原文與注釋(Text and Annotation)
Canto III
| Close by those meads for ever crowned with flowers, | [1-8] [1-36] |
| Where Thames with pride surveys his rising towers, | |
| There stands a structure of majestic fame, | (3-4) |
| Which from the neighboring Hampton takes its name. | |
| Here Britain's statesmen oft the fall foredoom | 5 |
| Of foreign tyrants, and of nymphs at home; | |
| Here thou, great Anna! whom three realms obey, | |
| Dost sometimes counsel take-and sometimes tea. | |
|
Hither the heroes and the nymphs resort, |
[9-18] |
| To taste awhile the pleasures of a court; | 10 |
| In various talk the instructive hours they past, | |
| Who gave a ball, or paid the visit last: | |
| One speaks the Glory of the British Queen, | |
| And one describes a charming Indian screen; | |
| A third interprets motions, looks, and eyes; | 15 |
| At every word a reputation dies. | |
| Snuff, or the fan, supply each pause of chat, | |
| With singing, laughing, ogling, and all that. | |
| Meanwhile, declining from the noon of day, | [19-36] |
| The sun obliquely shoots his burning ray; | 20 |
| The hungry judges soon the sentence sign, | |
| And wretches hang that jurymen may dine; | |
| The merchant from the Exchange returns in peace, | |
| And the long labours of the toilet cease. | |
| Belinda now, whom thirst of fame invites, | 25 |
| Burns to encounter two adventrous knights, | |
| At ombre singly to decide their doom; | |
| And swells her breast with conquests yet to come. | |
| Straight the three bands prepare in arms to join, | |
| Each band the number of the sacred nine. | 30 |
| Soon as she spreads her hand, the aerial guard | |
| Descend, and sit on each important card: | |
|
First Ariel perched upon a Matadore, |
|
| Then each, according to the rank they bore; | |
| For Sylphs, yet mindful of their ancient race, | 35 |
| Are, as when women, wonderous fond of place. | |
|
Behold, four Kings, in majesty revered, |
[37-44] |
| With hoary whiskers and a forky beard; | |
| And four fair Queens whose hands sustain a flower, | |
| The expressive emblem of their softer power; | 40 |
| Four Knaves in garbs succinct, a trusty band; | |
| Caps on their heads, and halberds in their hand; | |
| And parti-colored troops, a shining train, | |
|
Draw forth to combat on the velvet plain. |
|
| 45 [45-64] | |
|
"Let Spades be trumps!" she said, and trumps they were. |
|
|
Now move to war her sable Matadores, |
|
| In show like leaders of the swarthy Moors. | |
| Spadillio first, unconquerable lord! | |
| Let off two captive trumps, and swept the board. | 50 |
| As many more Manillio forced to yield, | |
| And marched a victor from the verdant field. | |
| Him Basto followed, but his fate more hard | |
| Gained but one trump and one plebian card. | |
| With his broad saber next, a chief in years, | 55 |
| The hoary Majesty of Spades appears; | |
| Puts forth one manly leg, to sight revealed, | |
| The rest, his many-colored robe concealed. | |
| The rebel Knave, who dares his prince engage, | |
| Proves the just victim of his royal rage. | 60 |
| Even mighty Pam, that kings and queens overthrew, | |
| And mowed down armies in the fights of loo, | |
| Sad chance of war! now, destitute of aid, | |
|
Thus far both armies to Belinda yield; |
65 [65-74] (65-66) |
| Now to the Baron fate inclines the field. | |
| His warlike amazon her host invades, | |
| The imperial consort of the crown of Spades. | |
| The Club's black tyrant first her victim died, | |
| Spite of his haughty mien, and barberous pride: | 70 |
| What boots the regal circle on his head, | |
| His giant limbs, in state unwieldy spread; | |
| That long behind he trails his pompous robe, | |
| And of all monarchs only grasps the globe? | |
|
The Baron now his Diamonds pours apace; |
75 [75-86] |
|
Th' embroidered King who shows but half his face, |
|
| And his refulgent Queen, with powers combined, | |
| Of broken troops an easy conquest find. | |
| Clubs, Diamonds, Hearts, in wild disorder seen, | |
| With throngs promiscuous strew the level green. | 80 |
| Thus when dispersed a routed army runs, | |
| Of Asia's troops, and Afric's sable sons, | |
| With like confusion different nations fly, | |
| Of various habits, and of various dye, | |
| The pierced battalions disunited fall, | 85 |
|
The Knave of Diamonds tries his wily arts, |
[87-100] |
|
And wins (oh shameful chance!) the Queen of Hearts. |
|
| At this, the blood the virgin's cheek forsook, | |
