¬ü°ê¤å¾Ç­º­¶   /   The 20th Century -- First Half ¤G¤Q¥@¬ö -- «e¥b  /  §@®a  /  Wallace  Stevens  µØ¼Ö´µ¡E¥v¸¦¤å´µ  /  §@«~
Sunday Mourning
§@ªÌAuthor  /  Wallace  Stevens  µØ¼Ö´µ¡E¥v¸¦¤å´µ

Sunday Mourning

¡@
¡@
¡@
¡@ I (Summary)
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug
mingle to dissipate
The holy hush of ancient sacrifice
. 5 (1-5)
She dreams a little, and she feels the dark
Encroachment
of that old catastrophe,
As a calm darkens among water-lights. (6-8)
The pungent oranges and bright, green wings
Seem things in some procession of the dead, 10
Winding across wide water, without sound. (9-11)
The day is like wide water, without sound,
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre
. 15 (12-15)

II (Summary)
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams? (17-18)
Shall she not find in comforts of the sun,
In pungent fruit and bright, green wings, or else 20
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven? (19-22)
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued 25
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch. (24-29)
These are the measures destined for her soul. 30

III (Summary)
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind. (32-33)
He moved among us, as a muttering king,
Magnificent, would move among his hinds, 35
Until our blood, commingling, virginal,
With heaven
, brought such requital to desire
The very hinds discerned it, in a star. (34-38)
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth 40
Seem all of paradise that we shall know? (39-41)
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue. 45 (42-45)

IV (Summary)
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?" 50
There is not any haunt of prophesy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious
, where spirits gat them home,
Nor visionary south, nor cloudy palm 55
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings. 60 (51-60)

V (Summary)
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfilment to our dreams
And our desires. Although she strews the leaves 65
Of sure obliteration on our paths, (65-66)
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun 70
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet. (65-72)
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves. 75

VI (Summary)
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas 80
They never find, the same receding shores
That never touch with inarticulate pang?
Why set the pear upon those river banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there, 85
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly
. 90

VII (Summary)
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source. 95 (91-95)
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky; (96-97)
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills, 100
That choir among themselves long afterward. (98-101)
They shall know well the heavenly fellowship
Of men
that perish and of summer morn. (102-103)
And whence they came and whither they shall go
The dew upon their feet shall manifest. 105 (104-105)

VIII (Summary)
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay." (106-109)
We live in an old chaos of the sun, 110
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable. (110-113)
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries; 115 (114-115)
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings. 120 (114-120) / (117-120)

¡@
¡@
¡@

¡@

Line
Word or phrase
Annotation

I.

²Ä¤@¸`¤j·N¡G¤@¦ì¤¤¦~ªº¤k¤h¦b¬P´Á¤é¦­±á¡A¬ïµÛ±á¦ç©ÉµM¦Û±o¡A¦b¶§¥ú¤Uªº´È¤l¤W¨É¨ü¿ð¿ðªº¦­À\¡F¦a´à¤W¬ü«aÆxÄM¤]¦Û¥Ñ¦Û¦b¡A¦¹®É¤º¤ßªº¦w¾A»P¥~¦b¨Æª«ªº¬ü¦n¨Ï¦o§Ñ«o¤F©v±Ð¤W¹ï¥Ã¥Íªº¥ø±æ¡CµM¦Ó¤£¤[¡A¦º¤`ªº³±¼v°½°½¨Óŧ¡A©ó¬O¦o¤£´_¨É¨ü·P©x©Ò¹îıªº¬ü¦n¨Æª«¡A¦Ó·QµÛ­C¿qªº¦å©M¼X¹Ó¡A¥ø±æ¥Ã¥Í¡C(back)

