"The Circling Hand"
'Columbus in Chains' from Annie John
"A Walk to the Jetty"
Jamaica Kincaid beautifully delineates hatred and fear, because she knows they are often a step away from love and obsession. At the start of Annie John, her 10-year-old heroine is engulfed in family happiness and safety. Though Annie loves her father, she is all eyes for her mother. When she is almost 12, however, the idyll ends and she falls into deep disfavor. This inexplicable loss mars both lives, as each grows adept at public falsity and silent betrayal. The pattern is set, and extended: "And now I started a new series of betrayals of people and things I would have sworn only minutes before to die for." In front of Annie's father and the world, "We were politeness and kindness and love and laughter." Alone they are linked in loathing. Annie tries to imagine herself as someone in a book--an orphan or a girl with a wicked stepmother. The trouble is, she finds, those characters' lives always end happily. Luckily for us, though not perhaps for her alter ego, Kincaid is too truthful a writer to provide such a finale. (from Reviews and Commentary for Annie John, Amazon)
2. Separation: the changes
3. the primal scene
'Columbus in Chains' from Annie John
Remember "Dan in the Man in the Van" when reading this excerpt.
Here our discussion of colonial education and postcolonial resistance will
continue:
"A Walk to the Jetty"
1. Contradictory signs of independence + signs of nostalgia
in this chapter?
2. Annie's views of her parents & marriage
3. Walking away from the past (memories, education and transitional objects)
Can you relate to her need to leave the place forever? pp. 144-148
Are you sympathetic with her hatred of the mother? Pp. 133