| A livid paleness spreads o'er all her look; | 90 |
| She sees, and trembles at the approaching ill, | |
| Just in the jaws of ruin, and Codille, | |
| And now (as oft in some distempered state) | |
|
On one nice trick depends the general fate, |
|
| An Ace of Hearts steps forth: the King unseen | 95 (95-96) |
| Lurked in her Hand, and mourned his captive Queen. | |
| He springs to vengeance with an eager pace, | |
| And falls like thunder on the prostrate Ace. | |
| The nymph exulting fills with shouts the sky; | (99-100) |
| The walls, the woods, and long canals reply. | 100 |
|
O thoughtless mortals! ever blind to fate, |
[101-104] |
| Too soon dejected, and too soon elate! | |
| Sudden these honours shall be snatched away, | |
|
And cursed for ever this victorious day. |
|
| 105 [105-124] | |
|
The berries crackle, and the mill turns round; |
|
| On shining altars of Japan they raise | |
| The silver lamp; the fiery spirits blaze: | |
| From silver spouts the grateful liquors glide, | |
| And China's earth receives the smoking tide. | 110 |
| At once they gratify their scent and taste, | |
| And frequent cups prolong the rich repast. | |
| Strait hover round the fair her airy band; | |
| Some, as she sipped, the fuming liquor fanned, | |
| Some o'er her lap their careful plumes displayed, | 115 |
| Trembling, and conscious of the rich brocade. | |
| Coffee (which makes the politician wise, | (117-118) |
| And see through all things with his half-shut eyes) | |
| Sent up in vapours to the Baron's brain | |
|
New stratagems, the radiant Lock to gain. |
120 |
| Ah cease rash youth! desist ere 'tis too late, | |
| Fear the just Gods, and think of Scylla's fate! | |
| Chang'd to a bird, and sent to flit in air, | |
| She dearly pays for Nisus' injured hair! | |
|
But when to mischief mortals bend their will, |
125 [125-138] |
| How soon they find fit instuments of ill! | |
| Just then, Clarissa drew with tempting grace | |
| A two-edged weapon from her shining case; | |
| So ladies in romance assist their knight, | |
| Present the spear, and arm him for the fight. | 130 |
| He takes the gift with reverence, and extends | |
| The little engine on his fingers' ends; | |
| This just behind Belinda's neck he spread | |
| As o'er the fragrant steams she bends her head: | |
| 135 | |
| A thousand wings, by turns, blow back the hair; | |
| And thrice they twitched the diamond in her ear, | |
| Thrice she looked back, and thrice the foe drew near. | |
| Just in that instant, anxious Ariel sought | [139-146] |
| The close recesses of the virgin's thought; | 140 |
| As on the nosegay in her breast reclined, | |
| He watched the Ideas rising in her mind, | |
| Sudden he viewed, in spite of all her art, | |
| An earthly lover lurking at her heart. | |
| Amazed, confused, he found his power expired, | 145 |
|
Resigned to fate, and with a sigh retired. |
|
|
The peer now spreads the glittering forfex wide, |
[147-154] |
| To enclose the Lock; now joins it, to divide. | |
| Even then, before the fatal engine closed, | |
| A wretched Sylph too fondly interposed; | 150 |
| Fate urged the shears, and cut the Sylph in twain, | |
| (But airy substance soon unites again) | |
| The meeting points the sacred hair dissever | [153-160] |
| From the fair head, for ever and forever! | |
| Then flahed the living lightning from her eyes, | 155 |
|
And screams of horror rend the affrighted skies. |
|
| Not louder shrieks to pitying heaven are cast, | |
| When husbands, or when Lapdogs breathe their last, | |
| Or when rich China vessels, fallen from high, | (159-160) |
| In glittering dust and painted fragments lie! | 160 |
| "Let wreaths of triumph now my temples twine, | [161-170] |
| The victor cryed, "the glorious prize is mine! | |
| While fish in streams, or birds delight in air, | |
| As long as Atalantis shall be read, | 165 |
| Or the small pillow grace a lady's bed, | |
| While visits shall be paid on solemn days, | |
| While nymphs take treats, or assignations give, | |
| So long my honour, name, and praise shall live! | 170 |
| [171-178] | |
| And monuments, like men, submit to fate! | |
| Steel could the labor of the Gods destroy, | |
| And strike to dust the imperial towers of Troy; | |
| Steel could the works of mortal pride confound, | 175 |
| And hew triumphal arches to the ground. | |
| What wonder then, fair nymph! thy hair should feel | |
|
The conquering force of unresisted Steel? |
|
Line /
No.
