原文與注釋(Text and Annotation)
Canto V
|
She said: the pitying audience melt in tears, |
(1-2) |
| But Fate and Jove had stopped the Baron's ears. | |
| In vain Thalestris with reproach assails, | (3-4) |
| For who can move when fair Belinda fails? | |
| Not half so fixed the Trojan could remain, | 5 (5-6) |
| While Anna begged and Dido raged in vain. | |
| Then grave Clarissa graceful waved her fan; | (7-8) |
|
Silence ensued, and thus the nymph began: |
|
|
"Say, why are beauties praised and honoured most, |
[9-34] (9-10) |
| 10 | |
| Why decked with all that land and sea afford, | (11-12) |
| Why angels called, and angel-like adored? | |
| Why round our coaches crowd the white-gloved beaux, | |
| Why bows the side box from its inmost rows? | |
| How vain are all these glories, all our pains, | 15 |
| Unless good sense preserve what beauty gains: | |
| That men may say, when we the front box grace, | |
| Behold the first in virtue as in face! | [18-23] |
| Oh! if to dance all night, and dress all day, | |
| Charmed the smallpox, or chased old age away; | 20 |
| Who would not scorn what housewife's cares produce, | |
| Or who would learn one earthly thing of use? | |
| To patch, nay ogle, might become a saint, | |
| Nor could it sure be such a sin to paint. | |
| But since, alas! frail beauty must decay, | 25 |
| Curled or uncurled, since locks will turn to grey; | |
| Since painted, or not painted, all shall fade, | |
| And she who scorns a man, must die a maid, | |
| What then remains but well our power to use, | |
| And keep good humor still whatever we lose? | 30 |
| And trust me, dear! good humour can prevail, | |
| When airs, and flights, and screams, and scolding fail. | |
| Beauties in vain their pretty eyes may roll; | |
|
So spoke the dame, but no applause ensued: |
35 [35-44] |
| Belinda frowned, Thalestris called her prude. | |
| To arms, to arms! the fierce virago cries, | |
| And swift as lightning to the combate flies. | |
| All side in parties, and begin the attack; | |
| Fans clap, silks rustle, and tough whalebones crack; | 40 |
| Heroes' and heroins' shouts confusedly rise, | |
| And base, and treble voices strike the skies. | |
| No common weapons in their hands are found, | |
|
Like Gods they fight, nor dread a mortal wound. |
|
|
So when bold Homer makes the Gods engage, |
45 [45-53] |
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And heavenly breasts with human passions rage; |
|
| 'Gainst Pallas, Mars; Latona, Hermes, arms; | |
| And all Olympus rings with loud alarms. | |
| Jove's thunder roars, heaven trembles all around; | |
| Blue Neptune storms, the bellowing deeps resound; | 50 |
| Earth shakes her nodding towers, the ground gives way, | |
|
And the pale ghosts start at the flash of day! |
|
|
Triumphant Umbriel on a sconce's height |
[53-56] |
| Clapped his glad wings, and sate to view the fight, | |
| Propped on their bodkin spears the sprites survey | 55 |
|
The growing combat, or assist the fray. |
|
|
While through the press enraged Thalestris flies, |
[57-66] |
| And scatters death around from both her eyes, | |
| A beau and witling perished in the throng, | |
| One died in metaphor, and one in song. | 60 |
| "O cruel nymph! a living death I bear," | |
| Cried Dapperwit, and sunk beside his chair. | |
| A mournful glance Sir Fopling upwards cast, | |
| "Those eyes are made so killing"--was his last. | |
| Thus on Meander's flow'ry margin lies | 65 (65-66) |
|
Th' expiring swan, and as he sings he dies. |
|
|
When bold Sir Plume had drawn Clarissa down, |
[67-74] |
| Chloe stepped in, and killed him with a frown; | |
| She smiled to see the doughty hero slain, | |
|
But, at her smile, the beau revived again. |
70 |
|
Now Jove suspends his golden scales in air, |
|
| Weighs the men's wits against the lady's hair; | |
| The doubtful beam long nods from side to side; | |
|
See fierce Belinda on the Baron flies, |
