Barthes'
Semiotics (theory of signs)
Provider: Kate Liu /
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- reference:
Structuralism and Semiotics pp. 123-134 (focus: 123-25; 130-34)
- e. g. national
flag, ads of your choice
- reference: R. Barthes "Myth Today"
- All social practices
as sign-systems. E.g. clothes
- He regards all social
practices as sign-systems which operate on the model of language.
Any actual 'speech' presupposes a system (langue) which is being
used.
e.g. sentence: an ensemble of blouse + skirt + high heeled shoes
- blouse + trousers + snickers
system: a. blouse, shirt, T-shirt
- b. skirt, trousers
- ¡@
on Punk Style
- ¡@
-
- Dick Hebdige thinks
that Levi-Strauss's concept of "homology" can be used to read
punk subculture as a third level of discourse. Punk style
"deconstruct" itself by representing the experience of class contradictions
in the forms of visual puns, bondage, ripped tee shirts and the
link. In linguistic terms, these stylistic signifiers of
sex and class refer to other signifiers, not to signifieds.
- As a result, punk
style becomes a "dislocated, ironic, and self-aware" third-level
discourse signalling the values of contradiction, disruption,
and process.
- Hebdige uses as
support Resistance Through Rituals, in which the authors
use the concepts of homology and bricolage to explain
how a certain subcultural style appeal to a particular group
of people.
- "The skinheads
were cited to exemplify this principle. The boots, braces,
and cropped hair were only considered appropriate and hence
meaningful because they communicated the desired qualities:
'hardness, masculity and workingclassness.'" (Praxis, 184)
(external) Literary
Criticism Databank: Structuralism and Semiotics
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