|
Word or
Phrase
|
Annotation
|
| [第1-8節大意]:描述Hampton Court的地理位置:在泰晤士河畔,皇宮附近花遍地,英國政界人士常在此預卜與政治和女人有關的事。[back] | ||
|
1
|
Close by | 傍近。 |
| meads | (詩語)=meadows .[back] | |
|
2
|
surveys | 審視、檢閱。 |
| his | 指Thames。泰晤士河流倫敦。猶如審閱其兩岸高聳的建築物。[back] | |
| a structure…its name | a structure of majestic frame = Palace, 指 Hampton Court,其名取自鄰近的Hampton。 1-4行的主詞為strcture,動詞為stands第一行的crowned 為過去分詞,修飾meads,第二行的Where,指meads,第四行的which指a structure of majestic frame。[back] | |
|
5
|
Here | 指Hampton Court。 |
| oft | often.[back] | |
|
6
|
nymphs | 原指居於山林水澤中半人半神的少女;此處指宮廷中的貴婦。5-6
行的字序應為: "Here Britain's statesmen oft foredom the fall/Of foreign tyrants and [the fall] of nymphs at home." Foredoom = prejudge事先註定。 [back] |
|
7
|
three realms | 當時的英國在名義上仍統治法國,英倫三島及愛爾蘭。6-8 兩行的大意是:偉大的Anna ,統治著三片土地,時而在此諮詢國事,時而在此品茶休憩。為 zeugma把 counse l和Tea並排看Canto II詩間tea讀如[tei],與 obey同韻。[back] |
| [第9-18節大意]:和Belinda同行的一群男女到達Hampton Court,大家談論許多有趣的話題。諸如:舞會,拜訪,女王,印度古玩,容貌,拋媚眼…。[back] | ||
|
9
|
the heroes | 指courtiers朝臣。 |
| resort | 常去。[back] | |
|
12
|
Who | 指第11行的they。they指the heroes and the nymphs ball舞會。[back] |
|
13
|
the British Queen | 此處仍指Queen Anne。[back] |
|
14
|
Indian screen | 當時的英人對印度和中國古蹟古玩之搜集,蔚為風尚。[back] |
|
16
|
At…dies | 復辟時代的社會風氣至為放縱淫惡,及安妮女王時變而為保守,矯飾。此句即反映出當時上流社會的實況。[back] |
|
17
|
Snuff | 鼻煙。[back] |
|
18
|
ogling | 送秋波,拋媚眼。[back] |
| [第19-36節大意]: 時間已近下午,Belinda準備和兩位男士玩牌。每人刀九張牌,始比賽,護衛Belinda的精靈立刻降落的女主人的牌上,Ari守住王牌Matador,其他精靈各按身份,大小依次各佔一牌。[back] | ||
|
20
|
obliquely | 斜斜地。此處指日已西斜。 |
| his | 指the sun。[back] | |
|
21
|
the sentence sign fair | 在判決書上簽字。此處的sign為助詞,照正常的字序應置於the sentence之前。[back] |
|
22
|
wretches | 可憐的人。此處指被判了吊刑的犯人。 |
| that | so that. | |
| jurymen | 陪審團。[back] | |
|
23
|
Exchange | 交易所。[back] |
|
24
|
toilet | 指Belinda的化�菕C第19-24行的大意是:午時已過,炎日西斜,餓餓的法官們趕緊簽好了判決書,問吊了判刑的犯人之後,陪團才好進餐;商賈安祥地從交易所回來,而費時許多的化�菑]停當了。[back] |
|
25
|
thirst of fame | 對聲名的渴望。[back] |
|
26
|
two adventurous knights | 兩個有冒險精神的騎士,指下文的Lord Petre和另一青年。[back] |
|
27
|
ombre | 源於西班牙的一種紙牌戲,於十七世紀傳入英國,至十世紀初葉而大為流行。其名或係來自西班牙文"Yo soy I'hom bre"即 "I am the man."通常是三個人玩,每人九張牌,不什麼花色當王牌,最大的牌恆為黑桃一點 (Spadille), Spodilio (L. 49)而梅花一點Basto (L. 53)的身價恆為第三。為Ombre(即當莊家)者,有權決定用什麼王牌。如Belinda在本詩中所為。其他兩人必須跟進。可能的話,每組花色的A(么點)只算一分,但黑桃一和梅花一例外。第25-28行的主詞為 Belinda,動詞為Burns(第26行)和Swe(第28行)。這四行的大意是:Belinda渴望名聲,急於會見個富有冒險精神的騎士,單就 Ombre這種牌來決定他們的運,故以滿懷雄心,以贏取即將來臨的勝利。[back] |
|
29
|
Straight | Immediately. |
