¸ê®Æ·J¾ã   /  ²z½×®a  /  Edward W.  Said  ¦ã¼wµØ¡DÂÄ¥ì¼w
Edward W.  Said
¦ã¼wµØ¡DÂÄ¥ì¼w
¹Ï¤ù¨Ó·½¡Ghttp://www.alquds.net/edward/
¸ê®Æ´£¨ÑªÌ¡GKate Liu/¼B¬ö¶²;Amy Yeh/¸­¤ß©É;Maria Wu/§d¥»­Å;Wen-ling Su/Ĭ¤å§D
ÃöÁä¦rµü¡GPalestinian American;Oriendtalism

Maria Wu©M Wen-ling Su½sĶ (§d¥»­Å»PĬ¤å§D½sĶ)

July 2009

Edward Said

 ·R¼wµØ¡EÂĨ̼w

ÂĨ̼w¬O¤@¦ì¤G¤Q¥@¬ö³»¦yªºª¾ÃÑ¥÷¤l¡B¾ÇªÌ¥H¤Î§@®a¡C¥L¥H1978¦~ªºµÛ§@¡mªF¤è¥D¸q¡n¡]Orientalism¡A©ÎĶ¡mªF¤è¾Ç¡n¡^´X¥G¤@¤â«Øºc¤F¤å¤Æ¬ã¨s¥H¤Î«á´Þ¥Á¬ã¨s»â°ì¡A¦Ó¸Ó®Ñ¤]³Q»{¬°¬O¤G¤Q¥@¬ö¼vÅT³Ì²`»·ªº¤@¥»®Ñ¡C

¦h¤~¦hÃÀªº¾ÇªÌ

®a®x»P¾Ç³N­I´º

¬Fªv°Ñ»P

­«­nµÛ§@

°Ñ¦Ò®Ñ¥Ø

¬ÛÃöºô¯¸

¤¤¤å®Ñ¥Ø

¥xÆW³ÕºÓ¤h½×¤åÀ³¥Î¹ê¨Ò

¡@

¦h¤~¦hÃÀªº¾ÇªÌ
¡@

¥L¬O¦ì·¥´I¤~®ð»P¦h¤¸¤~µØªº«ä·Q®a¡Bºt»¡®a¡B§@ªÌ©M­µ¼Ö®a¡A¦b¤å¾Ç¡B¤¤ªF¬Fªv¡BªF¤è¾Ç¥H¤Î­µ¼Ö¾Ö¦³¬Û·í¼sªxªº¥Xª©§@«~¡C¥H³Ì«á¤@¶µ¬°¨Ò¡A¥L¦P®É¤]¬O­Óºë´ïªº¿ûµ^ºt«µ®a¡A¦b¡m°ê®a¡n¡]Nation¡^Âø»x¤W¾á¥ô­µ¼Öµû½×¡A¨Ã»P¤¦¥§º¸¡E¤Ú­Ûªi¦]¡]Daniel Barenboim¡^¦@¦Pµoªí¤F¡m¨Ã¦æ»P¤Ý¸Þ¡GÂĨ̼w»P¤Ú­Ûªi¦]¹ï½Í¿ý¡n¡]Parallels and Paradoxes: Explorations in Music and Society¡A2002¡^¡C¥L©M¨©­Ûªi¦]¤@¦P³Ð«ØªF¦è·|ijÆUºÞ²Í¼Ö¹Î¡]The East-West Divan¡A©ÎĶ¡uªF¦è¦X¶°ºÞ²Í¼Ö¹Î¡v¡^¡A¬°¤@Ån¬A¤Fªü©Ô§B»P¥H¦â¦C­µ¼Ö®aªº¼Ö¹Î¡C