75 [75-86] |
| With more than usual lightning in her eyes: | |
| Nor feared the chief the unequal fight to try, | |
| Who sought no more than on his foe to die. | |
| But this bold lord, with manly strength endued, | |
| She with one finger and a thumb subdued: | 80 |
| Just where the breath of life his nostrils drew, | |
| A charge of snuff the wily virgin threw; | |
| The Gnomes direct, to every atom just, | |
| The pungent grains of titillating dust, | |
| Sudden, with starting tears each eye overflows, | 85 |
|
And the high dome re-ecchoes to his nose. |
|
| "Now meet thy fate, incensed Belinda cryed, | [87-96] |
| And drew a deadly bodkin from her side. | |
|
(The same, his ancient personage to deck, |
|
| Her great great grandsire wore about his neck | 90 |
| In three seal rings; which after melted down, | |
| Form'd a vast buckle for his widow's gown: | |
| Her infant grandame's whistle next it grew, | |
| The bells she jingled, and the whistle blew; | |
| Then in a bodkin graced her mother's hairs, | 95 |
|
Which long she wore, and now Belinda wears.) |
|
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"Boast not my fall," he cryed, "insulting foe! |
[97-102] |
| Thou by some other shalt be laid as low. | |
| Nor think, to die dejects my lofty mind: | |
| All that I dread, is leaving you behind! | 100 |
| Rather than so, ah, let me still survive, | |
|
And burn in Cupid's flames-but burn alive." |
|
| "Restore the Lock!" she cries; and all around | [103-112] |
| "Restore the Lock!" the vaulted roofs rebound. | |
| Not fierce Othello in so loud a strain | 105 (105-106) |
| Roared for the handkerchief that caused his pain. | |
| And chiefs contend till all the prize is lost! | |
| The lock, obtained with guilt, and kept with pain, | |
| In every place is sought, but sought in vain: | 110 |
| With such a prize no mortal must be blest, | |
|
So heaven decrees! with heaven who can contest? |
|
| Some thought it mounted to the lunar sphere, | [113-122] |
| Since all things lost on earth, are treasured there. | |
| There heroe's wits are kept in ponderous vases, | 115 |
| And beaux' in snuffboxes and tweezer cases. | |
| There broken vows, and deathbed alms are found, | |
| And lovers' hearts with ends of riband bound; | |
| The courtier's promises, and the sick man's prayers, | |
| The smiles of harlots, and the tears of heirs, | 120 |
| Cages for gnats, and chains to yoak a flea; | |
|
Dried butterflies, and tomes of casuistry. |
|
| [123-132] | |
| Though marked by none but quick, poetic, eyes | |
| (So Rome's great founder to the heavens withdrew, | 125 |
| To Proculus alone confessed in view); | |
| A sudden star, it shot through liquid air, | |
|
And drew behind a radiant trail of hair. |
|
| Not Berenice's locks first rose so bright, | |
| The skies bespangling with disheveled light. | 130 |
| The Sylphs behold it kindling as it flies, | |
|
And pleased pursue its progress through the skies. |
|
|
This the beau monde shall from the Mall survey, |
[133-140] |
| And hail with musicits propitious ray. | |
| This the blest lover shall for Venus take, | 135 |
| And send up vows from Rosamonda's Lake. | |
| This Partridge soon shall view in cloudless skies | |
| When next he looks through Gallileo's eyes; | |
| And hence the egregious wizard shall foredoom | |
| 140 | |
|
Then cease, bright nymph! to mourn the ravished hair |
[141-150] |
| Which adds new glory to the shining sphere! | |
|
Not all the tresses that fair head can boast |
|
| Shall draw such envy as the Lock you lost. | |
| For, after all the murders of your eye, | 145 |
| When, after millions slain, yourself shall die; | |
| When those fair suns shall set, as set they must, | |
| And all those tresses shall be laid in dust; | |
| This Lock, the Muse shall consecrate to fame, | |
|
And 'midst the stars inscribe Belinda's Name! |
150 |
|
Line /
No.