1-5 ¡@ ³o¤­¦æ¬°¤@¥y¡A°Êµü¬Omingle¡C[back]
1 Complacencies of the peignoir peignoir¬°¤k¤H©ÒµÛªº±á¦ç¡C¬P´Á¤é¦­±á¿ð¿ð©l°_¡A¬ïµÛ±á¦ç¡A¦³©ÉµM¦Û±o¤§·P¡C[back]
3-4 the green freedom of a cockatoo / Upon a rug Cockatoo¬O¤@ºØ¬ü«aÆxÄM¡C³o°¦ÆxÄM¥i¯à¬O¤@°¦¬¡ªº¬ü«aÆxÄM¼È®É°±¦b¦a´à¤W¡A¤]¥i¯à¬O¦a´à¤Wªº¹Ï®×¡A¤£¹L¥H«eªÌªº¸ÑÄÀ¸û¨Î¡Cgreen«ü¬ü«aÆxÄM¦Ð¤òªºÃC¦â¡A¥tµ¹¤H«C¬K¦Û¦bªºÁp·Q¡Cfreedom¤@¦r¥O¤H·Q°_¦V³¾¤@¼Ëªº¦Û¥Ñ¦Û¦b¡C[back]
4-5 dissipate / The holy . . . sacrifice dissipate¬°ÅX´²¡A³v´²¤§·N¡Cthe holy hush¦]¬P´Á¤é¬O¤W±Ð°ó°µÂ§«ôªº¤é¤l¬GºÙholy¡C³o¤@¤Ñ¨º¦ì¤k¤hªº¾F©~¥i¯à³£¤W¤F±Ð°ó¡A©T±IÀRµLÃÏ¡Cancient sacrifice«ü­C¿q¤§¦º¡C¹ï°ò·þ®{¦Ó¨¥¡A¬P´Á¤é°µÂ§«ô§Y¬ö©À­C¿qªºÄ묹¡C©Ò¥H¾ã­Ó»¡¨Ó¡A¦b·í¤Ñ¦­±á¸g¥Ñ·P©x©Ò·Pıªº¨ãÅé¨Æª«¡A¨ä¯u¹ê¨Ï¦o§Ñ«o©v±Ð¤W©â¶Hªº¹ï¥Ã¥Íªº¬è¨D¡C[back]
6-8 ¡@ ¨º¦ì¤k¤h¨É¨ü¤F¤@°}²´«e¨Æª«ªº¬ü¦n¤§«á¡A¤£¤[¤S³´¤J¤F¤Û·Q¡C¥L·P¨ì¦º¤`©ÀÀYªº¨Óŧ¦³¦p¤@ºØ¹çÀR¦b¤ô¥ú¤¤Åܱo¶Â·t°_¨Ó (Åã¥X±j¯Pªº©ú·t¹ï¤ñ)¡C³o´X¦æ¦b»¡¥L¸g¥Ñ·P©xÀò­Pªº¸gÅ笰¦º¤`ªº³±¼v©Ò³v¡F¦o¤£¦A¨É¨ü¥~¬É¬ü¦nªº¨Æª«¡C[back]
6-7 The dark / Encroachment ·t·t«I¤J¡A§Y¤£ª¾¤£Ä±¤¤¦Ó¦³ªº¡A³o¤]ªí©ú¤F³oºØ·Qªkªº¥i©È¡C[back]
7 old catastrophe ¥j¦Ñªº¤j¨aÃø¡A§Y¦º¤`¡C¦¹³B§Y«ü­C¿qªº¨üÃø¡A¤]«ü¦o¤£¥iÁקKªº¦º¤`¡C[back]
8 ¡@ ¤ô¤¤©Ò¤Ï®gªº¿O¥ú«D±`©ú«G¡A¦Ó¨S¦³¤Ï®g¿O¥úªº¦a¤è«h«Ü·t¡C¦¹¥Î¥HÄ´³ë¦º¤`©ÀÀYªº¶Â·t¥i©È¡C[back]
9-11 ¡@ ¦¹®ÉÄɨ檺¾ï¤l©MÂAÆv¡A«Cºñªº¯Í»H (§Y¥~¦b¬ü¦nªº¨Æª«)¦ü¥G¦¨¬°¦º¤`¦æ¦C¤¤ªº¨Æª«¡A¶¹L­«¬v¡AµLÁnµL®§¡C[back]
9 pungent ¨¯¨ýªº¡F¨ë»óªº¡C¦¹³B¥Î¥H§Î®e¾ï¤lªº­»¨ý¡C[back]
10 some procession of the dead ¬YºØ¦º¤`¨Æª«ªº¦æ¦C¡C¤]´N¬O»¡¾ï¤l¡AÆxÄMµ¥¹êª«Åܬ°¦ºªº¡A©â¶Hªº¡A¨S¦³¹ê½èªºªF¦è¡C[back]
12-15 ¡@ ³o¤@¤Ñ (Sunday)¹³µLÁnªº®ü¬vÅܱo¤@¤ù¨H±I¡A¦¹¤D¦]¬°¦b¤Û·Q¤¤¦o¶V¹L­«¬v¨ì±IÀRªº¤Ú°Ç´µ©Z-¨ü­C¿qªº¦å©M¹Ó©ÒºÞÁÒªº»â°ì¡C³o¤]´N¬O»¡¡A¦o·Q¨ì¦º¡A¤Ñ°ê¡A¥Ã¥Í¡A¨º¤@¤Ñ´NÅܱoªÅµê¦ÓµL·N¸q¡C[back]
13 stilled Åܱo¨H±I¡C±q¥»¸Öªº¶}ÀY¬Ý¨Ó¡A¥~¦bªº¨Æª«¡A¾ï¤l¡A©@°Ø¡AÆxÄMµ¥¦ü¥G°ªÁnªº¹ïµÛ¦o»¡¸Ü¡A¦¹¨è¦]¤Û·Q¨ì¦º¤`¦Ó¨Ï±o¨º¤@¤ÑÅܱo±IµM¡A¦³¦p¤j®üµLÁnµL®§¡C[back]
14-15 to silent . . . sepulchre ±IÀRªº¤Ú°Ç´µ©Z¡A¦å©M¼X¹Óªº»â°ì¡C§Y¬O­C¿qªº¦å©M¹Ó©ÒºÞÁÒªº»â°ì¡C¦p¦¹¦oªº«ä·Q§Y¦b©v±ÐªºÅ¢¸n¤§¤U¡C[back]

II.

²Ä¤G¸`¤j·N¡Gµû­zªÌ»{¬°¨º¦ì¤k¤h¤£À³±Ë±ó²{¹êªº¬ü¦n¨Æª«¦Ó¤Û·QµÛ¤Ñ°ó¡C¯«¬é¥u¬O¤Û¹Ú¡C¤HÀ³±q¤é¥ú¡A¤ôªG¡A¤j¦aªº¬ü´º¤¤Àò±o¼¢ÂÇ¡C¦b¤j¦ÛµM¤¤¡A¤HÁö¦³­W¦³¼Ö¡CµM¦Ó¥Í©R·N¸qªº¿Å¶q¤]´N¦b¦¹¡C(back)