TOP

®a®x»P¾Ç³N­I´º

¡@

ÂĨ̼wªº¤÷¿Ë¬°¤Ú°Ç´µ©Z¸Çªº´I°Ó¡A1910¦~¥N²¾¥Á¨ì¬ü°ê¡A´¿ÀH¬ü­x°Ñ¥[²Ä¤@¦¸¥@¬É¤j¾Ô¡A¦¨¬°¬ü°ê¤½¥Á«á¤S¦^¨ì®J¤Î©M¤Ú°Ç´µ©Zµ¥¦a¸g°Ó¡C1935¦~ÂĨ̼w¥X¥Í¦b·í®É­^°ê°UºÞ(1922-1947)ªº­C¸ô¼»§N¡A®a¤¤«H¥õ°ò·þ±Ð¡C1947¦~¥Hªü¾Ôª§´Á¶¡¡A¥L­ÌÁ|®a¾E©~®J¤Î¶}ù¡CµL½×¬O¦b­C¸ô¼»§N©Î®J¤Î¡AÂĨ̼w¤@ª½³£¦b¬ü¡B­^°ê´Þ¥ÁÅé¨tªº¾Ç®Õ¨D¾Ç¡A²¾©~¬ü°ê«e¡A¥L´¿¦b¨È¾ú¤s¤j(Alexandria)±Mªù°ö°Vªü©Ô§Bµ×­^¥÷¤lªººû¦h§Q¨È¾Ç°|(Victoria College)´NŪ¡C

¡@

1951¦~¡AÂĨ̼w¦]¬G³Q¾Ç®Õ¶}°£¡A®a¤H§â¥L°e¨ì¬ü°ê³Â¦{ªº»®»X¤s±H±J¾Ç®Õ¡]Mount Hermon School¡^¡A¾¨ºÞ¦¨ÁZÀu²§¡AÂĨ̼w©l²×ı±o¦Û¤v»P·sÀô¹Ò®æ®æ¤£¤J¡C«á¨Ó¥L¶i¤J´¶ªL´µ¹y¤j¾Ç¡A1957¦~¥H³Ì°ªºaÅA(summa cum laude)²¦·~«á¡F¦b«¢¦ò¤j¾Ç§ðŪ­^¬ü¤å¾Ç¡A¨Ã¤À§O1960©M1964¦~Àò±oºÓ¤h©M³Õ¤h¾Ç¦ì¡A³Õ¤h½×¤åÃD¥Ø¬°¡m±d©Ô¼w»P¦Û¶ÇÅé¤p»¡¡n(Joseph Conrad and the Fiction of Autobiography¡A1966¥Xª©)¡C1963¦~¡A¥LÀò¸u¦¨¬°­ô­Û¤ñ¨È(Columbia)¤j¾Ç­^»y©M¤ñ¸û¤å¾Ç±Ð±Â¡A¦¹«áµÛ§@µ¥¨­¡A¹ð¹ðÀò±o¦U­«¤j¼ú¶µªÖ©w¡A¾Ç³N¦a¦ì¦Û¤£¦b¸Ü¤U¡C1999¦~¡A¥L³Q¿ï¬°¬ü°ê²{¥N»y¨¥¾Ç·|(Modern Language Association)·|ªø¡C

TOP

¬Fªv°Ñ»P

¡@

¦bºëªöªº¾Ç³N¥Í²P¤§¥~¡AÂĨ̼w¤]µo´§ª¾ÃÑ¥÷¤l¦b¤½¦@»â°ìªº¥\¯à¡A¿n·¥°Ñ»P¬FªvijÃDªºÅG½×¡C¥Lªø´ÁÃöª`¤¤ªFº¸¸·§Ú¶Bªº¬Fªv®É§½¡A¤×¨ä¬O¥H¦â¦C©M¤Ú°Ç´µ©Z¤§¶¡ªº½Ä¬ð¡C¦]¬°¥»¨­ªº±Ú¸Ç­I´º¡A¥L·¥¤O¤ä«ùªü©Ôªk¯S(Yasir Arafat)±a»âªº¤Ú°Ç´µ©Z¸Ñ©ñ¹B°Ê¡A1977¦~¦¨¬°¡u¤Ú°Ç´µ©Z¥Á±Úij·|¡v¦¨­û¡A1988¦~¨ó§U°_¯ó¤Ú°Ç´µ©Z¾Ëªk¡Aª½¨ì1991¦~¤~Ãã¥h¸Ó¾¡C