| the three bands prepare in arms to join | 三人的牌局,有如支軍隊,準備兵戈相見。客廳中的紙牌嚴如戰場上的會戰。[back] | |
|
30
|
the sacred nine | 每人分持九張牌。The Nine Muses係希臘神中的九位繆司,統轄文學、藝術、天文等。此處用sacred一字係為使牌戲顯得高貴,莊嚴。[back] |
| [第1-36節大意]:Belinda攤開手上的九張牌時,那些負責護衛的精靈就降臨各張要的紙牌上。Ariel據守Matadore,其他的精靈亦按其等級守紙牌,因為這些精靈依舊牢記前生,當其為女人時,酷喜分別位的高低。[back] | ||
|
31
|
the aerial guard | 指第33行的Ariel和第35行的Sylphs。[back] |
|
33
|
Matadore | Ombre牌戲中三張最大的王牌。西班牙 Matadores,意為鬥牛士或謀殺者。[back] |
|
36
|
When women | when they are women.[back] |
| [第37-44節大意]:牌戲中King, Queen, Knave各四張,加上其他各色牌都準備上陣斯殺,一拼勝負。[back] | ||
|
38
|
With…beard | hoary whiskers指班白的絡腮鬍子,forky beard指成叉狀的仁丹鬍;這是紙牌上的國王的樣子。[back] |
|
39
|
a flower | 紙牌上的女王皆手捻鮮花。[back] |
|
40
|
emblem | 標幟,象徵。這一行的大意是:鮮花象徵女王自溫柔中散透的威力。[back] |
|
41
|
Knaves | 即牌戲中的Jacks。 |
| In garbs succinct | garbs為服裝;succinet = girded up腰部束繫。意指Knaves穿著疾裝勁服。[back] | |
|
42
|
halberts | 戟。Knaves頭戴帽,手持戟。[back] |
|
43
|
parti-colored | 雜色的。 |
| a shining train | 服飾輝煌的行列。[back] | |
|
44
|
the velvet plain | 天鵝絨似的平野,此指覆以天鵝絨的牌桌,有如三支事隊會戰的戰場。[back] |
| [第45-64節大意]: Belinda宣稱黑桃為王牌,牌仗開始,Belinda連勝了四次。 [back] | ||
|
45
|
The skillful nymph…care | The skillful nymph指Belinda。她仔細地檢閱手中紙牌的實力,一副勝卷在握的模樣。 [back] |
|
46
|
"Let Spades be trumps!" | Belnda身為ombre,有權決定王牌。她因手中擁有兩張黑桃,當然要選黑桃為王牌。 Trump-字源自triumph。此句顯係模仿聖經創世紀的句型:An God said: "Let there be light, and there was light".模仿的用意同註30。[back] |
|
47
|
her sable Matadores | 黝黑的殺人者,指黑桃Ace。[back] |
|
48
|
In show…Moors | Show指外觀,Swarthy=sable。此行的大意是:黑桃Ace的模樣就像黝黑的摩爾人的領袖。[back] |
|
49
|
Spadillio | 即黑桃Ace,是最大的王牌。按Spadillio一字源自西班牙文espailla,意為「劍」。 Belinda 出牌,旗開得勝,另兩位各輸一張小黑桃,即較小的王牌。[back] |
|
50
|
Led…the board | Led的主詞係上行的Spadillio。此行的大意是:逮走兩張被俘的王牌,並席捲牌桌。 [back] |
|
51
|
Manillio | 黑桃2,為次大的王牌。這是第二仗, Belinda又以黑桃2大贏,另兩家各輸一張小黑桃。[back] |
|
52
|
And marched a victor from the verdant field | a victor指黑桃2; verdant field跟第44行的 velvet plain同指牌桌。此行的大意是:青蔥的綠野上,一個勝利者昂首闊步,不可一世。[back] |
|
53
|
Him Basto followed | Him指上行的Manillio,此處作followed的受詞;Basto即梅花Ace,為第三次的王牌。[back] |
|
54
|
plebeian card | 雜牌。Plebeian一字為「下等的」,「下層階級的」之意。第53-54行的大意是: Belinda出了Manillio之後,隨即出Basto。 Basto贏得較為辛苦,吃了一張黑桃,和一張雜牌。此役仍為Belinda得勝。[back] |
|
55
|
broad sabre | 寬闊的軍刀。 |
| a chief in year | 一位上了年紀的元首。[back] | |
|
56
|
The hoary Majesty of Spades appears | 鬚髮斑白的黑桃陛下出現了。此即指上一行的a chief in year。[back] |
|
57
|
one manly leg | 一隻壯健的腿。從前的紙牌,國王身穿五彩皇袍,一隻腿露出袍外,近世的紙牌則與此異。第55-58行的大意是:其次是一位佩軍刀,上了年紀的元首,亦即黑桃陛下出現了。他只露出一隻腿,其餘的都被五彩的皇袍遮住了。[back] |
