Provider: 潘建維
Selected Bibliography on W.B. Yeats’ Drama
Bobotis, Andrea. “Rival Maternities: Maud Gonne, Queen Victoria, and the Reign of the Political Mother.” Victorian Studies 49.1 (2006): 63-83. Print.
Huang Shan-Yun. “Staging the Poor Old Woman: Yeats’s Cathleen Ni Houlihan and Synge’s Riders to the Sea.” NTU Studies in Language and Literature 21 (2009): 83-106. Print.
Merrit, Henry. “ ‘ Dead Many Times’: Cathleen Ni Houlihan, Yeats, two Old Women, and a Vampire.” Modern Language Review 96. 3 (2001): 644-653. Print.
Keane, Patrick J.. Terrible Beauty: Yeats, Joyce, Ireland, and the Myth of the Devouring Female. Columbia: U of Missouri P, 1988. Print.
Bramsb"ack, Birgit. Folklore and W. B. Yeats: The Function of Folklore Elements in three Early Play. Stockholm: Uppsala, 1984. Print.
Innes, C. L. Woman and Nation in Irish Literature and Society, 1880-1935. Athens: U of Georgia P, 1993. Print.
Sihra, Melissa. “Introduction: Figures at the window.” Women in Irish Drama: a Century of Authorship and Representation. Ed. Melissa Sihra. Basingstoke: Palgrave Macmillan, 2007. 1-22. Print.
Cullingford, Elizabeth Butler. “‘Thinking of Her . . . as . . . Ireland’: Yeats, Pearse, and Heaney.” Textual Practice 4. 1-1 (1990): 1-21. Print.
Guinness, Selina. “‘Visions and Beliefs in the West of Ireland’: Irish Folklore and British Anthropology, 1898-1920.” Irish Studies Review 6. 1 (1998): 37-46. Print.
Pocock, Stephanie J. “Artistic Limininality: Yeats’s Cathleen Ni Houlihan and Purgatory.” New Hibernia Review 12. 3 (2008): 99-117. Print.
Harris, Susan Cannon. Gender and Modern Irish Drama. Bloomington: Indiana UP, 2002. Print.
Cios'ain, 'O Niall. “Approaching a Folklore Archive: The Irish Folklore Commission and the Memory of the Great Famine.” Folklore 115 (2004): 222-32. Print.
Ross, Daniel W. “Building a House of His Own: Yeats, Domesticity, and ‘Meditations in Time of Civil War’.” ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 22.1 (2009): 35-42. Print. |