¡@

¦¹¥~¡AÂĨ̼w¤]¸g±`§Q¥Î¾÷·|¦b¦U¤j³ø¥Z°w¯¢®É¨Æ¡C¦b¦è¤è¥LµR§Q©áÀ»¬ü°êªº¤¤ªF¬Fµ¦¡A¨Ã«ü¥X¤@¯ëÁÖ½×¹ï¥ì´µÄõ¥@¬Éªº¬Ýªkªí­±«ÈÆ[¡A¹ê»Ú¤W«o¥Rº¡¤F¦¨¨£»P»~¸Ñ¡CµM¦ÓÂĨ̼w·R¤§²`¡B³d¤§¤Á¡A¹ï©ó¤Ú°Ç´µ©Z©Mªü©Ô§B¥@¬Éªº§åµû¦V¨Ó¯¥¤õ¤]¤Q¤À²r¯P¡C¤ñ¤è»¡¡A¥L´N¦]¬°¤Ú°ò´µ©Z¸Ñ©ñ²Õ´¦b1993¦~ªº¶ø´µ³°¨ó©w(the Oslo Accords)¤¤¹ï¥H¦â¦C¦b»â¤g¤è­±Åý¨B¤Ó¦h¦Ó»Pªü©Ôªk¯S¨Mµõ¡C¬°¤F°l¨D¥Ã¤[©M¥­¡A¥L¤]¥D±i¥H¦â¦C¤H©Mªü©Ô§B¤H¦@²Õ¤@­ÓÁp¨¹°ê®a¡A¦]¦Ó¤Þ°_¤£¤Öª§Ä³¡C2003¦~¡AÂĨ̼w¦b¯Ã¬ù¦]¥Õ¦å¯f³u¥@¡A¨É¦~67·³¡C

TOP

­«­nµÛ§@

¡@

ÂĨ̼w¯d¤U¤F¦Ü¤Ö 28³¡§@«~¡A¥H¤ÎµL¼Æªº¾Ç¦ì½×¤å¡B·s»D±MÄæ©MªÀ½×¡C°£¤F¤W­z´£¹Lªº¡mªF¤è¥D¸q¥~¡n¡A­«­nµÛ§@©|¦³1993¦~ªº¡m¤å¤Æ»P«Ò°ê¥D¸q¡n¡]Culture and Imperialism¡^¡A®Ñ¤¤©µÄò¤F¡mªF¤è¥D¸q¡nªº¤@¨Ç¥DÃD¡F1994¦~ªº¡mÅv¿Ñ»Pª§¹Ü¡G¤Ú°Ç´µ©Z¦Û¨Mªº¾Ä°«¡n¡]The Politics of Dispossession: The Struggle for Palestinian Self-Determination, 1969 - 1994¡^¡B1997¦~ªº¡mÁôÂå촵Äõ¡G´CÅé»P±M®a¦p¦ó¨M©w§Ú­Ì©Ò¨£ªº¨ä¥L¥@¬É¡n¡]Covering Islam: How the Media and the Experts Determine How We See the Rest of the World¡^¡A³Ì«á¬O±ß¦~(1999¦~)ªº¡m¶mÃö¦ó³B¡GÂĨ̼w¦^¾Ð¿ý¡n¡]Out of Place: A Memoir¡A©ÎĶ¡m®æ®æ¤£¤J¡n¡B¡m¤H¦a¤£©y¡n¡^¡A±Ô­z¥L¦Û¤v³Q´Þ¥Á©M¦h»y¨¥ªº­I´º¡A¥H¤Î¥L¤@¸ô¨«¨Ó­±¹ï¦Û§Ú©w¦ì®ÉªºµS¿Ý¤£¨M»P®æ®æ¤£¤Jªº¤ß¸ô¾úµ{¡C

TOP

°Ñ¦Ò®Ñ¥Ø

¡@

¡uEdward Said.¡v Ansers.Com.

http://www.answers.com/topic/edward-said  

¡@

Leitch, Vincent B., ed. ¡uEdward W. Said.¡v The Norton Anthology of Theory and

Criticism. New York: Norton, 2001. 1986-1990.