16 bounty ³ø¹S¡A¼úª÷¤§·N¡C§Y¸Ó¤k¤h¸g¥Ñ·P©x©Ò±oªº´r®®¡Cµû­zªÌ°Ý¹D¡G¡u¬°¤°»ò¦o­n§â¦o±q·P©x±o¨Óªº´r®®±Ë±óµ¹¦º¤`©O¡H¡v[back]
17-18 ¡@ ¥L¦A°Ý¹D¡G¡u¦pªG¯«¥u¯à¥HÀRÀRªº³±¼v©Î¹Úªº¤è¦¡¦Ó¨Ó¡AÁÙ¦³¤°»ò¯«¸t¥i¨¥¡H¡v·N«ä¦b»¡¦pªG©v±Ðªº¼¢ÂÇ¡A¹ï¦º«áªº³\¿Õ³£¥u¬O©â¶Hªº·Q¹³¨º»ò´N¨S¦³¤°»ò·N¸q¤F¡C[back]
19-22 ¡@ ¦b³o´X¦æ¤¤¡Aµû­zªÌ¥H¤Ï°Ýªº»y®ð°l°Ý¡C·N«ä¬O»¡¦oÀ³¸Ó¦b¤é¥ú¡A¤ôªG¡A¤j¦aªº¾J»I¡A¬ü´ºµ¥¹³¤Ñ°ó«ä·Q¨º¼Ë­È±o¬ÃÂ꺨ƪ«¤¤§ä¨ì¼¢ÂÇ¡C¦¹³B¤]´N¬O»¡¦oÀ³¸Ó±q¨ãÅ骺¡A¸g¥Ñ·P©x©Ò·Pıªº¹êª«¤¤´M¨D¼¢ÂÇ¡A¦Ó«D®ø·¥ªº¹P¤JµêµLªº©v±Ð¤Û·Q¤¤¡C[back]
23 ¡@ ³o¤@¦æ¬O»¡¯«¥²¶·¬¡¦b¦oªº¤ß¤¤¡A¤]´N¬O­n¦o»P¤j¦ÛµMªº¸U¨Æ¸Uª«¬Û±­¡A¨É¨ü¤j¦ÛµM¤¤ªº¨Æ¨Æª«ª«¡C
[back]
24-29 ¡@ ³o´X¦æ¤¤Á|¨Ò»¡©ú¤j¦ÛµM¤¤¦³¨º¨ÇªF¦è·|¨Ï¦o·P°Ê¡G«B¤Ñ®Éªº¤ßºü¡A¤U³·®Éªº±¡Ãh¡A©t¿Wªº´d±­¡A¾ðªLªá©ñ®É¤£¥i§í¨îªºÅwªY¡F¬î©]¦b«B·Ãªº¸ô¤W°nµoªº°}°}¿E±¡¡F¦^¾Ð®L¤éªº²ÊªK©M¥V¤éªºÌÖâA®É (©Ò·P¨üªº)¤@¤ÁÅw¼Ö©M¤@¤Áµh­W¡C[back]
30 ¡@ ³o¤@¦æÁ`µ²¤W­±´X¦æ¡A»¡©ú¦b¤j¦ÛµM¤¤ÁöµM¦³¼Ö¦³­W¡A¦ý³Ì¬°¯u¹ê¡C§Ú­Ì¥Í©Rªº·N¸q¤]´N¾a¦¹¿Å¶q¤F¡C[back]

III.

²Ä¤T¸`¤j·N¡Gµû­zªÌ¦b¶i¤@¨B§åµû¨º¦ì¤k¤hªºÂÕ»~¡C¥L»{¬°¯«¥u¬O©â¶Hªº¦s¦b¡C¤H¦b³Ð³y¯«¤§«á¡A±N¤§±·±o°ª°ªªº¡A©ó¬O¤Ï¦Ó¬è¨D»P¯«¬Û¦X¡CµM¦Ó³o¥u¬O¦k·Q¡C¤HÀ³¸Ó¤F¸Ñ³o¥@¬É¤~¬O¤H¥@ªº¤Ñ°ó¡A¤]°ß¦³¦p¦¹¡A¤~¯à¤H¤Ñ¬Û±­¡A¯u¥¿¨É¨ü¤j¦ÛµM¡C(back)

31 Jove ©z´µ¡A¬°¥jù°¨¤§¥D¯«¡A(Jupiter¤Ñ¤ý)¡C¦b¦¹¥Nªí©Ò¦³©v±Ð©Î¯«¸Ü¤¤ªº¯«¡C¯«¤D¬O¤H·Q¹³¥X¨ÓªºªF¦è¡A©Ò¥H¨ä½Ï¥Í¤]²§©ó¤H¡C[back]
32-33 ¡@ ¥¿¦]¬°¯«¤D¬O¤H·Q¹³¥X¨Óªº¡A¥u¬O©â¶Hªº¦s¦b¡A©Ò¥HµL¶·¥À¿Ë¨Å¥L¡A¤j¦a¨|¥L¡Clarge-mannered motions«ü®ð¦t°a©ùªº¦æ°Ê¡A¤H§â¯«·Q¹³¦¨¬°ÄÞÄÞµMªº¼Ë¤l¡C[back]
33 his mythy mind ¤H¤]§â¯«·Q¹³¦¨¦³¶W¤Hªº´¼¤O¡Cmythy¡G¹³¯«¸Ü¯ëªº¡C[back]
34-38 ¡@ ¤H³Ð³y¯«¡A¥B±N¤§±·±o°ª°ªªº¡A©ó¬O¤H¤Ï¦Ó¬è¨D»P¯«¬Û¦X¡A§Æ±æ¤H¯«¬Û¥æ¡A¦Ó¨Ï¤H¨ã¦³¯«©Ê¡C©ó¬O¯«´N¹³ªªªÌ¤@¯ë¦æ°Ê©ó§Ú­Ì¤§¶¡¡Aª½¨ì§Ú­Ìªº¦å¡A¥Hµ£¯uªº¤è¦¡»P¯«¬Û¥æ¦Ó¹E©ÒÄ@¡C[back]
34 a muttering king ¤@¦ì³ä³ä¦Ó»yªº°ê¤ý¡C·t¥Ü¯«¤w¦Ñ¤j¡A»¡¸Ü¤£²M¡C
[back]
35 Magificent

