Faith Wilding, Flesh Petal,
1970. Graphite on paper, 30 x 24"
One of the many "cunt" images generated by the Fresno Feminist Art
Program
Credit: Norma Broude and Mary D.
Garrard. The Power of Feminist Art: The American Movement of the
1970s, History and Impact. New York: Harry N. Abrams, Inc.,
1994.
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Judy Chicago, Cunt as Temple,
Tomb, Cave or Flower, 1974
Credit: Judy Chicago. Through
The Flower.
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Georgia O''Keeffe, Red Canna,
c. 1923
Credit: Jan Garden Castro. The Art
& Life of Georgia O''Keeffe. New York: Crown Trade
Paperbacks, 1995.
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Georgia O''Keeffe, Black Iris,
1926
Credit: Jeffrey Hogrefe. O''Keeffe:
The Life of An American Legend. 《美國女畫家歐姬芙》。毛羽譯。台北：方智，1997。
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Judy Chicago, "Sappo" place
setting from The Dinner Party, 1979
Credit: Norma Broude and Mary D. Garrard.
The Power of Feminist Art: The American Movement of the
1970s, History and Impact. New York: Harry N. Abrams, Inc.,
1994.
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Judy Chicago, The Dinner Party,
1974-79
"White tile floor inscribed in
gold with 999 women''s names; triangular table with painted porcelain,
sculpted porcelain plates, and needlework; each side 48'' set with
thirty-nine place settings, each representing a historic or legendary
woman. Coolaborative work involving over four hundred people."
Credit: Norma Broude and Mary D.
Garrard. The Power of Feminist Art: The American Movement of the
1970s, History and Impact. New York: Harry N. Abrams, Inc.,
1994.
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Leonardo da Vinci''s The Last
Supper, 1495-1498
Credit: CGFA maintained by Carol L. Gerten
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Mary Beth Edelson, Some
Living American Women Artists/Last Supper, 1971.
Credit: Norma Broude and Mary D.
Garrard. The Power of Feminist Art: The American Movement of the
1970s, History and Impact. New York: Harry N. Abrams, Inc.,
1994.
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Sylvia Sleigh, The Turkish
Bath, 1973
Credit: Norma Broude and Mary D.
Garrard. The Power of Feminist Art: The American Movement of the
1970s, History and Impact. New York: Harry N. Abrams, Inc.,
1994.
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Buy My Apples, from a late-19th century popular
French magazine.
Credit: Norma Broude and Mary D.
Garrard. The Power of Feminist Art: The American Movement of the
1970s, History and Impact. New York: Harry N. Abrams, Inc.,
1994.
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Linda Nochlin, Buy My Bananas,
1972
Credit: Norma Broude and Mary D.
Garrard. The Power of Feminist Art: The American Movement of the
1970s, History and Impact. New York: Harry N. Abrams, Inc.,
1994.
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Remedios Varo, Born Again,
1960
Credit: Whitney Chadwick. Women
Artists and the Surrealist Movement. Thames and Hudson, 1985.
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Kay Sage, My Room Has Two
Doors, 1939
Credit: Whitney Chadwick. Women
Artists and the Surrealist Movement. Thames and Hudson, 1985.
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Frida Kahlo, My Birth or
Birth, 1932
"Encouraged by Diego Rivera, Frida
Kahlo decided to document the major events fo her life in a series of
paintings. This first picture shows the artist''s view of her own
birth. It also points, however, to the miscarriage which she has
suffered shortly before. the head of the mother is covered by a
sheet--a reference to the death of her own mother while she was working
on the picture."
Credit: Andrea Kettenmann. Frida Kahlo.
Koln: Benedikt Taschen, 1993.
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Frida Kahlo, The Love Embrace
of the Universe, the Earth(Mexico), Myself, Deigo and Senor Xolotl,
1949
"Frida Kahlo frequently adopted a
maternal role towards her husband and emphasized that women in general,
and "amongst them-I-always want most of all to hold him in their arms
like a new-born baby." The picture contains many elements derived
from ancient Mexican mythology: day and night, sun and moon, the earth
goddess Cihuacoatl. the Itzcuintli dog Senor Xolotl, a being in
the form of a dog who guards the underworld."
Credit: Andrea Kettenmann. Frida Kahlo.
Koln: Benedikt Taschen, 1993.
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台灣女藝術家：
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賴
美華，《女顏》，1995
Credit: 台北市立美術
館展覽組。《意象與美學：台灣女性藝術展》
(Mind
and Spirit--Women''s Art in Taiwan)。1998。
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洪
美玲，《尋道#8》
Credit: 林珮淳主編。
《女/藝/論：台灣女性藝術文化現象》。台北：女書文化，1998。
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郭
娟秋，《生命之樹》，1993
Credit:
林珮淳主編。《女/藝/論：台灣女性藝術
文化現象》。台北：女書文化，1998。
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鄭
淑文，《悠哉！悠哉！》，1992
Credit:
《鄭淑文》。台北：雅集藝術中心，1992。
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邱
紫媛，《暗夜》，1992
Credit: 《邱紫媛》。
台北：台灣畫廊，1992。
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蔡
海如，《湯匙系列2》，1996
Credit: 林珮淳主編。
《女/藝/論：台灣女性藝術文化現象》。台北：女書文化，1998。
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鄭
淑文，《嫁衣》，1991~1992
Credit: 《鄭淑文》。
台北：雅集藝術中心，1992。
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嚴
明惠，《男與女》，1991
Credit: 台北市立美術
館展覽組。《意象與美學：台灣女性藝術展》
(Mind
and Spirit--Women''s Art in Taiwan)。1998。
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邱
紫媛，《山谷裡》，1992
Credit: 《邱紫媛》。
台北：台灣畫廊，1992。
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胡
碩珍，《胚舞系列---乳汁的聲音I》，1995
Credit: 《胡碩珍1995》。台北：愛力根藝術有限公司，1995。
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