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Stephen  Greenblatt
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¡@¡@¡u·s¾ú¥v¥D¸q¡v³o­Óµü·J­º¦¸¥X²{¦b®æªL¥¬µÜ¯S1982¦~¡m¦b­^°ê¤åÃÀ´_¿³¤¤ªº§Î¦¡¤O¶q¡n¡]The Power of Forms in the English Renaissance¡^¤@®Ñ¤¤¡A¥Î¨Ó´yø¡u¤å¾Ç»P¾ú¥vªº¬Û¤¬º¯³z¡v¡]Greenblatt Reader 1-2¡^¡C¥t¥~¡A¦b¡m¨«¦V¤å¤Æ¸Ö¾Ç¡n(“Towards a Poetics of Culture”)¤¤¤]´£¨ì¡G·íªì¨Ï¥Î¡u·s¾ú¥v¥D¸q¡v³o­Óµü·J¡A¶È¬O¤Ñ¥~­¸¨Ó¤@µ§¡A·í®É¨ÃµL·N¹Ï¶}µo·sªºÆ[©À¡A¨S·Q¨ìº¸«á³\¦h¾ÇªÌªu¥Î¡A¸ÓÆ[©Àªº¼vÅT½d³ò¤]·UÁÍÃe¤j¡C¥L¤]´£¨ì¡AÁöµM·s¾ú¥v¥D¸q¥Îªº¬O¡u¥D¸q¡v¨â¦r¡A¦ý¨ä«äºû¼Ò¦¡»Pµ²ºc¥D¸q¡B°¨§J«ä¥D¸qµ¥µ¥¤£¦P¡A¤ñ¸û¹³¬O¤@ºØ¹ê½î (practice)¦Ó«D¾Ç説 (doctrine)¡C

        ®æªL¥¬µÜ¯S¦b¡m¨«¦V¤å¤Æ¸Ö¾Ç¡n¤¤¤¶²Ð·s¾ú¥v¥D¸q¡A¤]¬°¦¹¥´¤U®Ú°ò¡C¥L§åµû·í®É°¨§J«ä¥D¸q¾ÇªÌ¸â©ú«H(Fredric Jameson)©M¸Ñºc¥D¸q¾ÇªÌ§õ¼Ú¶ð(Jean-François Lyotard)¡A»{¬°¨â¤H¹ï©ó¸ê¥»¥D¸qªº¸ÑÄÀ¬Ò¥u§â¡u¾ú¥v¡v·í°µ¥L­Ì²z½×¬[ºc·í¤¤ªº¸Ë¹¢«~¡A¨ü¨ì©¿²¤¡C¸â©ú«H§â¸ê¥»¥D¸q·í§@¤@ªÑ¤O¶q¡A¸Õ¹Ï¦bÃÀ³N»P¬Fªv¤§¶¡¡B¨p¤H»P¤½²³¤§¶¡«Ø¥ß°_¤@¹D³sµ²¡A¦Ó©Ò¦³»â°ì¤]ÂǦ¹§ä¨ìªº³sôªººÞ¹D¡C¦Ó§õ¼Ú¶ðªºÅÞ¿èµy¦³¤£¦P¡A»{¬°¸ê¥»¥D¸q¬O¤@ºØ«ä¦Ò¤èªk¡A¦Ó³oºØ«ä¦Ò¤èªk¥´¯}©Ò¦³ÃÀ³N¡B¬Fªvµ¥µ¥½dÃ¥¤§¶¡ªºÃä¬É¡A¶i¦ÓÅܦ¨©Ò¦³»â°ì¤¤°ß¤@¥Î¨Ó·¾³qªº«ä¦Ò¤èªk¡C¥H¤W¨â®a¹ï¸ê¥»¥D¸q¦U¦³¨£¸Ñ¡A¦ý®æªL¥¬µÜ¯S»{¬°¨â¤H¥u¬O§â¸ê¥»¥D¸q·í°µ²z½×¬[ºc¡A«o¥¼Ä²¤Î¸ê¥»¥D¸q¦bªÀ·|¤Î¸gÀ٤譱ªºµo®i¡A©¿²¤¡u¾ú¥v¡v¦b¸ê¥»¥D¸qªººc¦¨·í¤¤§êºtªº¨¤¦â¡C¦]¦¹¡A®æªL¥¬µÜ¯SÁ|¨Ò¡G»{¬°¬ü°êªº¸ê¥»¥D¸qªº½T¬O¦b¸â©ú«H©M§õ¼Ú¶ð©Ò´£ªº¬[ºc¤§¤U¹B¦æ¡A¦ý¨âºØ¬[ºc¨Ã«D¤@¦¨¤£ÅÜ¡A¦Ó¬O³£¨ü¨ì¬ü°ê¤é¤é©]©]¤£Â_¶i®iªº¾ú¥v©Ò¼vÅT¡A¦]¦¹¤£Â_¶i¦æ§ïÅÜ¡C

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Module on Greenblatt – New Historicism

http://www.cla.purdue.edu/english/theory/newhistoricism/modules/Greenblatthistory.html

“Stephen Greenblatt”-English Wikipedia

http://en.wikipedia.org/wiki/Stephen_Greenblatt

“Stephen Greenblatt”-Answers.com

http://www.answers.com/topic/stephen-Greenblatt

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¥Í¥­µÛ§@

Greenblatt, Stephen, ed. Allegory and RepresentationBaltimore: Johns Hopkins UP, 1981.

--. “The Cultivation of Anxiety: King Lear and his Heirs.”  Raritan 2 (1982): 92-114.

--. "Culture."  Critical Terms for Literary Studies.  Ed. Frank Lentricchia and Thomas McLaughlin. Chicago: Chicago UP, 1990. 225-232.

--. The Greenblatt Reader. Ed. Michael Payne. Oxford: Blackwell, 2005.

--. Hamlet in Purgatory.  Princeton: Princeton UP, 1991.

--. ed. Learning to Curse: Essays in Early Modern CultureLondon: Routledge, 1990.

--. Marvelous Possessions: the Wonder of the New WorldChicago: Chicago UP, 1992.

--. ed. New World EncountersBerkeley: California UP, 1993.

--. ed. The Power of Forms in the English Renaissance.  Special Issue of Genre 15 (1982). Norman, Okla.: Pilgrim, 1982.  

--, and Catherine Gallagher. Practicing New HistoricismChicago: Chicago UP, 2000.

--. “Psychoanalysis and Renaissance Culture.”  Literary Theory / Renaissance TextsEd. Patricia Parker and David Quint. Baltimore: Johns Hopkins UP, 1986. 210-224.

--. ed. Redrawing the Boundaries: the Transformation of English and American Literary --. ed. Studies. Ed. Stephen Greenblatt and Giles Gunn. New York: MLA, 1992.

--. Renaissance Self-Fashioning: from More to ShakespeareChicago: Chicago UP, 1980.

--. ed. Representing the English RenaissanceBerkeley: California UP, 1988.

--. Shakespearean Negotiations: the Circulation of Social Energy in Renaissance England.  Berkeley: California UP, 1988.

--. Sir Walter Ralegh; the Renaissance Man and his Roles.  New Haven: Yale UP, 1973.

--. “The Touch of the Real.”  Representations 59 (1997): 14-29.

--. “Towards a Poetics of Culture.” Southern Review 20 (1987): 3-15. 

--. Will in the World: How Shakespeare Became ShakespeareNew York: Norton, 2004.

 

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