among his hinds
§Ú­Ì§â¯«µø¬°²øÄY°ó¬Ó¡A¬GºÙ¡C
hinds¬° (¥À)³À¸s¡A¦¹³B§Y«ü¤HÃþ¡C¤]´N¬O»¡¯«¹³ªªªÌ¤@¼Ë¦b§Ú­Ì¤¤¶¡¨«°Ê¡C¦b°ò·þ±Ð¤¤¡A§â­C©MµØÄ´³ë¦¨ªª¦Ï¤H¦Ó¤H«h¬O¤@¸s¯Ì¦Ï¡C[back]
36-37 commingling, virginal, / With heaven «ü§Ú­Ìªº¦å»P¤W¤Ñ¬Û²V¡A¦Ó¥B¬O¥Hµ£¯uªº¤è¦¡¡C¦b°ò·þ±Ð¤¤¡Aº¿§Q¨È¥Hµ£¯u¤§ÂߦÓÃh¤W«Òªº¨à¤l­C¿q¡C¨ä¥L©v±Ð©Î¯«¸Ü¤¤¥ç¦³¤H¯«¬Û¥æ¦Ó¥¥ªº»¡ªk¡C
[back]
37 such requital to desire requital¬°¹Sµª¡A¦^³ø¤§·N¡C¤H±oÀv©ÒÄ@¡C[back]
38 The very . . . star

discerned

star

³o¬O¤@­ÓªþÄݤl¥y¡A§Y«e­±¦³¤@­Óthat¬Ù²¤¡C³o¤@¦æ¦b»¡¤H¥i¥H±q¤@Áû¬P¤¤¿ë©ú¤H¤w¸g¦pÄ@¥HÀv¡C

(¥Î¥Ø©Î¥Î¤ß)¿ë©ú¡Cit«üthe requital of desire¡C

©Î«üThe star of Bethlehem(§B§Q«í¤§¬P)¡A­C¿q½Ï¥Í®É¡A¤ÑªÅ¥X²{¦¹¬P¡AªF¤è¤T³Õ¤h§Y¾a¦¹¤Þ¾É¨ì§B§Q«í´Â¨£­C¿q¡C[back]

39-41 ¡@ ©ó¬Oµû­zªÌ°Ý¹D¡G§Ú­Ìªº¦å·|¤£·|¥Õ¶O¡H©Î¬O¥¦·|¦]¦¹¦Ó¦¨¬°¼Ö¶é¤§¦å¡F¥L¦b°Ý¥y¤¤§Y·t¥Ü¤F¤H¹ê»Ú¤W¨Ã¥¼±o¹E©ÒÄ@»P¯«¬Û¥æ¡C¦]¦¹¡A¥L¤S°Ý¹D¡G¦Ó¤j¦a·|¹³§Ú­Ì©Òª¾ªº¼Ö¶é¶Ü¡H±qµû­zªÌ¬Ý¨Ó¡A³o¥@¬É¤~¬O¤H¥@ªº¼Ö¶é¡C[back]
42-45 ¡@ ¦b¤H¤F¸Ñ¤F³o­Ó¥@¬É¤~¬O¤H¥Íªº¼Ö¶é¤§«á¡A¤HÅׯà¯u¥¿ªº¨É¨ü¤j¦ÛµM¡A¦Ó¤j¦ÛµM¤]´NÅã±o¿Ëµ½¥i·R¡C
[back]
42 then «ü¤H¤F¸Ñ¤F³o­Ó¥@¬É¤~¬O¤H¶¡¤Ñ°ó«áªº®É¶¡¡C¤@­Ó¤H¦b¨º­Ó®É­Ô¥õ±æ¤ÑªÅ¥çı±o¤ñ²{¦b¿Ëµ½¥i·R¡CThe sky¥i¿×¬O¤j¦ÛµMªº¥Nªí¡C[back]
43 ¡@ ¤H¥@¬O¯u¹êªº¡A¨ãÅ骺¡A¨Ã«Dµ´¹ï¨S¦³ÅܤƨS¦³µh­Wªº¡A©Ò¥H¦b»a¤Ñ¤§¤U¡A¤HÁÙ¬O­n¦³³¡¥÷³Ò°Ê»Pµh­W¡C[back]
44 ¡@ ¦Ó¦bºaÄ£¤W³o­W¼Ö°Ñ¥bªº¤j¦ÛµM¶È¦¸©ó­@¤[ªº·R¡Cenduring¤@­±¦³ªø¤[¤£Åܤ§·N¡A¤@­±ÁÙ¦³§Ô¨ü¤§·N¡C·RÁöµMºaÄ£°¶¤j¡A¦ý¤]»Ý­n¤Hªº°ö¾i¡AÄéµ@¡AºûÅ@©M®e§Ô¡A¤~¯à´þªø¡A­@¤[¡C[back]
45 ¡@ ¦Ó«D³oºØ¤Ñ¬O¤Ñ¡A¤H¬O¤H¡A¤ÑªÅ¥uÅã¥Ü¤@¤ùºzµMªºÂÅ¡C¤]´N¬O»¡¤H¤Ñ¬Û±­¡A¯u¥¿¨É¨ü¤j¦ÛµM¡C[back]

IV.

