| Selected Bibliography
Text and Image: Selective Annotated Bibliography
Aisenberg, Katy. Ravishing Images: Ekphrasis in the Poetry and Prose of William Wordsworth, W.H. Auden, and Philip Larkin. New York: Peter Lang, 1995.
Altieri, Charles. Painterly Abstraction in Modernist American Poetry. Cambridge: Cambridge UP, 1989.
Barricelli, Jean-Pierre and Joseph Gibaldi, eds. Interrelations of Literature. New York: MLA, 1982.
Becker, Andrew S. The Shield of Achilles & the Poetics of Ekphrasis: Theory, Philology, & the Shield of Achilles. Rowman & Littlefield, 1995.
Bender, John B. Spenser and Literary Pictorialism. Princeton UP, 1972.
Benton, Michael J. Secondary Worlds: Literature Teaching & Visual Arts. Milton Keynes: Open UP, 1992.
Bergmann, Emilie L. Art Inscribed: Essays on Ekphrasis in Spanish Golden Age Poetry. Cambridge: Harvard UP, 1979.
Berry, Diana. Legacy of War: Poetry, Prose, Painting & Physics. Ed. Campbell Mackenzie. London: Royal Society of Medicine, 1995.
Bryson, Norman. Vision and Painting: The Logic of the Gaze. New Haven: Yale UP, 1983.
---. Word and Image: French Painting of the Ancient Regime. Cambridge: Cambridge UP, 1983.
Buchwald, Emile and Ruth Roston, eds. The Poet Dreaming in the Artist's House: Contemporary Poems about the Visual Arts. Minneapolis: Milkweed, 1984.
Bullen, J. B., ed. Sun is God: Painting, Literature & Mythology in the Nineteenth Century. Oxford: Oxford UP,1989.
Butler, Christopher. Early Modernism: Literature, Music and Painting in Europe, 1900-1916. Oxford: Oxford UP, 1994.
Caws, Mary Ann. The Art of Interference: Stressed Readings in Verbal and Visual Texts. Princeton: Princeton UP, 1989.
Cohen, Michael. Sisters: Relation & Rescue in Nineteenth-Century British Novels & Paintings. Fairleigh Dickinson UP, 1995.
Collier, Peter and Robert Lethbridge. Artistic Relations: Literature and the Visual Arts in Nineteenth-Century France. New Haven: Yale UP, 1994.
Cooke, John. The Influence of Painting on Five Canadian Writers: Alice Munro, Hugh Hood, Timothy Findley, Margaret Atwood, & Michael Ondaatje. Edwin Mellen P, 1996.
Creeley, Robert, ed. A Poetry Anthology. Des Moines, IA: Des Moines Art Center, nd.
Curran, Stuart. Poetic Form and British Romanticism. Oxford: Oxford UP, 1990.
Dasenbrock, Reed W. The Literary Vorticism of Ezra Pound & Wyndham Lewis: Towards the Condition of Painting. 1985. Ann Arbor: UMI Books on Demand.
Diggory, Terence. William Carlos Williams & the Ethics of Painting. Princeton: Princeton UP, 1991.
Drucker, Johanna. The Visible Word: Experimental Typography and Modern Art, 1909-1923. Chicago: U of Chicago P, 1994.
Dysart, David. L. The Role of Painting in the Works of Theodor Storm. New York: Peter Lang,1992.
Egri, P. Literature, Painting and Music: An Interdisciplinary Approach to Comparative Literature. State Mutual Book & Periodical Service, 1988.
Erwin, John W. Annunciations to Anyone: The Disclosure of Authority in Writing & Painting. New York: Peter Lang, 1991.
Evett, David. Literature & the Visual Arts in Tudor England. Athens: U of Georgia P, 1990.
Feal, Rosemary G. and Carlos Feal. Painting on the Page: Interartistic Approaches to Modern Hispanic Texts. New York: State U of New York P, 1995.
Ferguson, Suzanne and Barbara Groseclose. Literature & the Visual Arts in Contemporary Society. Ohio State UP, 1985.
Flaxman, Rhoda L. Victorian Word-Painting & Narrative: Toward the Blending of Genres. Rochester: U of Rochester P, 1991.