¡@

©Ô§Æ¼w¡D¥d¸Ì­}µÛ¡C¡Õ·R¼wµØ¡DÂÄ¥ì¼w©M¬ü°êªº¤½²³»â°ì¡G¦VÅv¤OÁ¿¯u¸Ü¡Ö¡C

http://fuhrer.sg1003.myweb.hinet.net/articles/a65.pdf

¡@

³¯ªl¹F½sĶ¡C¡ÕÂĨ̼w ¥ì´µÄõ¤å©ú¤§¥ú¡Ö¡C¡m¦Û¥Ñ®É³ø·s»Dºô¡n¡C¤¤µØ¥Á°ê92

¦~9¤ë27¤é¬P´Á¤»¡Chttp://www.libertytimes.com.tw/2003/new/sep/27/today-int3.htm

¡@

Said, Edward W. µÛ¡C´^Ãh´ÉĶ¡C¡m¶mÃö¦ó³B¡GÂĨ̼w¦^¾Ð¿ý¡n¡C¥x¥_¡G¥ßºü¡A2000

        ¦~¡C

TOP

¬ÛÃöºô¯¸

¡@

The Edward Said Archive

http://www.edwardsaid.org/?q=node/1

«D©x¤èºô¯¸¡A¦ý´£¨ÑÂÄ¥ì¼w¥»¤H»P¦³Ãö¥Lªº¤j¶q¤å³¹³sµ²¡C

¡@

¡uTruth to Power: A Bibliography of Edward Said Online¡v

http://www.themargins.net/said.html

´£¨ÑÂĨ̼wºô¸ô¤å³¹³sµ²

TOP

¤¤¤å®Ñ¥Ø

¡@

Bove, Paul A. ½s¡C¤ýÄR¨È, ¤ý³{®¶Ä¶¡C¡m¦VÅv¤O»¡¯u¸Ü¡GÁɸq¼w©M§åµû®aªº¤u§@¡n(Edward Said and the Work of the Critic: Speaking Truth to Power)¡C¥_¨Ê¡G¤¤°êªÀ·|¬ì¾Ç¥Xª©ªÀ¡A2003¡C

¡@

Kennedy, Valerie µÛ¡Cªô«Û±lĶ¡C¡m»{ÃÑÂĨ̼w¡G¤@­Ó§å§Pªº¾É½×¡n(Edward Said: A Critical Introduction)¡C»O¥_¥«¡G³Á¥Ð¡A2003¡C

¡@

Said, Edward W. µÛ¡C¤ý§Ó¥°µ¥Ä¶¡C¡mªF¤è¥D¸q¡n(Orientalism)¡C»O¥_¿¤¡G¥ßºü¡A2000¡C

¡@

--- µÛ¡C¦¶¥Í°íĶ¡C¡m¤H¤å¥D¸q»P¥Á¥D§åµû¡n(Humanism and Democratic Criticism)¡C¥_¨Ê¡G·s¬P¡A2006¡C

¡@

--- µÛ¡C©öÄPĶ¡C¡m¦ò¬¥¥ì¼w»P«D¼Ú¸Ç¡n(Freud and Non-European)¡C»O¥_¥«: ¦æ¤H, 2004¡C

¡@

--- µÛ¡C³æ¼w¿³Ä¶¡C¡mª¾ÃѤÀ¤l½×¡n(Representations of the Intellectual)¡C»O¥_¥«¡G³Á¥Ð¡A2004¡C

¡@

--- µÛ¡C´^Ãh´ÉĶ¡C¡m¶mÃö¦ó³B¡GÂĨ̼w¦^¾Ð¿ý¡n(Out of Place)¡C»O¥_¡G¥ßºü¡A2000¦~¡C

¡@

--- µÛ¡C½²·½ªLĶ¡C¡m¤å¤Æ»P«Ò°ê¥D¸q¡n(Culture and Imperialism)¡C»O¥_¿¤¡G¥ßºü¡A2001¡C

¡@

--- µÛ¡CÀF¬ö¦tĶ¡C¡m¾B½ªªº¥ì´µÄõ¡G¦è¤è´CÅé²´¤¤ªº¿p´µªL¥@¬É¡n(Covering Islam)¡C»O¥_¿¤¡G¥ßºü¡A2002¡C

¡@

--- µÛ¡CGauri Viswanathan½s¡C³æ¼w¿³Ä¶¡C¡mÅv¤O¡B¬Fªv»P¤å¤Æ¡GÂĨ̼w³X½Í¶°¡n(Power, Politics, and Culture)¡C»O¥_¥«¡G³Á¥Ð¡A2005¡C

¡@

--- ©M Daniel BarenboimµÛ¡C§d®a«íĶ¡C¡m¨Ã¦æ»P¤Ý¸Þ¡G·íª¾ÃѤÀ¤l¹J¤W­µ¼Ö®a¡GÂĨ̼w»P¤Ú­Ûªi¦]¹ï½Í¿ý¡n(Parallels and Paradoxes)¡C»O¥_¥«¡G³Á¥Ð¡A2006¡C

¡@

--- ©M David BarsamianµÛ¡C±ç¥Ã¦wĶ¡C¡m¤å¤Æ»P©è§Ü¡G«á´Þ¥Á½×­z¤j®v·R¼wµØ¡EÂĨ̼w³Ì«á³X½Í¿ý¡n(Culture and Resistance)¡C»O¥_¿¤¡G¥ßºü¡A2004¡C