²Ä¥|¸`¤j·N¡G¸Ö¤¤¤k¤h»{¬°¤H¶¡¨Ã«D¤Ñ°ó¡AÁöµM¬Kº¡¤H¶¡¡A¨ÉºÉÅw¼Ö¡A¦ý¬K¥hªF¨Ó¡A¼Ö¶é¦ó¦b¡H·N¨ý¤H¶¡¥Í¬¡¨Ã«D§¹¬ü¡Cµû­zªÌ»{¬°¤Ñ°ó («ü«D¤H¶¡¤§¼Ö¶é¡A§Y©v±Ð¤¤¤HÃþ©Òµêºc¥X¨Óªº¤Ñ°ê)µêµLÄÆ´ù¡A¨Ã¤£¹ê¦b¡AÁÙ¤£¦p«ÈÆ[ªº²{¹ê¡A¤H¶¡ªº¥Í¬¡¨É¨ü-¬K©Î¬K¤§¦^¾Ð-¨º¼Ë¹ê»Ú¡A«í¤[¡A¥B­@¤H´M¨ý¡C·N¨ý«ÈÆ[ªº¤H¶¡¥Í¬¡¡A¨ãÅ骺·P©x¨É¨ü¡A¤~¬O¯u¥¿ªº¼Ö¶é¡C(back)

46 wakened birds ¿ô¨Óªº³¾¡C¦¹³B¡u³¾¡v¥i°µ¦h­«ªºÁp·Q¡G¡u³¾¡v¬O¦Û¥Ñ¡AÅw¼Öªº¶H¼x¡CŪªÌ¥i¥H±q¬K±á¤p³¾¦Û¥ÑªºÅw°Û³s·Q¨ì¤HÃþ¥Í¬¡¤¤ªº·P©x¨É¨ü¡CIn spring birds are awakened to the sense and begin to taste the joy of life. [back]
47 test the reality "test"§Yexamine¤§·N¡A¥¦ªº¥Dµü¬O "wakened birds"¡C¦¹³B«ü²M±á®É³¾¨à³Ú¥s¡AÁnÁn°ÝµÛ¥Í¬¡¤¤«ÈÆ[ªº²{¹ê¡C[back]
48 misty fields

by sweet questionings
"misty"Ãúªº¡A¨Ï¤HÁp·Q¨ìmorning fields¡C±q46-48¦æ¡A©Òµ¹¤Hªº¬O¡u¬K±á¡vªº·N¶H¡C¦ý³oùØ¡A"misty fields"¥ç¥i¨Ï¤HÁp·Q¨ìincomprehensible world¡A¦]¬°"misty"¥ç¦³ÂaÄg©Î§t½k¤£²M¤§·N¡C

"sweet"µ¹¤H¤@ºØÅw¼Ö²¢»eªº·Pı¡A¡u³¾¡v¦bexamine the reality¡A¦]¬°¤H¶¡¤£©ö¤F¸Ñ¡A©Ò¥H´£¥X³\¦h¥i·Rªº°ÝÃD¡A¥Rº¡¤F¦n©_¤ß¡A·Q­n¤F¸Ñ«ÈÆ[ªº²{¹ê¡C[back]
49 when birds are gone

warm fields
·í³¾¨«®É¡A·N«ü¥V¤Ñ¨ÓÁ{¡C

«ü¡u¬K³¥¡v¡C[back]
50 where, then, is paradise ¼Ö¶é¦ó¦b¡H³o¥y¸Ü»¡©ú¤F¸Ö¤¤¤k¤h¤ß¥Ø¤¤ªº¼Ö¶é¨Ã¤£¬O¦b¤H¶¡¡A¦Ó¬O¦b©v±Ð¤¤ªº¤Ñ°êùØ¡C³oºØ·Qªk»Pµû­z¤Hªº·Qªk¤£¦P¡Aµû­z¤H»{¬°¤H¶¡¤~¬O¯u¥¿ªº¼Ö¶é¡A¤Ñ°êµêµLÄÆ´ù¨Ã¤£¹ê¦b¡C[back]
51 haunt of prophecy ¹w¨¥¤¤±`¨ìªº¦a¤è¡A¥i¯à«ü¤Ñ°ê¡A©Î¥j§Æþ¹w¨¥®aSibyl¦bCumaeªºÅÉ¥Þ¡C[back]
52 old chimera of the grave Chimera¬O§Æþ¯«¸Ü¤¤¤@ºØ·àÀY¡A¦Ï¨­¡A³D§Àªº¦R¤õ©ÇÃ~¡A¤Þ¥Ó¬°«D«D¤§·Q¡C¦]¦¹¤]¥i¯à«ü¤H¦º«áÆF»î·Q¦íªº¦a¤è¡C[back]
53 golden underground «üªº¥i¯à¬O¤H¦º«áÆF»îÂk±J¤§³B¡A¥ç¥i¯à«üAeneasªºgolden bough¡C[back]
53-54 isle / Melodious §Ymelodious island¡A©Î«üSirens©Ò©~¤§®q¡C¦b§Æþ¯«¸Ü¤¤¡ASirens¥H¬ü§®ªººqÁnÅÛ´b¹L¸ôªº¯è®üªÌ¦Ó¨ò¦Ü·À¤`¡C¦¹³B·N«üÆF»îªºÂk±J¡C[back]
54 spirits

gat
«ü¤H¦º«á¤§ÆF»î (Souls after death)