|
59
|
The rebel Knave | 指黑桃Jack,因其膽敢與黑桃K相抗,故稱之為叛逆。 |
| engage | 與…交戰。[back] | |
|
61
|
Pam | 在Loo的牌戲中,梅花Jack被稱為Pam,具有無上的威力,連老K和Q都非其對手,但 Ombre這種牌戲中,Pam卻絲毫不具威力。[back] |
|
62
|
mowed down | 刈倒,擊敗。[back] |
|
63
|
destitute of aid | 孤立無援,孤掌難鳴。[back] |
|
64
|
Falls undistinguished by the victor Spade | 輕而易舉地被黑桃打敗了。Belinda又贏了第四回合;她出黑桃K,兩個對手,一出黑桃Jack。一出梅花Jack。[back] |
| [第65-74節大意]:Belinda雖然連戰皆捷,可是Baron時來運轉,勝了一仗,以黑桃Queen贏了Belinda的梅花King。[back] | ||
| Thus far…field | 這兩行的大意是:到目前為止,兩個對手在Belinda的凌厲攻勢之下,潰不成軍。但現在這位男爵就要轉運了。[back] | |
|
67
|
His warlike amazon | 指男爵所持有的黑桃Queen。 |
| her host | 指Belinda所持的牌。[back] | |
|
68
|
The imperial consort of the crown of Spades | 即黑桃Queen 。第67-68 行的字序應為:His warlike amazon, the imperial consort of the crown of Spades, invades her host.第69行是His warlike amazon的同位語。[back] |
|
69
|
The Club's black tyrant | 指梅花K。Belinda在第五仗首遭敗績。[back] |
|
70
|
Spite of | in spite of; despite. |
| haughty mien | 倨傲的神態。 | |
| barbarous pride | 狂野的傲氣。[back] | |
|
71
|
What boots | What is the use of 有何益處。 |
| the regal circle on his head | crown.[back] | |
|
72
|
giant limbs | 龐大的四肢。 |
| in state | 堂皇尊貴的氣勢。 | |
| unwieldy | 笨重的,不易運作的。第70-72行的大意是:儘管Belinda的梅花K顯得倨傲狂妄,儘管其所戴的王冠及龐大的四肢笨重地伸開,那又有甚麼用呢?[back] | |
|
74
|
And of all monarchs only grasps the globe | 梅花K手中握著象徵王權的寶珠。第73-74行的字序應為He trials his pompous robe…long behind, and of all (the) monarchs only (he) grasps the globe? 大意是說:梅花K吃了敗仗,縱使身披皇袍,袍拖甚長,而萬王之中,雖唯有他手捧皇珠,但這又有何用呢? [back] |
| [第75-86節大意]:男爵使出方塊King和Queen,輕易地繫得對方潰不成軍,方塊、紅桃、紅心的紙牌都四散在綠色牌桌上。被吃了的紙牌,有如潰敗的軍隊,崩潰四散,屍積成堆,盡遭滅亡的命運。[back] | ||
|
75
|
apace | quickly.[back] |
|
76
|
…shows but half his face | 方塊K是四張老K 中唯一僅畫國王的側面像者。[back] |
|
77
|
refulgents | 光輝的;燦爛的。第76-78的字序應為:The embroidered King, who shows but half his face, and his/refulgent Queen, with combined powers, find an easy conquest of broken troops.大意是說:王與后的聯軍很輕易地繫敗了潰散的軍隊;亦即男爵所出的方塊King 和Queen輕而易舉地連下兩城。[back] |
|
80
|
promiscuous | 混雜的;混淆的。 |
| strew | 散播,點綴。 | |
| the level green | 平坦的綠野,此處仍指牌桌。[back] | |
|
81
|
routed | 潰敗;被打垮。[back] |
|
82
|
Asia's troops, and Africa's sable sons | 亞洲的軍隊,和非洲的黑膚子孫。此處皆指各色的紙牌。[back] |
|
83
|
like | 同樣的。[back] |
|
84
|
Of various habit, and of various dye | 不同的服裝,不同的顏色。[back] |
|
85
|
The pierced battalions | 被突破了的大軍。[back] |
|
86
|
In heaps on heaps | 屍積成堆,指被吃去的紙牌之多。 |