Gavin, Harry R, ed. The Arts and Their Interrelations. Lewisburg: Bucknell UP, 1979.
Gollin, Rita K. Prophetic Pictures: Nathaniel Hawthorne's Knowledge & Uses of the Visual Arts. Greenwood, 1991.
Hagstrum, Jean H. The Sister Arts. Chicago: U of Chicago P, 1958.
Halter, Peter. The Revolution of the Visual Arts and the Poetry of William Carlos Williams. Cambridge: Cambridge UP, 1994.
Heffernan, James. A Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: U of Chicago P, 1993.
---. The Re-Creation of Landscape: A Study of Wordsworth, Coleridge, and Turner. Hanover:UP of New England, 1984.
Hines, Thomas J. Collaborative Form: Studies in the Relations of the Arts. Kent State UP, 1991.
Hirsch, Edward, ed. Transforming Vision: Writers on Art. Boston: Little, Brown, 1994.
Hubbard, Tom. Integrative Vision: Poetry & the Visual Arts in Baudelaire, Rilke &
MacDiarmid. Akros, 1997.
Huddleston, Eugene L. and Douglas A. Noverr. The Relationship of Painting and Literature: A Guide to Information Sources. Gale Research, 1978.
Hulse, Clark. The Rule of Art: Literature and Painting in the Renaissance. Chicago: U of Chicago P, 1990.
Hunt, John D. The Figure in the Landscape: Poetry, Painting & Gardening During the Eighteenth Century. Baltimore: Johns Hopkins UP, 1989.
Hunter, Jefferson. Image and Word: The Interaction of Twentieth-Century Photographs and Texts. Cambridge: Harvard UP, 1987.
Hurley, Ann and Kate Greenspan, eds. So Rich a Tapestry: The Sister Arts & Cultural Studies. Lewisburg: Bucknell UP, 1995.
Jensen, H. James. The Muses' Concord: Literature, Music & the Visual Arts in the
Baroque Age. Ann Arbor: UMI Books on Demand.
Knapp, Bettina L. Word, Image, Psyche. Ann Arbor: UMI Books on Demand, 1985.
Krieger, Murray. Ekphrasis: The Illusion of the Natural Sign. Baltimore: Johns Hopkins UP, 1992.
Kroeber, Karl. Romantic Landscape Vision: Constable and Wordsworth. Madison: U of Wisconsin P, 1975.
Lessing, Gotthold E. Laocoon: An Essay on the Limits of Painting and Poetry. Translated by Edward A. McCormick. Baltimore: Johns Hopkins UP, 1984.
Kearns, James. Symbolist Landscapes: Place of Painting in the Poetry and Criticism of Mallarme and His Circle. Modern Humanities Research Association, 1989.
Leavell, Linda. Marianne Moore and the Visual Arts. Baton Rouge: Louisiana State UP, 1995.
Loizeaux, Elizabeth .B. Yeats and the Visual Arts. New Brunswick, NJ: Rutgers UP,1986.
Loss, Archie K. Joyce's Visible Art: The Work of Joyce and the Visual Arts. Ann Arbor: UMI Books on Demand.
MacGowan, Christopher. William Carlos Williams' Early Poetry: The Visual Arts Background. Mellen Research UP. 1984.
MacLeod, Glen. Wallace Stevens and Modern Art. New Haven: Yale UP, 1993.
Martindale, Charles, ed. Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century. Cambridge: Cambridge UP, 1988.
McClatchy, J.D., ed. Poets on Painters. Berkeley: U of California P, 1988.
McColley, Diane K. A Gust for Paradise: Milton's Eden and the Visual Arts. Chicago: U of Illinois P, 1993.
Merrell, Floyd. Simplicity & Complexity: Pondering Literature, Science, and Painting. Ann Arbor: U of Michigan P, 1997.
Mitchell, W.J.T. Iconology: Image, Text, Ideology. Chicago: U of Chicago P, 1986.
---. Picture Theory. Chicago: U of Chicago P, 1994.
Mitchell, W.J.T, ed. The Language of Images. Chicago: U of Chicago P, 1980.
Myers, Jeffrey R. Shakespeare's Mannerist Canon: Ut Picturas Poemata. New York: Peter Lang, 1989.