§Ygot¡C[back]
55 Visionary south

cloudy palm . . . on heaven's hill
¤Û·Q¤¤ªº«n°ê³Ó¦a¡C

«ü¤Ñ°ó¡C[back]
57 April's green ¥|¤ë¤§ºñ³¥¡F¬K¤§ºñ³¥¡C[back]
58 her remembrance of the wakened birds °Ñ¾\46¦æ«ü·P©x¥@¬É´r§Öªº¦^¾Ð¡C[back]
59 her desire for June and evening tipped ¤»¤ë¥Õ¤Ñ³Ìªø¡A¶À©ü¤]¬O¬üÄRªº®É¨è¡A¥i»¡¬O¤H¶¡·¥¬ü¤§¹Ò¬É¡Ctouched (by the tips of the swallow's wings)¡Fended¡C[back]
59-60 evening, tipped / By . . . wings «ü¿P³¾ªº¯Í»H¤@´§¦Óµ²§ô¶À©ü¡Cconsummation§¹¦¨¡A¶êº¡¡C[back]
51-60 ¡@ 51-60¦æ¥u¬O¤@¥y¸ÜThere is not . . . nor . . . neigher . . . nor . . . that has endured as . . .¡Qor will endure like . . . or . . . , topped by the consummation of the swallow's wings. ³o¥y¸Ü¬O«ü©Ò¦³¤HÃþ·Q¹³¤¤ªº¤Ñ°ó¡A¤H¦º«áÆF»î¤§¥h³B¡A¨Ã¤£¦p¤H¶¡¬K¤Ñ©Î¬K¤§¦^¾Ð©Î¤»¤ë©M¶À©ü¤§¬ü¦n¨º¼Ë«í¤[¦Ó­@¤H´M¨ý¡A·N«ü¤Ñ°ó¨Ã¤£¦p¤H¶¡¡C¯u¥¿ªº¼Ö¶é¡A¦b©ó¥R¤Àªº¨É¨ü¤H¶¡·P©x¥Í¬¡¦Ó«DÅT©¹¦º«áªº¤Ñ°ó¡A¦]¬°¥¦¨Ã¤£¹ê¦b¡C[back]


V.

²Ä¤­¸`¤j·N¡G¸Ö¤¤¤k¤h¦A»¡¡G¦bº¡¨¬²{¥@¥Í¬¡¤§¾l¡A¤´Ä±»Ý­n¤@ºØ¥Ã«íªº¼¢ÂÇ¡A¤]´N¬O»¡¡A¦o¤´¦³©v±Ð«H¥õªº»Ý­n¡Cµû­zªÌÄ~ºÙ¡G¥@¶¡ªº¤@¤Á¬ü¦n¬Ò¨Ó¦Û¡u¦º¤`¡v¡A¡u¦º¤`¡v¤Þ°_¤@¤ÁÅܤơA§Ú­Ìªº¤@¤Á¦¨±Ñ±o¥¢³£·|¦b¡u¦º¤`¡v¤¤®ø¥¢¡A«C¦~¨k¤k·P©ó¤H¥Í¥^¥^¦Ó¬Û¤¬¼ö·R¡CÁ`¤§¡A³o­Ó¥@¬É¦]¬°¦³¡u¦º¤`¡v¤~¦³¦UºØÅܤơA¦³Åܤƪº¥@¬É¤è­È±o§Ú­Ì¯dÅÊ¡C(back)

62 imperishable bliss ¥Ã«í¤£·Àªº¦w¼¢¡A«ü©v±Ð«H¥õ¤¤¤Ñ°ê¥Ã¥Íªº¼¢ÂÇ¡C
[back]
63 Death is the mother of beauty ¤H¥@ªº¬ü¬Ò¨Ó¦Û¦º¤` (¦³¦º¤`¤~¦³·s¥Í)¡C¦º´N¹³¥À¿Ë¤@¯ë¡A¨Ã¬°¥@¶¡±a¨Ó¦UºØÅܤơAÅý¤H­Ì§ó¬Ã±¤¥Í©R¡C[back]
65-72 ¡@ ¤K¦æ¬°¤@½Æ¦X¥y¡C65-69 (Although . . . tenderness)¬°ªþ¥y¡F70-72¦æ (she . . . feet)¬°¥D¥y¡C[back]
65-66 ¡@ Although . . . paths ÁöµM¦º¤`¦b¤H¥Íªº®È³~¤W¼»¤U¤F¸­¤l¡A¨Ï¤@¤Á®ø¥¢Âܸñ¡C[back]
67 The path; the many paths

sick sorrow
³£¬O66¦æpathsªº¦P¦ì»y¡A¦A¸Ô¥[»¡©úPathsªº¤º®e¡C

sorrow³Q¤H®æ¤Æ¤F¡A¬GºÙ¤§¬°¡u¥Í¤F¯fªº´d«s¡v¡C[back]
68 triumph rang its brassy phrase ¤H¥Í±o·Nªº¨Æ¦n¤ñ¸¹¨¤ª§»ïªº³Ó§Q¤@¯ë¡C[back]
70 She . . . sun ¦º¤`¨Ï¬h¾ð¦b¶§¥ú¤¤Å¸§Ý¡CShiver¤@µü¡A°£´y­z¬h¾ðªºÅ¸§Ý¤§¥~¡A¦ü¦b·t¥Ü¤U¦æùؤ֤k­Ì¤º¤ß·P±¡ªº¿EÀú¡C[back]
71 wont to ²ßºD©ó¡C[back]
72 relinquished to their feet relinquished·N¬°©ñ±ó¡A§ë­°¡A¬°¤@¹L¥h¤Àµü¡A¥i¯à»P«e­±ªº "maidens"©Î "grass"¦³Ãö¡C­YÄÝ«eªÌ¡A«h¾ã­Ó¤ù»yªº§t·N¬°¡GThe maidens were left to themselves. ­YÄÝ«áªÌ¡A«h¥i¸Ñ¬°¡G¯ó¦]½î½ñ¦Ó¥ñ­Ë¦b¤Ö¤k­Ìªº¸}«e¡C«ö«e«á¤å¨Ó¬Ý¡A¦ü¥H«e¸Ñ¬°©y¡C[back]
74 disregarded plate ¨ü¤H©¿µøªº½L¤l¡C·N¨ý¸Ó½L´¿³Q¥Î¨Ó¦V¤Ö¤kÄm§Äm®ç¡F¦p¤µ¤S³Q¥Î¨Ó°µ¦P¼Ëªº¨Æ (§õ±ù¬°·R±¡ªº¶H¼x)¡C¦r¸Ì¦æ¶¡¦ü¦b«ü©ú¡A¦b³o«íÅܱo¥@¬ÉùØ¡A¤H­Ì¤@¥N¤@¥NªºÂà´ÀµÛ¡C¨k¤k¶¡ªº·R±¡¨Æ¦h»ò¥j¦Ñªº¨Æ¡A¦ý¦b·í¨Æ¤Hªº¤ß¤¤·R±¡¤S¬O¦h»ò·s¿o¡C[back]
75 stray impassioned the littering leaves ¼ö±¡º¡µÄ¦a¥|³B¶Ã¨«¡Cstray¤@¦r¡A¦ü¦b·t¥Ü¤Ö¤k­ÌªìÀ|ÅÊ·R´þ¨ý¡A¤£¸T·N¶Ã±¡°g¡C¸¨¸­º¡¦a¡A»P65¦æstrews the leaves·t¤¤¤@¯ß¬Ûô¡C[back]

VI.

