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Walt Whitman

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The dapper journalist of the 
early 1840s
 
The rough of 1854
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The individualist of the 1850s
 
The elegant frontispiece of the 
1860edition of Leaves of Grass
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Whitman and Peter Doyle
 
In 1879, with the son and daughter
of John Johnston
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In 1879
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Broadway, New York (1836); etching by Thomas Hornor

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Street prostitution in New York, 1850
 
The Crystal Palace, New York, 1853

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View of Manhattan street life, 1855

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The Trapper's Bride (1837); painting by
Alfred Jacob Miller

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Walt Whitman. c. 1854-55. Engraving by Samuel Hollyer after a daguerreotype by Gabriel Harrison

This engraving was printed as the frontespiece to the first edition of Leaves of Grass in 1855. What are some of the attitudes and values Whitman seems to want to convey in his pose?

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Front and back covers of the 1860 promotional pamphlet Leaves of Grass Imprints

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Refer to Walt Whitman's "To a Locomotive in Winter"

Snow Sheds on the Central Pacific Railroad in the Sierra Nevada Mountains, May 18, 1869. c. 1869. Joseph Becker

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American Express Train. Currier and Ives print

Thy black cylindric body, golden brass and silvery steel,

Thy ponderous side-bars...

Thy great protruding headlight fix'd in front...

The dense and murky clouds out-belching from thy smoke-stack...

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The Great West. Currier and Ives print

Launch'd o'er the prairies wide, across the lakes,

To the free skies unpent and glad and strong.

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Civil War Poems

Civil War dead

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Civil War wounded

Union Army hospital ward

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