and the burly Miller is made prominent by the type of story each chose to relate. The type of story the Miller tells is still popular today. Any time a very old man marries a young girl, there will be jealousy and the wife might take on a love.

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(external)  English Literature I: the Medieval Period

English Literature and Culture From Medieval Period to the Eighteenth Century

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