²Ä¤»¸`¤j·N¡Gµû­zªÌ¤Ï°Ý¡G¦b (¤k¤hªº)¤Ñ°ó¤¤¬O§_¸Uª«¥å¥j¤£ÅÜ¡AµL¡u¦º¡vµL²×¡A¼ôªG¤£¸¨¡H¤Ñ°ó¤¤ªºªÆ»a¡Aªe¤t©M§Ú­Ì³o¸UÅÜ¥@¬Éùتº»aªÆ¡Aªe¤t¨ä¹ê¬Û¦P¡A©Ò²§ªÌ¡A¦b©ó¤Ñ°ó¤¤«íµMµLÅܤơAªe¤t¤£¬y¬G¤£¯à©bª`¤J®ü…¡C³o¼Ë«íµM¤£Åܪº¤Ñ°ó©M§Ú­Ì³o¸UÅܪº¥@¬É¬Û¤ñ¤§¤U¡AÅã±o¦h»ò¦º±IµL²á¡AÁÙ¬O§Ú­Ì³o­Ó¥Rº¡Åܤƪº¥@¬É¥i·R±o¦h¡C(back)

81 receding shores (·R®ü¼é«I»k¦Ó)¦V«á°hÁYªº®ü¬v¡C[back]
82 never touch with

inarticulate pangs
touch¤§«á¦ü¶·¥[ "us"¤è¥i¸Ñ¡C

¤Ñ°êùتº®ü©¤¤£¨Ï§Ú­Ì·PIJ¨ººØµL¥H¨¥±ýªºµh­W¡C[back]
83 why . . . ? ¦ó¥²……©O¡H·N«ä¬O»¡¡G¦b³o¼Ë¥F¨ýªº¤Ñ°êùØ¡A¦ó¥²¦AÄm§õÄm®ç©O¡H(°Ñ¨£73-74¦æ)¡C[back]
85 they should . . .

wear our colors
¥L­Ì (¤Ñ°ê¤¤ªº¤H)³ºµM…¡C

¬ïµÛ§Ú­Ì³oºØÃC¦â (ªº¦ç»n)¡C[back]
86 The silken . . . afternoons ¬°«e¥ycolorsªº¦P¦ì»y¡A¤@¤é¤§¤¤¡A¥H¤U¤È³o¬q®É¶¡³Ì¨H´eµL²á¡Csilken wearingsµ·½èªº®Æ¤l¡C¥þ¦æ«ü¥~Æ[°ª¶®¹ê«hµL¨ýªºªF¦è¡C[back]
87 insipid lutes: (lute¬°¤@ºØ¥j¥N¼u¼Ö¾¹¡A­±¥­­I¾m¡A»á¦ü¥b­Ó±ù¤l¡A¦h¬°¥K¤k¼u«µ¡C)¥F¨ýªº­µ¼Ö¡C[back]
88-90 Death . . . sleeplessly ¦º¤`´N¹³¤@¦ì¯«¯¦ªº¥À¿Ë¡A§Ú­Ì²×±NÂkªð¦o¨º·R¤ß¬v·¸ªºÃh©ê¡C³oºØÂkªðªº¹Lµ{´N¹³§Ú­Ì¥~¥X®É·O¥À¦b®a±Þ©]µL¯v¦aµ¥«Ý§Ú­Ì¤@¼Ë¡C[back]

VII.

²Ä¤C¸`¤j·N¡G¤H­Ì±Nºq¹|¤Ó¶§¡A¤£¥Ø¤§¬°¯«¡A¶Èµø¤§¬°¡u­Y¯«¡v¡A»{¬°¬O¥Í©Rªº·½¬u¡C¤H­Ì±Nºq¹|´òªy¡A¾ð¤ì¡A¤s¥C¡C§Y¨Ï¤H¥Í¦Û¦ó¨Ó¡A¦º©¹¦ó¥hµ¥¤j°ÝÃD¥ç¥i±q¤j¦ÛµM¤¤Àò±oµª®×¡C(back)