| One fate o'erwhelms them all | 遭受同一個命運,即全被男爵的牌吃了。[back] | |
| [第87-100節大意]:對方的方塊Jack吃了Belinda的紅桃Queen,令Belinda大驚失色,自知難逃敗亡之噩運。對方又出紅桃Ace, Belinda以手中的紅桃King出奇致勝,擊敗對方,Belinda欣喜若狂,笑聲震憾四野。[back] | ||
|
87
|
The Knave of Diamonds | 方塊Jack。此處顯係為一雙關語,蓋方塊 Jack也是個擁有鑽石珠寶的惡棍。 |
| Wily | 詭計多端的,足智多謀的。[back] | |
|
88
|
the Queen of Hearits | 紅桃Q。此行亦為雙關語:擁有珠寶的惡棍居然贏得了王后的芳心,難怪Pope氣極嘆道:利用這種機會真丟臉![back] |
|
89
|
At this the blood the virgin's cheeks forsook | 此行的字序應作:At this, the blood forsook the virgin's cheeks, the virgin指Belinda。 Forsook捨棄失去。此行的大意是:Belinda 一見紅桃Q被吃了,不覺面無血色。[back] |
|
90
|
livid | 鉛色的;土色的。Livid paleness蒼白色;死灰色。[back] |
|
91
|
the approaching ill | 即將來臨的災難。Belinda已四勝四敗,能否獲勝,端視這最後一戰,故心中忐忑,如大難將至。[back] |
|
92
|
in the jaws of | 在…的關頭。 |
| Codille | 紙牌戲中輸一盤。[back] | |
|
93
|
distempered state | 不安的狀態。[back] |
|
94
|
trick | 紙牌戲中的一巡。此字亦為雙關語,有「詭計」之意。第91-94行的大意是:Belinda發覺大難將臨,這盤牌戲就要輸定,不覺擔心起來,而輸贏端視這最後的一巡了。[back] |
| An Ace…Queen第兩行的大意是對方打出一張紅桃A的牌;此時 Belinda手中有一張紅桃K,正為他那被活捉的王后(即紅桃Q)悲悼。[back] | ||
|
97
|
springs to vengeance | 躍起復仇;抓住復仇的良機,霍然而起 springs是「跳」、「躍起」之意。[back] |
|
98
|
prostrate | 降伏的;被打敗了的。第97-98行的大意是:紅桃K迅即奮起復仇,以雷霆萬鈞之勢,降伏對方的紅桃A。[back] |
| Thy nymph…reply | 這兩行的字序應為:The exulting nymph fills the sky, the walls, the woods, with shouts, ad lon canals reply大意是:那少女(指Belinda )頓覺歡欣若狂。聲震撼了天空、四壁、森林。連那長長的運河也回聲相應。[back] | |
| [第101-104節大意]:Pope在激戰之中,插入機行勸戒的話,說凡人對命運都茫然不知,欣喜和沮喪都來得太快。得勝之後旋即敗亡,此地預伏即將發生的秀髮劫。[back] | ||
|
101
|
thoughtless mortals | 沒有思想的凡人。[back] |
|
102
|
dejected | 沮喪的。 |
| elate | 得意洋洋,應作elated。[back] | |
|
103
|
Sudden | Suddenly.[back] |
| [第105-124節大意]:喝咖啡的工具準備妥當,玩牌的人開始喝起咖啡來Sylphs從空而降,落在Belinda四周,照顧著女主人,男爵在咖啡的刺激下,起了劫髮的念頭。[back] | ||
|
105
|
board | card board牌桌。[back] |
|
106
|
berries | coffee beans咖啡子。 |
| crackle | 炒咖啡時所發出的嗶啪聲。 | |
| the mill turns round | 研磨器轉動。the mill 指咖啡研磨器。第105-106行的大意是:看那!牌桌上擺滿了杯子和調羹,咖啡子炒過磨細了。[back] | |
|
107
|
altars of Japan | 塗了金漆的日製托盤。[back] |
|
108
|
the fiery spirits blaze | 火焰輝耀。[back] |
|
109
|
silver spouts | 銀製的咖啡壺嘴。 |
| the grateful liquors | 可口而芬芳的液體,指煮好了的咖啡。 grateful: agreeable; pleasant.[back] | |
|
110
|
China's earth | 指瓷杯(=coffee cup)。 |
| the smoking tide | 指冒著煙的咖啡。第109-110行描寫咖啡倒入瓷杯的情狀。[back] | |
|
111
|
they gratify their scent and taste | 指咖啡的香氣與味導皆令人滿意。[back] |
|
112
|
And…repast | 經常舉杯啜飲,拖長了吃點心的時間。 |
| rich | 精美的。[back] | |
|
113
|
hover | 翱翔。 |
| the fair | 美人,指Belinda。 | |
