英文文學與文化教學資料庫

My Wood



	1 A few years ago I wrote a book which dealt in part with the difficulties of the English in India. Feeling that they would have had no difficulties in India themselves, the Americans read the book freely. The more they read it the better it made them feel, and a cheque to the author was the result. I bought a wood with the cheque. It is not a large wood--it contains scarcely any trees, and it is intersected, blast it, by a public footpath. Still, it is the first property that I have owned, so it is right that other people should participate in my shame, and should ask themselves, in accents that will vary in horror, this very important question: What is the effect of property upon the character? Don't let's touch economics; the effect of private ownership upon the community as a whole is another question--a more important question, perhaps, but another one. Let's keep to psychology. If you own things, what's their effect on you? What's the effect on me of my wood?

	2 In the first place, it makes me feel heavy. Property does have this effect. Property produces men of weight, and it was a man of weight who failed to get into the Kingdom of Heaven. He was not wicked, that unfortunate millionaire in the parable, he was only stout; he he struck out in front, not to mention behind, and as he wedged himself this way and that in the crystalline entrance and bruised his well-fed flanks, he saw beneath him a comparatively slim camel passing through the eye of a needle and being woven into the robe of God. The Gospels all through couple stoutness and slowness. They point out what is perfectly obvious, yet seldom realized: that if you have a lot of things you cannot move about a lot, that furniture requires dusting, dusters require servants, servants require insurance stamps, and the whole tangle of them makes you think twice before you accept an invitation to dinner or go for a bathe in the Jordan. Sometimes the Gospels proceed further and say with Tolsoty that property is sinful; they approach the difficult ground of asceticism here, where I cannot follow them. But as to the immediate effects of property on people, they just show straightforward logic. It produces men of weight. Men of weight cannot, by definition, move like the lightning from the East unto the West, and the ascent of a fourteen-stone bishop into a pulpit is thus the exact antithesis of the coming of the Son of Man. My wood makes me feel heavy. 3 In the second place, it makes me feel it ought to be larger.

	4 The other day I heard a twig snap in it. I was annoyed at first, for I thought that someone was blackberrying, and depreciating the value of the undergrowth. On coming nearer, I saw it was not a man who had trodden on the twig and snapped it, but a bird, and I felt pleased. My bird. The bird was not equally pleased. Ignoring the relation between us, it took fright as soon as it saw the shape of my face, and flew straight over the boundary hedge into a field, the property of Mrs. Henessy, where it sat down with a loud squawk. It had become Mrs. Henessy's bird. Something seemed grossly amiss here, something that would not have occurred had the wood been larger. I could not afford to buy Mrs. Henessy out, I dared not murder her, and limitations of this sort beset me on every side. Ahab did not want that vineyard--he only needed it to round off his property, preparatory to plotting a new curve--and all the land around my wood has become necessary to me in order to round off the wood. A boundary protects. But--poor little thing--the boundary ought in its turn to be protected. Noises on the edge of it. Children throw stones. A little more, and then a little more, until we reach the sea. Happy Canute! Happier Alexander! And after all, why should even the world be the limit of possession? A rocket containing a Union Jack, will, it is hoped, be shortly fired at the moon. Mars. Sirius. Beyond which . . . . But these immensities ended by saddening me. I could not suppose that my wood was the destined nucleus of universal dominion--it is so very small and contains no mineral wealth beyond the blackberries. Nor was I comforted when Mrs. Henessy's bird took alarm for the second time and flew clean away from us all, under the belief that it belonged to itself.

	5 In the third place, property makes its owner feel that he ought to do something to it. Yet he isn't sure what. A restlessness comes over him, a vague sense that he has a personality to express-- the same sense which, without any vagueness, leads the artist to an act of creation. Sometimes I think I will cut down such trees as remain in the wood, at other times I want to fill up the gaps between them with new trees. Both impulses are pretentious an empty. They are not honest movements towards money-making or beauty. They spring from a foolish desire to express myself and from an inability to enjoy what I have got. Creation, property, enjoyment form a sinister trinity in the human mind. Creation and enjoyment are both very, very good, yet they are often unattainable without a material basis, and at such moments property pushes itself in as a substitute, saying, "Accept me instead--I'm good enough for all there." It is not enough. It is, as Shakespeare said of lust, "The expense of spirit in a waste of shame": it is "Before, a joy proposed; behind, a dream." Yet we don't know how to shun it. It is forced on us by our economic system as the alternative to starvation. It is also forced on us by an internal defect in the soul, by the feeling that in property may lie the germs of self-development and of exquisite or heroic deeds. Our life on earth is, and ought to be, material and carnal. But we have not yet learned to manage our materialism and carnality properly; they are sill entangled with the desire for ownership, where (in the words of Dante) "Possession is one with loss." 6 And this brings us to our fourth and final point: the blackberries.