Paulson, Ronald. Book & Painting: Shakespeare, Milton, & the Bible - Literary Texts & the Emergence of English Painting. U of Tennessee P, 1983.
---. Breaking and Remaking: Aesthetic Practice in England 1700-1820. New Brunswick, NJ: Rutgers UP, 1993.
Perloff, Marjorie. The Futurist Moment: Avant-garde, Avant Guerre, and the Language of Rupture. Chicago: U of Chicago P, 1986.
Praz, Mario. Mnemosyne: The Parallel Between Literature and the Visual Arts. Princeton: Princeton UP, 1970.
Riley, Charles A. Color Codes: Modern Theories of Color in Philosophy, Painting & Architecture, Literature, Music, and Psychology. Hanover: UP of New England, 1995.
---. The Saints of Modern Art: The Ascetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy. Hanover: UP of New England, 1998.
Robillard, Douglas. Melville & the Visual Arts: Ionian Form, Venetian Tint. Kent State UP, 1997.
Robinson, Michael. New Arts, New Worlds: Strindberg and Painting - Inaugural Lecture Delivered on 3 November 1993 in the University of Birmingham. Birmingham: U of Birmingham, Department of Drama & Theatre Arts, 1994.
Rogers, Franklin R. Painting & Poetry: Forms, Metaphor and the Language of Literature. Lewisburg: Bucknell UP, 1986.
Roston, Murray. Changing Perspectives in Literature and the Visual Arts, 1650-1820. Princeton: Princeton UP, 1990.
---. Renaissance Perspectives in Literature and the Visual Arts. Princeton: Princeton UP, 1987.
---. Victorian Contexts: Literature and the Visual Arts. New York: New York UP, 1996.
Schwartz, Daniel R. Reconfiguring Modernism: Explorations in the Relationship between Modern Art and Modern Literature. New York: St. Martin𠏋, 1997.
Scott, David. Pictorialist Poetics: Poetry and the Visual Arts in 19th Century France. Cambridge: Cambridge UP, 1988.
Sill, Geoffrey M. and Roberta K. Tarbell. Walt Whitman and the Visual Arts. New Brunswick, NJ: Rutgers UP, 1991.
Smith, Grant F. The Sculpted Word: Keats, Ekphrasis, and the Visual Arts. Hanover: UP of New England, 1994.
Smith, Lindsay. Victorian Photography, Painting and Poetry: The Enigma of Visibility in Ruskin, Morris and the Pre-Raphaelites. Cambridge: Cambridge UP, 1995.
Smith, Mark. Literary Realism and the Ekphrastic Tradition. University Park: Pennsylvania State UP, 1995.
Steiner, Wendy. Exact Resemblance to Exact Resemblance: The Literary Portraiture of Gertrude Stein. New Haven: Yale UP, 1978.
---. The Colors of Rhetoric: Problems in the Relation between Modern Literature and Painting. Chicago: U of Chicago P, 1982.
---. Pictures of Romance: Form Against Context in Painting and Literature. Chicago: U of Chicago P, 1988.
Sten, Christopher. Savage Eye: Melville and the Visual Arts. Kent State UP, 1992.
Torgovnick, Marianna. The Visual Arts, Pictorialism and the Novel: James, Lawrence, & Woolf. Princeton: Princeton UP, 1985.
Wagner, Peter. Icons - Texts - Iconotexts: Essays on Ekphrasis and Intermediality. Berlin: Walter De Gruyter, 1996.
Webster, Michael P. Reading Visual Poetry after Futurism, Vol. 4: Marinetti,
Apollinaire, Schwitters, Cummings. New York: Peter Lang, 1995.
Wendorf, Richard. The Elements of Life: Biography and Portrait-Painting in Stuart and Georgian England. Oxford: Oxford UP, 1990.
Witemeyer, Hugh. George Eliot and the Visual Arts. New Haven: Yale UP, 1979.
Wolf, Bryan J. Romantic Re-Vision: Culture and Consciousness in Nineteenth Century American Painting and Literature. Chicago: U of Chicago P, 1986.
Zinnes, Harriet, ed. Ezra Pound and the Visual Arts. New York: New Directions, 1980. |
