Cregan, David. “Camping in Utopia: Frank McGuinness’s Carthaginians and the Queer Aesthetic.” New Voices in Irish Criticism. Vol. 5. Eds. Ruth Connoly and Ann Coughlan. Dublin: Four Courts P, 2005. 24-32.

---. “Irish Theatrical Celebrity and the Critical Subjugation of Difference in the Work of Frank McGuinness.” Modern Drama 47.4 (2004): 671-685.  

Cullingford, Elizabeth B. Ireland’s Others: Ethnicity and Gender in Irish Literature and Popular Culture.  Nortre Dame: U of Notre Dame P, 2001.

Gleitman, Claire. “Reconstructing History in the Irish History Play.” The Cambridge Companion to Twentieth-Century Irish Drama. Ed. Shaun Richards. Cambridge: Cambridge UP, 2004. 218-230.

Harris, Susan C. “Watch Yourself: Performance, Sexual Difference, and National Identity in the Irish Plays of Frank McGuinness.” Genders 28 (1998), available online at http://www.genders.org.

Hurt, James. “Frank McGuinness and the Ruins of Irish History.” A Century of Irish Drama: Widening the Stage. Eds. Stephen Watt, Eileen Morgan and Shakir Mustafa. Bloomington: Indiana UP, 2000. 275-290.

Jordan, Eamonn. The Feast of Famine: The Plays of Frank McGuinness. Berne: Peter Lang, 1997.

---. “Meta-Physicality: Women Characters in the Plays of Frank McGuinness.” Women in Irish Drama: A Century of Authorship and Representation. Ed. Melissa Sihra. New York: Palgrave, 2007. 130-143.

Lojek, Helen H. Contexts for Frank McGuinness’s Drama. Washington D.C.: The Catholic U of American P, 2004.

Lojek, Helen H., ed. The Theatre of Frank McGuinness: Stages of Mutability. Dublin: Carysfort Press, 2002.

Mikami, Hiroko. Frank McGuinness and his Theatre of Paradox. Buckinghamshire: Colin Smythe Limited Gerrards Cross, 2002.

Nally, Kenneth. “Skirting Around Sexuality?: The Plurality of the Gay Identity in Frank McGuinness’ Drama.” New Voices in Irish Criticism. Vol. 5. Eds. Ruth Connoly and Ann Coughlan. Dublin: Four Courts P, 2005. 41-51. 

O’Dwyer, Rima. “Dancing in the Borderlands: The Plays of Frank McGuinness.” The Crows Behind the Plough. Ed. Geert Lernout. Amsterdam: Rodopi, 1991. 99-116.

O’Rawe, Des. “Dissidence and Desire in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme and Carthaginians.” New Voices in Irish Criticism. Ed. P. J. Mathews. Dublin: Four Courts P, 2000. 155-163.

Roche, Anthony. Contemporary Irish Drama: From Beckett to McGuinness. New York: St. Martin’s Press, 1995.

Schneider, Ulrich. “Staging History in Contemporary Anglo-Irish Drama: Brian Friel and Frank McGuinness.” The Crows Behind the Plough. Ed. Geert Lernout. Amsterdam: Rodopi, 1991. 79-98.

¡]For more resources not available in Taiwan, please see the bibliography in Hiroko Mikami’s Frank McGuinness and his Theatre of Paradox.¡^