|
Word or
Phrase
|
Annotation
|
| Belinda講完話後,可憐她的朋友都流下眼淚來,但是鐵石心腸的Baron卻把她的話置若罔聞,無動於衷。[back] | ||
|
1
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melt in tears | 心軟而流淚。[back] |
|
2
|
Jove | 即Juptier(羅馬神話中的主神)。此處作者模仿Aeneid中的一句話:"Fate, and the God, stop'd his Ears to Love."[back] |
| Belinda本人都沒法感動他,Thalestris罵他更是沒用。[back] | ||
|
3
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Thalestris assails (the Baron) in vain with reproach. = who can move (him) when Belinda (herself) cannot move (him).[back] | |
|
4
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who can move (him) when Belinda (herself) cannot move (him). | |
| Move | 感動之意。[back] | |
| Trojan的狠心尚不及Baron的一半。[back] | ||
|
5
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Trojan…vain | 典故群見Virgil's Aeneid III, 437-43。Jupiter 命令Trojan(或稱Aeneas,為故事中之主角)必須不顧Dido(迦太基女皇)和女皇妹妹 Anna請求,毅然離開迦太基。Virgil而且還把 Trojan比擬為一棟橡樹在暴風雨中屹立不搖。[back] |
| Clarrisa搖著扇子,要大家安靜,然後她便開始說話。[back] | ||
|
8
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Silence ensued | Silence followed接著就靜下來了。 |
| nymph | 指Clarissa。[back] | |
| [第9-34節大意]:第九行至第三十四行為Clarissa要大家安靜後所說的話,內容可分兩段說明:第一段(9-18),女人只有美貌(beauty)尚不夠,一定還要有good sense ,換句話說除了美貌而外,還要有美德(virtue);第二段(19-34),女人唯具姿色是無用的,還得去學點有用的東西,媚力只能吸引男人來看她,德性卻能贏得男人的靈魂。[back] | ||
| Say why are beauties praised and honored most by the wise man's passion and vain man's toast?[back] | ||
|
9
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beauties | 美人。[back] |
|
10
|
vain | 虛榮自負的。 |
| toast | 飲酒祝頌;乾杯。[back] | |
| Why decked with…, / Why angels called…? / | Why are we (beauties) decked…, / Why are we called angels…?[back] | |
|
11
|
decked | decorated裝飾或打扮。 |
| all that land and sea afford | 世上應有盡有的飾物。[back] | |
|
13
|
the white-glove beaux | 帶白手套的情郎或追求者,指英俊瀟灑的男人。[back] |
|
14
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the side box from the inmost rows | 戲院中最前排側面的包廂,指的是戲院中最佳坐位上的男士。[back] |
|
16
|
good sense 才能保留住美色所吸引來的榮耀。[back] | |
| [第18-23節大意]:若大家徹夜歌舞,竟日只注意衣著,誰要來做家事和學點有用的東西呢?[back] | ||
|
20
|
Charmed the smallpox | could cure the smallpox.據載Petre一家在前後二十七年間死於天花者有十八人之多。本詩的男主角Lord Petre也於一七一三年死於天花。[back] |
|
22
|
of use | useful有用的。[back] |
|
23
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To patch | 見Canto I, 138行註。 |
| ogle | 拋媚眼。[back] | |
|
24
|
Nor could it sure be such a sin to paint. | To paint could not surely be such a sin. |
