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    ¡m¤×§Q¦è´µ¡n¬ã¨s¡A¥i°l·¹¦ÜÃe¼w¡]Ezra Pound¡^»P¦ã²¤¯S¡]T. S. Eliot¡^ªºµû½×¡A³ì¥ì´µ»P¤Í¤H¤Ú¬³¡]Frank Budgen¡^¡B¦N¬f¡]Stuart Gilbert¡^ªº¹ï¸Ü©Î®Ñ«H©¹¨Ó¡A¤Î¦Ü¤G¦¸¾Ô«á¦ãº¸°Ò¡]Richard Ellmann¡^úd¨ä¥ß¶Ç©MªÖ¯Ç¡]Hugh Kenner¡^ªº¤å¥»¸ÑŪ¡C·N¶H¥D¸q¥ýÅXÃe¼w¬Æ¦­ª`·N¨ì³ì¥ì´µ¤åªö¡A¦­¦b¡m¤×§Q¦è´µ¡n¥þ®Ñ¥Xª©«e¡A«K·¥¤O©b¨«¡A¨Ï³¡¤À³¹¸`±o¥H´£«e¥Zµn©ó¬ü°ê¤å¾Ç´Á¥ZThe Little Review»PThe Egoist¡CÃe¼wµû½×³ì¥ì´µªº§@«~¡AµÛ­«¤p»¡¤¤¡u¤H¹Dºë¯«ªº¼s«×¡v»P¡u¿W¨ã­·®æ¹ï¨¤¦â¯S½èªº©¾¹ê¨èµe¡v¡A³þ¥ß¤é«á±j½Õ³ì¥ì´µ¼g¹ê­·®æªº¤@¬£µû½×¡]Johnson xvii¡^¡C¦³§O©óÃe¼w¡A¥t¤@²{¥N¥D¸q¤j®a¦ã²¤¯S«hµÛ²´©ó¤p»¡»P²ü°¨¥v¸Öªº¥­¦æ¹ï·ÓÃö«Y¡C¥L»{¬°¡A³ì¥ì´µ¥H²ü°¨¥v¸ÖOdyssey¬°°©·F¡A¬O¬°¤F¡u´x±±¡B¾r¶¿²V¶Ã¦Ó´ùµL§Æ±æªº·í¥N¾ú¥v¡A¨Ã½á¤©§ÎÅé»P·N¸q¡v¡]177¡^¡C¥Lªº¥D±i§Î¦¨¥t¤@¬£µû½×¡Aª`­«³ì¥ì´µ§@«~¶H¼x¡B¯«¸Üªº¦V«×¡CÃe¼w»P¦ã²¤¯S¦P¬°¦è¤è²{¥N¥D¸q§@®a¡A¦]¦¹¥L­Ì¹ï¡m¤×§Q¦è´µ¡nªº¨£¸Ñ±`³Q¬Û´£¨Ã½×¡F¤Ú¬³»P¦N¬f§¡»P³ì¥ì´µ¦³¹L±µÄ²¡A¤]´X¥G¦P®É¦b1930¦~¥N¥Xª©±M®Ñµû½×¡m¤×§Q¦è´µ¡n¡A§Î¦¨¥t¤@²Õ¹ï·Ó¡C¤Ú¬³ªº¦^¾Ð¿ý¦¡µÛ§@James Joyce and the Making of Ulysses¡A¬ö¿ý¥L»P³ì¥ì´µ¦bĬ¾¤¥@µ²ÃѪº¹Lµ{¥H¤Î³ì¥ì´µµÛ®Ñ¹Lµ{¤¤»P¥Lªº°Q½×¡C¥L¸û¤Ö´£¤Î¥v¸Ö¬[ºc»P¤å¥»ªºÃö«Y¡A¦Ó±j½Õ³ì¥ì´µ¦p¦óºÜºÉ¼g¹ê¤§¯à¨Æ§e²{³£¬fªL­·»ª»P¥¬¿c©i¡]Bloom¡^³o­Ó¤p¤Hª«ªº¥Í¬¡¡C¡u¤@¤Ñ¹L¥h¡A§Ú­Ì¹ï¥L[¥¬¿c©i]©Òª¾³Ó¹L¥ô¦ó¨ä¥L¤p»¡¤¤ªº¨¤¦â¡v¡]Budgen 66¡^¡F¦]¦¹¥Lªº¸ÑŪ¸û±µªñÃe¼w¬Ýªk¡C¦N¬f¦Û1927¦~°_»P³ì¥ì´µ¦³©ÒÁpô¡A¤§«á¨ó§U½Ķ¡m¤×§Q¦è´µ¡nªk¤åª©¡]Brooker 60¡^¡C¨ä­«­nµû½×James Joyce’s ‘Ulysses’¡A«h»P¦ã²¤¯S¥D±i¸û¬°Ãþ¦ü¡A°w¹ï®Ñ¤¤¿¦±Kªºµ²ºc¡B¨ãÅé¦Ó·Lªº¶H¼x¤âªk¸Ô¥[¤ÀªR¡]Johnson xviii¡^¡C­È±oª`·Nªº¬O¡A¤Ú¬³»P¦N¬f¨â¥»½×¤å¡A§¡¦b³ì¥ì´µ¦³·N¦a¹ªÀy»P«Øij¤U§¹¦¨¡AÅ㨣¡m¤×§Q¦è´µ¡n§@ªÌ»Pµû½×ªÌ¶¡ªº±K¤ÁÃöÁp¡]Johnson xviii¡^¡C[1]¤G¦¸¾Ô«á¡AªÖ¯Ç»P¦ãº¸°Ò²Ä¤G¥N³ì¾Ç§åµû¿³°_¡A¥L­Ìªº°Q½×¥ç¤£¥XÃe¼w/¦ã²¤¯S¡B¤Ú¬³/¦N¬f©Ò¥Nªíªº¨â±ø¸ô½u¡CªÖ¯Ç©ÓŧÃe¼w¡B¤Ú¬³¤@¬£¡Aª`­«§@«~¼g¹êªº¤@­±¡A²ÓŪ¥æ´©ó¤å¥»¤¤ªº¤å¤Æ¬Fªv­I´º¡A¯S§O¬O¬ì§Þ¦b²{¥N©Ê¤¤§êºtªº¨¤¦â¡F¦ãº¸°Òúd³ì¥ì´µ§@¶Ç¡A¨ä¶Ç°OJames Joyce¦¨¬°¬ã¨s³ì¾Ç­«­n¤åÄm¤§¤@¡C¦ã¤ó»P¦ã²¤¯S¡B¦N¬f¬Û¦ü¤§³B¡A¦b©óúd§@ªÌº}ªyªº¤@¥Í©Î¨ä©Ò³B¡u²V¶Ã¡vªº²{¥N²z¥XÀYºü¡]Eliot 177¡^¡F·í¤G¤Q¥@¬ö²{¥N¥D¸q§@®a¡]¥]¬A³ì¥ì´µ¡^¯É¯É§e²{Â_µõ¡B¤£³s³eªº²{¥N¥Í¬¡®É¡A¦ãº¸°Òªº¶Ç°O®i²{´M¨D¡u½u©Ê»P³s³e©Ê¡vªº¨M¤ß¡]Brooker 102¡^¡C±q¥H¤W¤£Ãø¬Ý¥X¡A³ì¾Çªº³þ°ò»P¶Ç©Ó¡A¦b¦b¤Ï¬M¦è¤è¤å¾Ç¤å¤Æ«ä¼é¡C¥L­Ìªu¥Î¦è¤èªº¤å¾Ç¶Ç²Î¦p¼g¹ê¥D¸q»P²{¥N¥D¸q§@¬°¬ã¨s¤èªk»P°Q½×»y·J¡F«ä¦Ò­±¦V¥ç¤£²æ¦è¤èªÀ·|·í®ÉªºÂàÅÜ¡C¨Ò¦p¡GÃe¼w­«µø³ì¥ì´µ¼g¹ê¤Æªº·N¶HÀç³y»P¥L´£­Ò¼Ðº]ºë½T©Ê¡]precision¡^»P·Ç½T©Ê¡]accuracy¡^ªº·N¶H¥D¸q®§®§¬ÛÃö¡F¦ã²¤¯S»{¬°³ì¥H¡u¯«¸Ü¤èªk¡v¡]“mythic method”¡^²Î¦X²V¶Ãªº²{¥NªÀ·|¡A¥¿¦n¤ä«ù¥Lªø¸ÖThe Waste Landªº®Ñ¼g¡]Eliot 178¡^¡C