¡@

--- ©M Jean MohrµÛ¡Cª÷ªµª²Ä¶¡C¡m³Ì«áªº¤ÑªÅ¤§«á¡G¤Ú°Ç´µ©Z¤Hªº¥Í¬¡¡n(After the Last Sky: Palestinian Lives)¡C¥_¨Ê¥«¡G·s¬P¡A2006¡C

¦¶­èµÛ¡C¡mÂÄ¥ì¼w¡n¡C»O¥_¥«¡G¥Í´¼¡A1997¡C

¡@

±iànµÛ¡C¡mÁɸq¼w«á´Þ¥Á²z½×¬ã¨s¡n¡C¤W®ü¥«¡G´_¥¹¤j¾Ç¡A2007¡C

TOP

¥xÆW³ÕºÓ¤h½×¤åÀ³¥Î¹ê¨Ò

¡@

§õ¨qµØ¡C¡Õ·É®áªºÂŽռ@³õ¡G¶ø¥j´µ¯S¡D«Âº¸´Ëªº¥@¬ö³sÀô¼@»P«á´Þ¥Á®Ñ¼g¡Ö

(Theatre of the Blues: The Century Cycle of August Wilson and His

Post-colonial Writing)¡C»OÆW¤j¾ÇÀ¸¼@¾Ç¬ã¨s©ÒºÓ¤h½×¤å¡A2007¡C

¥»½g½×¤å¥H«D¸Ç¬ü°ê¼@§@®a¶ø¥j´µ¯S¡D«Âº¸´Ë¡]August Wilson¡^ªº¤Ü¥@¬ö

³sÀô¼@¡]twentieth-century cycle¡^¬°¬ã¨s¹ï¶H¡A±´°Q«Âº¸´ËªºÀ¸¼@¬O§_

½T¹êÄÝ©ó«á´Þ¥Á¼@³õªº½dÃ¥¡A¨Ã¤ÀªR¥Lªº«á´Þ¥Á®Ñ¼gµ¦²¤¤Î¦¨ªG¡C

¡@

§d¥¿¾±¡C¡Õ³¯¬M¯u§@«~¤§¬Fªv§å§P–¥HÂÄ¥ì¼w²z½×¬°¬ã¨s³~®|¡Ö(Political

Criticize of Ying-chen Chen's masterpiece- Based on Edwad Said's Theory)¡C»O

ÆW¤j¾ÇªÀ·|¬ì¾Ç°|°ê®aµo®i¬ã¨s©ÒºÓ¤h½×¤å¡A2006¡C

¥HÂÄ¥ì¼wªº²z½×¤ÀªR³¯¬M¯u¦p¦ó©M¬°¦ó§å§P«Ò°ê¥D¸q¡A´M¨D³¯¬M¯u§@«~¤¤»O

ÆW¤å¾Çªº²z«¬(form)¡A¤×¨ä§Ü©Ú©x¤è¤å¾Ç©M¾î¦V²¾´Óªº²{¥N¤å¾Ç¤§³B¡C

¡@

°ª®a¸©¡C¡Õ½Ķ©M¯«¸Ü¸Ö¾Ç¡G¶Â­Ùªº·Rº¸Äõ´Â¸t¤§®È¡Ö(Translation and

        Mythopoetics: Seamus Heaney''s Irish Pilgrimage)¡C²H¦¿¤j¾Ç­^¤å¾Ç¨t³Õ¤h½×

        ¤å¡A2004¡C

ÄÄÄÀ¶Â­Ù(Seamus Heaney)ªº¦Û¶Ç¸Ö¶°¡m¸t¯¸®q¡n(Station Island)¡C²Ä¥|³¹¤Þ

¥Î¤Ú»®¥Åªº¡u§@ªÌ¦ÛªÅ¡v(kenoticism)©MÂÄ¥ì¼wªº¡u¹ï¦ì¾\Ū¡v(contrapuntal

readership)¸ÑÄÀ¶Â­Ùªºªº¯«¸Ü¸Ö¾Ç¡C

¡@

³¢¤p«n¡C¡Õ¸ó»y»Ú¹ê½î¡G¥HEdward W. Said's Orientalism ªº¨âºØ¤¤Ä¶¬°¨Ò¡Ö(A

Analytical Comparison of Cross-strait Chinese Translation¢wTaking E. W. Said's