| to paint | 化�菕C[back] | |
|
28
|
maid | virgin maid,處女。[back] |
|
29
|
our power to use | our power to work.[back] |
|
30
|
good humor | 好脾氣。[back] |
|
32
|
airs…flights…screams …scolding | 指女人情感上所容易出現的壞脾氣。[back] |
|
33
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Beauties (美人) may roll their pretty eyes in vain. [back] | |
|
34
|
Charms | 媚力;迷力。 |
| strike | 吸引。[back] | |
| [第35-44節大意]:Clarissa說完無人鼓掌稱好,Thalestris向在場的女仕大呼「動武!動武!」,隨即男男女女打成一團,就像天神們互鬥一般的兇猛。[back] | ||
|
37
|
virago | 潑婦,指Thalestris。[back] |
|
39
|
All side in parties | side為動詞,即take sides。在場的男女都參入了惡鬥的行列。[back] |
|
40
|
whalebone | 當時女人裙內常襯有鯨魚骨做的架子使裙子能泡起來。[back] |
| [第45-53節大意]:荷馬史詩中,描述天神惡鬥的場面,真所謂戰得天昏地暗。 [back] |
||
|
47
|
荷馬史詩Iliad二十章,描述Mars與Pallas; Hermes與Latona兩組分別互鬥。本行句法曲折,在表現兩組大戰方酣的情景。應為: Mars (arms) against Pallas; Hermes arms (against) Latona.[back] | |
|
50
|
海神Neptune狂風大作,海上便波濤洶湧起來。[back] | |
| [第53-56節大意]:Umbriel高居壁上,得意地從旁觀戰,其他小精靈有的也靠在打針上觀戰,有的則參與了惡鬥的行列。[back] | ||
|
53
|
sconce | 一枝高高按在壁上的臘燭。[back] |
|
56
|
fray | fight.[back] |
| [第57-66節大意]:Thalestris在亂軍中衝殺,她顧盼之間,許多男士們便一命鳴呼。[back] | ||
|
57
|
the press | the crowd. [back] |
|
59
|
witling | 自作聰明的人。[back] |
|
62
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Dapperwit | 一個杜撰的名字,Dapper:漂亮整潔, wit就是指59行的witling。[back] |
|
63
|
Fopling | 也是一個杜撰的名字,指59行的beau。 Fop紈糸夸子。[back] |
|
65
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Maeander's flowery margins | Maeander為小亞細亞一河名,以婉延曲折著稱。margins河岸。[back] |
| 混戰中一位男士就像天鵝似的,臨終前叫了一聲,然後便死在蜿蜒的河岸上。[back] | ||
| [第67-74節大意]: Sir Plume把Clarrisa拉倒。Chloe介入,以一個顰眉便取了Sir Plume的性命。Chloe因得勝而失笑,結果她的笑容反使Sir Plume死�奡_活。天神 Jove裁決戰況,認為女方獲勝。[back] | ||
|
68
|
Chloe | 為一女牧羊人。[back] |
|
69
|
doughty | 勇猛的。[back] |
|
71
|
golden scales | 金質的天秤。[back] |
|
73
|
秤桿兩頭忽上忽下,戰鬥的勝負一時難判定。[back] | |
|
74
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終於男方上昇,女方下降,女方重於男方,故女方獲勝。[back] | |
| [第75-86節大意]:Belinda眼中射出異常的電光,追襲男爵,雙方各不示弱, Belinda用兩指把鼻煙粉彈人男爵鼻孔中(因土精Gnome從中指引,煙粉方能粒粒中的)。頓時,男爵淚珠四溢,噴啑之聲響徹宮中穹屋。[back] | ||
|
77
|
the chief | 指男爵,暗示史詩中兩軍對陣的將領。 |
| the unequal fight | 一面倒,或實力懸殊的戰鬥,因為Jove已經判定女方獲勝。[back] | |
|
78
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On his foe to die | 是一雙關語,除戰死在敵人身上之外,另含有男女性愛的意思,此行暗示男爵心存不軌。his foe指Belinda。[back] |
|
82
|
wily virgin | 足智多謀的Belinda。[back] |
|
83
|
to every atom just | (土精從中指引)使每粒煙粉命中目標。[back] |
|
84