| her airy band | 指Ariel率領的那些精靈。此行的字序應為: Her airy band straight hover round the fair. 大意是:那些精靈就在那美人的周圍翱翔。[back] | |
|
114
|
the fuming liquor | 冒氣的液體,指咖啡(見第110行註)。 [back] |
|
115
|
plumes | 指那些精靈的羽毛。[back] |
|
116
|
brocade | (浮花)織錦。第114-116行的字序應為:As she sipped, some fanned, the fuming liquor, (and) some displayed their careful plumes o'er her lap, trembling, and conscious of the rich brocade, 大意是:Belinda燙飲時,有些精靈把咖啡扇涼,有些則在她的膝蓋上展現羽毛,顫動著並且感覺到織綿的華美。[back] |
| (which…eyes)這兩行的大意是:政客喝了咖啡,就變得靈光,半瞇著眼就能看透事物的真相。按在英國,咖啡館早就成為業餘政客的聚會所。[back] | ||
|
120
|
stratagems | 策略。第117-120行(括弧除外)的大意是:咖啡的熱氣使男爵動了新的主意,想攫得那光芒四射的秀髮。[back] |
|
121
|
rash | 鹵莽的。 |
| desist | 斷念。 | |
| ere | before。[back] | |
|
122
|
Scylla's fate | 這個典故見於奧維德(Ovid)的變形記。Nisus 王曾被Minos圍困於Megara。其女Scylla自望樓上瞥見Minos,而頓萌愛意。Nisus的白髮中,有一綹紫髮,傳係其本人及全國的安危所繫。Scylla就設法拔得這綹紫髮,獻給 Minos,以獲青睞。但Minor卻惡其叛父不孝。破城之後,Minos啟航欲去,而Scylla竟攀的船尾,綣戀不捨,被Minos打落水中。後 Minos變成白鷺,Scylla變成海鳥。[back] |
|
123
|
flits | 飛。[back] |
|
124
|
dearly pays | 付出極大的代價。第123-124行所敘,即為 Scylla叛父所得的懲罰。[back] |
| [第125-138節大意]:Clarissa出現,拿出一把剪刀,交給男爵,等Belinda伏首飲咖啡之際,男爵伸出剪刀,成千的小精靈衝出營救,如是者三次。[back] | ||
|
125
|
mischief | 惡作劇。這一行的字序應為But when mortals bend their will to mischief. [back] |
|
126
|
fit instruments of ill | 做壞事的好工具。第125-126行的大意是:當凡人存心惡作劇時,很快就能找到趁的工具。[back] |
|
127
|
Clarissa | Belinda的閨友。 |
| Tempting grace | 誘人的雅態;容態優雅而動人。[back] | |
|
128
|
A two-edged weapon | 兩刃的武器,指剪刀。 |
| Shining case | 閃爍的套子。Caste指鑷子套(長方形小套子,手大小、內可裝小剪刀、針線等)。當時的婦女流行帶這種套子。[back] | |
|
129
|
romance | 中世紀的騎士故。Pope藉此諷刺騎士的傳統。第127-130行的大意是:就在那個時候, Clarissa從鑷子套�堨X一把剪刀,正如騎士故事�堛漱痐k贈予,武裝騎士赴戰一樣。[back] |
|
132
|
the little engine | 指剪刀。[back] |
| the fragrant steams | 芬芳的熱氣,指咖啡。 | |
| 第133-134行的字序應為:he spread this just behind Belida's neck, as the bends her head over the fragra steams. | ||
| 第131-134行的大意是:男爵虔敬地拿起剪刀,穿在指頭末端,著Belinda低頭喝咖啡時,在她的頸背處撐開刀口。[back] | ||
|
135
|
spries | 精靈。 |
| repair | 去。[back] | |
|
136
|
by turns | 輪番。[back] |
|
137
|
twitched | 猛拉。第134-138行的大意是:數以千計的精靈,著速赴援,數以千計的翅膀,輪番吹髮,精靈們三度猛拉Belinda耳上的鑽石,她三度回顧,而敵人也三度逼近。[back] |
| [第139-146節大意]:就在那危急的當兒,Ariel焦急地尋赴Belinda的心底。他停在她胸前的花束上,察看她的心思,突然發覺,儘管他千方百計想使她的秀髮免於受劫,她卻正情思綿綿。[back] | ||
|
140
|
The close recesses | 聖閉的密室,指Belinda的內心。[back] |
|
141
|
nosegay | 胸前花飾。[back] |
|
144
|
An earthly lover | 一個塵世的情人。[back] |
|
145
|
expired | 無能為力。[back] |
|
146
|
Resigned to fate | 聽任命運的安排。[back] |