91-95 ¤H­Ì±N­n¦b®L¤é¤§±á»E·|¨gÅw¡A³ò¦¨¤@°é¨Óºq¹|¤Ó¶§¡C¤£¥Ø¤§¬°¯«¡A¶Èµø¤§¬°¡u­Y¯«¡v¡A¦ý»{¬°¥¦¬O¤j¦ÛµM¤@¤Á¥Í©Rªº¬u·½¡C[back]
91 supple and turbulent supple·N¬°©ö©}ªº¡Fturbulent·N¬°¿E¯Pªº¡C¦¹³B«üºq»RªÌ¤§¥Í®ð½´«k¡C[back]
92 orgy ¨gÅwªº»E·|¡C[back]
93 boisterous devotion to the sun §Y¹ï¤Ó¶§ªº¼ö·R¡B°@·q¡Cboisterous¡G³Ù¾xªº¡C[back]
95 naked among them (¤Ó¶§)¬°¤H¤H©Ò¨£¡A¨S¦³¾B½ª¡C[back]
96-97 ¥Ñ¼ö¸Û©Ò°Û¥X¤§ºq±N¬°¤Ñ°ó¤§ºq¡A°ª¤J¶³¾]¡C[back]
97 Out of their blood enthusiastically¡A¼ö¸Û¦a¡F¥X¦Û¤º¤ß²`³B¦a¡C[back]
98-101 ¦b¥L­ÌªººqÁn¤¤¡A¥L­ÌÁnÁnºq¹|¨ä¤W¥D (their lord) («ü¤Ó¶§)©Ò³ß·Rªº´òªy¡Aºq¹|¬ü¦p³Ì°ª¤Ñ¨Ïªº¾ð¤ì¡A¤]ºq¹|¦^Án¤£µ´ªº¤s¥C¡C[back]
99 ¨ä¤W¥D©Ò³ß·Rªº¦b­·¤¤ªº´òªy¡A·t¥Ü¤Ó¶§·Ó¤J´ò¤¤¡A¯qÅã±o¥ú±m¹Ü¥Ø¡C[back]
100 serafin ¤»Ál¤Ñ¨Ï (¤E¯Å¤Ñ¨Ï¤¤¦a¦ì³Ì°ªªÌ¡C)[back]
101 ¦^­µ¤£µ´¡C[back]
102-103 Áa¨Ï¤H¥Íµu«P¡A¥L­Ì±N­n¦b®L¤é¤§±áÅéÅç¦s©ó¤HÃþ¶¡ªº¯«¸t¤Í½Ë¡C[back]
102 know well well experience¸gÅç¡AÅé·|¡C[back]
102-103 the heavenly fellowship / Of men ¤HÃþªº¯«¸t¤Í½Ë¡C[back]
103 (the heavenly fellowship) of summer mourn ®L±áªº¯«¸t¤Í½Ë¡C·N«ä¬O»¡«D±`¦³¥Í®ð¡C[back]
104-105 ¦Ó¤H¥Í¦Û¦ó¨Ó¡A¦º©¹¦ó¥h (¤HÃþ¦³¨Ï¥H¨Óªº¤jºÃ°Ý)¡A¦b¸}¤WªºÅS¤ô±N·|Åã¥Ü¥X¨Ó¡C[back]

VIII.

²Ä¤K¸`¤j·N¡G¼ÇµM¡A¨º¦ì¤k¤hÅ¥¨ì¡G¡u¤Ú°Ç´µ©Z¨Ã«D³q©¹¥Ã¥Í¤§ªù¡C¨º¥u¬O­C¿qªº¼X¹Ó¡v¡C§Ú­Ì©Ò¦íªº¤j¦ÛµMÁöµM²V¶Ã¡A©t¿W¡A¦ý¤]¬O¸Uª«´þ¥Í¤§¦a¡A©M¤H¥ÍªºÂk±J¡C(back)

106-109 ¡@ ¸Ö¤¤ªº¤k¤h¥¿¦b¤Û¹Ú¤¤¡A¸g¹L¤j®ü¨ì¤Ú°Ç´µ©Z¥h (°Ñ¬Ý11¦æ)¡AÅ¥¨£¤@­ÓÁn­µ¤jÁnªº»¡¡G¤Ú°Ç´µ©Z¨Ã«DÆF»î³q©¹¥Ã¥Í¤§ªù¡A¥¦¶È¬O­C¿q¦w®§ªº¹Ó¦a¡C[back]
108 porch entrance¡A¤J¤f¡C©Î¤J¤ºÆU¤§¨«´Y¡C[back]
110-113 ¡@ §Î®e§Ú­Ì²{¦b©Ò³Bªº¥@¬É¡C[back]
110 old chaos of the sun
chaos
¤Ñ¦³¤£´ú­·¶³¡C

²V¶Ãª¬ºA¡C[back]
111 dependency ¾aµÛ±Þ©]ªº´`Àô¡C«üÀHµÛ¦ÛµMªºÃý«ß¦Ó¥Í¬¡¡C¨Ì¿à¡BªA±q¡C[back]
112 ¡@ ¥@¬É¹³¤j®ü¤¤¤£¯à°k¨«ªº©t®q¡A¨S¦³«OÃÒ¡A¤]¨S¦³¬ù§ô¡C[back]
114-120 ¡@ §Î®e¥@¬É¤W¤é±`ªº²{¶H¡C[back]
114-115 ¡@ ³À¸s¦b¤s¤W×稵¡AÄOÄL(quail)¦b§Ú­Ì¥|¶g¦ÛµMªº°ª»ï (whistle)¡C[back]
116 ¡@ ²¢²ù¦b¯î³¥¤¤¦¨¼ô¡C[back]
117-120 ¡@ ¦b»·³B¹jÂ÷ªº¤ÑªÅ¤¤¡A¶À©ü®É¡A®É¦Ó¥X²{ªºÂF¸s¡A¦pªi®ö¯ë°ª­¸§Cµ¾¡F¦ùµÛ¯Í»H¡A§C­¸¦Ó¤U¡A®ø³u©ó¶Â©]¤§¤¤ (¶H¼x¤H¥Í®È³~ªº¤¤¤î)¡C[back]
118 casual ®É¦Ó¥X²{ªº¡F°¸µMªº¡C[back]
119 Ambiguous undulations undulation·N¬°ªi®ö¯ë°_¥ñªº°Ê§@¡C¦¹³B©Î«ü¦b»·³B­¸ªºÂF¤l¡A¨ä°ª§C°_¥ñ¤£®e©ö¬Ý²M·¡¡A©Î«ü®Éªñ¶À©ü¡A¬Ý¤£²M·¡¡C[back]
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