|
The pungent grains | 刺激的煙粉。 |
| titillating dust | 令人發痴的煙灰。[back] | |
| [第87-96節大意]:盛怒中的Belinda大吼道:「現在送你上西天!」。然後從身邊(或頭側)取下一個致命的扣針(也是短刀)。這個扣針是她的傳家之寶,已變了好幾次外型。最先在她高曾祖父手中,是三個有印章的指環,掛在老人的脖子上,老人死後又鑄成他寡妻衣袍上的一個大型釦子。其後再鑄成小兒玩的口哨。傳到 Belinda母親手中時,卻變成了一個髮針,如今Belinda使用的正是這個髮針。[back] | ||
|
87
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meet thy fate | 送你上西天。[back] |
|
89
|
his ancient personage to deck | 裝飾他那衰老的容貌。[back] |
|
91
|
In three seal rings | 三個有印章的指環。[back] |
| [第97-102節大意]:Baron喊道:「別以我的敗亡而沾沾自喜,總有人會把妳也壓垮,死並不足使我頹喪志氣,惟離妳而去令我不安,讓我仍留人間活活焚燒在愛火之中。」[back] | ||
|
97
|
insulting foe | 指Belinda。[back] |
|
98
|
shalt be laid as low | low又是一雙關語,除解作「敗倒」而外,也含有「人下人」之意。[back] |
| [第103-12節大意]:Belinda大叫「還我秀髮來!」眾人齊聲應和,其聲宏亮勝過奧賽羅向妻子要手帕的怒吼,但秀髮遍不著,這是天意使然,人何能與天相爭? [back] | ||
| 奧賽羅(Othello)懷疑妻子Desdemona把自己珍視的手帕給了Cassio ,而怒吼要妻子繳出手帕來。[back] | ||
|
107
|
常見壯志受挫。[back] | |
|
108
|
chiefs | 指參與爭執的雙方主要人物。[back] |
| [第113-22節大意]:有人認為秀髮已昇上月球,因為人間一切虛假、瑣碎、無用的東西都何存在月球上。[back] | ||
|
116
|
tweezers cases | 鉗子盒。[back] |
|
122
|
tomes of casuistry | tome大冊。Casuistry決疑論。尤指那些過份小題大作的論作。[back] |
| [第123-32節大意]:具有敏銳慧眼的詩神親見秀髮臨空而去,變成一顆明星,拖著光芒的髮尾劃過長空,Sylphs尾隨其後臨空飛去。[back] | ||
|
123
|
the Muse | 指Pope自己。[back] |
|
125
|
Rome's great founder | 即Romulus,為戰神Mars之子,據說在狂風暴雨之中被戰神帶上天去,羅馬人奉 Romulus為神明。[back] |
|
126
|
Proculus | 為羅馬的一名國會議員,據說Romulus昇天之前曾只向他一人表明自己有被羅馬人奉為神明的願望。[back] |
|
129
|
Berenice's locks | Berenice一埃及皇后,為使丈夫從征戰中平安歸來,把自己的秀髮獻給愛神Venus。其秀髮變成一顆慧星。在北半球有個叫做 Coma Berenicis (=Berenice's hair)的星座,其名即得自此典故。[back] |
|
130
|
bespangling with disheveled light飾有凌亂的光亮。Disheveled是特指頭髮亂。這顆由Belinda秀髮變成的慧星,光芒四射,仍以頭髮的蓬亂狀。[back] | |
| [第133-40節大意]: 這顆慧星因來歷不明,故有各種不同的惴測。[back] | ||
|
133
|
the beau monde | 時髦的少年。 |
| the Mall | 為St. James宮附近一遊樂場,詳情參見「緒言」部分。[back] | |
|
136
|
Rosamonda's Lake | 倫敦市內St. James公園內一長方形的溝,請參見「緒言」部分。[back] |
|
137
|
Partridge | John Partridge (1644-1715)為一星象專家兼著書製作人,他預言法王和羅馬教皇都將崩潰。即140行所提及的事。[back] |
|
138
|
Galileo's eyes | 伽利略(Galilei Galileo 1564-1642意大利物理及天文學家)的天文觀察鏡。[back] |
|
139
|
egregious wizard | 卓越的(過份的)巫師(妖術家)指137行的Partridge。[back] |
|
140
|
Louis | 法王。 |
| Rome | 羅馬教皇,參見137說明。[back] | |
| [第141-50節大意]:詩人向Belinda央求,勿再為失去的秀髮而悲憾,因為美女死後其秀髮能昇天成星者,百萬中不過一人而已。Belinda的秀髮因神之助,得以昇天永駐群星之中。[back] | ||
|
145
|
murders of your eye | 死於Belinda顧盼之間的人。[back] |
|
147
|
fair suns | 眾姝。[back] |
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