| [第147-154節大意]:男爵用剪刀下秀髮。在剪刀交合之前,一個倒霉的精靈妄想阻止,但命運驅策著剪刀,把那精靈剪成兩半(精靈能再自行復原),剪刀交合把秀髮剪斷,永遠跟頭分開了。[back] | ||
|
147
|
forfex | 剪刀。[back] |
|
148
|
enclose | 包圍。 |
| joins | 指剪刀合起來剪住頭髮。 | |
| divide | 剪開。[back] | |
|
149
|
the fatal engine | 致命的武器,指剪刀。[back] |
|
150
|
fondly | foolishly. |
| interposed | 干預。[back] | |
|
151
|
the shears | 指剪刀。 |
| cut...in twain | 剪成兩半。[back] | |
|
153
|
dissever | 剪斷。[back] |
| [第153-160節大意]:Belinda見秀髮被剪,眼中閃出憤怒的電光,高聲警吼,聲勢宏大,勝於死喪了丈夫或愛犬,或摔壞了昂貴的瓷器。[back] | ||
|
155
|
living lightning | 疾烈的閃電,指Belinda閃現的眼神,極言其目而視的神態。這一行的字序應為:Then the living lightning flashed from her eyes.[back] |
|
156
|
rend | 震撼。 |
| affrighted | 嚇壞了的。[back] | |
|
157
|
pitying heaven | 憐憫的上天。這一行的字序應為:Not louder shrieks are cast to pity in? heaven.[back] |
|
158
|
breathe their last | 斷氣,死去。[back] |
| Or…lie! | 當精美而昂貴的瓷器從高處摔落,跌成閃亮耀眼的粉末和彩色鮮明的碎片。[back] | |
| [第161-170節大意]:男爵剪下Belinda的秀髮欣喜欲狂,自以為英名將永垂不朽,他引用了許多必然的事實(如魚之得水,鳥之凌空,英國美女乘六馬的拉車等等)來證明他那不朽的英名。[back] | ||
|
161
|
wreaths of triumph | 勝利的花冠。 |
| twine | 纏繞;戴上。[back] | |
|
162
|
The victor | 勝利者,指男爵。 |
| the glorious prize | 光榮的勝利品,指被剪下的頭髮。[back] | |
|
163
|
fish in streams | 魚在水中。 |
| birds delight in air | 飛鳥翔高之樂。[back] | |
|
164
|
Or in a coach and six the British Fair | 英國美女乘著六馬所拉的馬車。[back] |
|
165
|
Atalantis | 曼利夫人(Mrs. Manley)的Secret Memoirs and Manners of Several Persons of Quality of Both Sexes. From the New Atalantis, an Island in the Mediteranean.於一七○九年出版,影射當代的醜聞。[back] |
|
166
|
grace | 裝飾。[back] |
|
167
|
While visits shall be paid on solemn days | 訪友是當時上流社會婦女的例行要務。晚間是僕從提燈侍候前往。由於訪客需要守約定的日子,故有點像宗教節日舉行的儀式。 Solemn一字是雙關語,一則指遵守時日的重要性,二則亦諷刺這種拜訪有如拜神,而非意在訪友。[back] |
|
168
|
numerous wax-lights in bright order blaze | 無數的獨光成行地輝耀。[back] |
|
169
|
take treats | accept favors from someone. |
| assignantions | 幽會。[back] | |
|
[第171-178節大意]:讚美剪刀(steel)的威力,它毀去了一眾神興建的城市(Troy)
Belinda的秀髮被剪刀必然的結果,不足為奇。[back]
|
||
|
171
|
spare | 不加傷害。 |
| Steel | 雙關語,指武器,也指剪刀。[back] | |
|
173
|
the labor of the Gods | 諸神辛勞所作之物,指Troy;該城傳說Apollo和Poseidon所建。[back] |
|
174
|
strike to dust | 夷為塵埃。 |
| imperial | 莊嚴的。[back] | |
|
175
|
the works of mortal price | 凡人引以自傲之物,指下一行的凱旋門。 |
| confound | 破壞。[back] | |
|
176
|
hew…to the ground | 劈倒在地,夷為平地。 |
| triumphal arches | 凱旋門。[back] | |
|
177
|
fair nymph | 美麗的小女指Belinda。[back] |
|
178
|
unresisted | 所向無敵的。[back] |
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