|
|
|
The Found Boat |
作者Author /  Alice Munro 艾莉絲.孟洛 |
|
The Found Boat
|
|
|
|
General Introduction
The Found Boat
|
|
|
|
General Introduction "The strength of her fiction arises partially from its vivid sense of regional focus, most of her stories being set in Huron County, Ont, as well as from her sense of the narrator as the intelligence through which the world is articulated. Her theme has often been the dilemmas of the adolescent girl coming to terms with family and small town. Her more recent work has addressed the problems of middle age, of women alone and of the elderly." (excerpted from the online Munro entry of The 1998 Canadian & World Encyclopedia by McClelland & Stewart
About short story and novel:
''I don't really understand a novel,'' Ms. Munro says. ''I don't understand where the excitement is supposed to come in a novel, and I do in a story. There's a kind of tension that if I'm getting a story right I can feel right away, and I don't feel that when I try to write a novel. I kind of want a moment that's explosive, and I want everything gathered into that.''
About rural southwestern Ontario.
"'I don't think it's very different at all from the Midwest,' she says. 'There are nice old-looking towns, substantial towns, with big brick houses and big shade trees, large churches - many large churches -and factories that tend not to be operating any more. There's good farming land, and the lake - Lake Huron, 10 miles from where I live. And there's a kind of ritualistic wildness - pretty wild, self-destructive driving, a whole culture of sports -hockey is the big thing. The people are very rooted in the place, and it doesn't really matter what happens outside - fame is getting your name in the local paper, not in The Toronto Globe and Mail.'"( excerpted from Canada's Alice Munro Finds Excitement in Short-Story Form )
About SOMETHING I'VE BEEN MEANING TO TELL YOU:
"The collection was an important step in Munro's artistic maturity. Many of these fictions moved away from the strictly regional concentration of her preceding two books, and she began to take considerable liberty with point-of-view. Third-person narratives and the disruption of linear chronology appeared. Characters were seen, or were self-revealed, as considerably more complex." (Some Other Reality 14)
|
|
|
The Found Boat from SOMETHING I'VE BEEN MEANING TO TELL YOU (1974)
- The neighborhood: coldness in early Spring, the river, the sidewalk and maple syrup.
- The relationship between the boys and the girls before the boat is found, and after.
- Symbolic meanings: the Flood, the river, Spring and the forsaken train station.
- Why do the kids want to play Truth or Dare? Are there clues preparing us for it? What do you think about the final dare and the girls' responses to it?
- Why does the climax focus on Eva and Clayton? Are there symbolic meanings to their names?
|
|
|
|
|
|
|
|
|
|
|
|