Orientalism as an Example)¡C»²¤¯¤j¾Ç½Ķ¬ã¨s©Ò¦b¾±M¯ZºÓ¤h½×¤å¡A2005¡C

¥»¬ã¨s§Q¥ÎÂĨ̼wªº¡u²z½×®È¦æ¡v (traveling theory) ©M¡u¥LªÌªº¦A²{¡v

(representations of the Other) §@¬°²z½×¬[ºc¡A¨Ó±´°Q¨â­ÓOrientalism¤¤¤å¥þ

Ķ¥»¡G¤j³°ªº¡mªF¤è¾Ç¡n©M¥xÆWªº¡mªF¤è¥D¸q¡nªºÂ½Ä¶¹êªp¡C

¡@

³¢­×¦ö¡C¡Õ³B©ó§¨Á_¤¤¡G¥j¹p§Æ¡m­¥°Ï¦òªû¡n¤¤¤§²VÂø©Ê»P¥LªÌ©Ê¡Ö(Dwelling in

        Interstices: The Concepts of Hybridity and Otherness in Hanif Kureishi's The

        Buddha of Suburbia)¡C°ª¶¯®v½d¤j¾Ç­^»y¾Ç¨tºÓ¤h½×¤å¡A2007¡C

¹B¥ÎÂĨ̼wªº¡mªF¤è¥D¸q¡n°Q½×²V¦å¨à¥LªÌ©Êªº°ÝÃD¡C

¡@

®}¦³¼Ý¡C¡Õ§i§O³Å¬ì¡G·R¼wµØ¡DÂÄ¥ì¼w¤§¡mªF¤è¥D¸q¡n¤Î¨ä«áÄò¡Ö(Steering Away

        from Foucault: Edward Said's Orientalism and After)¡C°ê¥ß²MµØ¤j¾Ç¥~°ê»y¤å

        ¾Ç¨tºÓ¤h½×¤å¡A2005¡C

±´°Q¦b1972~1986¦~¶¡ÂĨ̼w¦p¦ó¤£Â_ªº­«·s¸àÄÀ¡BºtĶ³Å¬ì(Foucault)¡A

¨Ã½Õ¾ã¥»¨­»P³Å¬ì¦b²z½×»P¹D¼wªº¨¤«×¤Wªº¬Û¹ï¦ì¸m¡C¥»½×¤å¸Õ¹Ï¾ã²z¦¹

¡u±q®¿¥Î¨ì§å§P¡vªº²z½×Âà§é¡A¶i¦Ó¦Ò¹î³o¨ÇÂà§é¦p¦ó¦bÂÄ¥ì¼w¤é«áªº§@«~

¤¤±o¨ìÅé²{»Pµo®i¡C

¡@

³¯«p¤¯¡C¡ÕÃÓ®¦¬ü¤p»¡¡m¦ÊºØ¯«¯µ·P¡n¤¤ªº­Û²zÃö«Y¡Ö(Ethical Relationship in Amy

        Tan's The Hundred Secret Senses)¡C°ê¥ß¬Fªv¤j¾Ç­^»y¾Ç¨tºÓ¤h½×¤å¡A2003¡C

        ¤ÀªR¡m¦ÊºØ¯«¯µ·P¡n¤¤¦è¤è¤H¦p¦ó³z¹LªF¤è¥D¸q¦¡ªºÆ[ÂI¬Ý«Ý«D¦è¤è¤H¤Î¥L

ªÌªº¤å¤Æ¡A¨Ã«Øºc¥X¤@¨t¦C²¤Æªº¤G¤¸¹ï¥ß·§©À¢w¦è¤è»PªF¤è¡B¤å©ú»P³¥

ÆZ¡B¦Û§Ú»P¥LªÌµ¥¡C»{¬°¦Cºû¯Ç´µ(Emmanuel Levinas)ªÖ©w¡u¥LªÌ¡v¤§¡u¥L

©Ê¡vªº­Û²z­õ¾Ç»P³oºØ¥Rº¡¼É¤Oªº¦è¤è½×­z¦¨¬°¹ï¤ñ¡A¨Ã¬°¤§´£¨Ñ¥X¸ô¡C

TOP

Copyright ©2009 °ê¬ì·|¤H¤å¾Ç¤¤¤ß All Rights Reserved.