 

Bibliography

Brooker, Joseph. Joyce’s Critics: Transitions in Reading and Culture. Wisconsin: The University of Wisconsin Press, 2004.

Budgen, Frank. James Joyce and the Making of “Ulysses.” Oxford: Oxford UP, 1972.

Ellmann, Richard. James Joyce. Rev. ed. New York: Oxford University Press, 1982.

Eliot, T. S. “Ulysses, Order, And Myth.” Selected Prose of T. S. Eliot. Ed. Frank Kermode. London: Faber, 1975. 175-78.

Gilbert, Stuart. James Joyce’s Ulysses: A Study. London: Faber and Faber, 1931.

Gillespie, Michael Patrick and Paula F. Recent Criticism of James Joyce’s Ulysses: An Analytical Review. Rochester: Camden House, 2000.

Gillespie, Michael Patrick. Ulysses in Critical Perspective. Gainesville: University Press of Florida, 2006.

Johnson, Jeri. “Introduction.” Ulysses. Oxford: Oxford UP, 1993. ix-xxxvii.

Kelly, Joseph. Our Joyce: From Outcast to Icon. Austin: University of Texas Press, 1998.

Kenner, Hugh. Ulysses. London: George Allen & Unwin, 1980.

Pound, Ezra. Pound/Joyce: The Letters of Ezra Pound to James Joyce, With Pound's Critical Essays and Articles About Joyce. New York: New Directions Publishing Corporation, 1970.

 

 

 

 



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