資料彙整   /   藝術家  /  Leonardo  da Vinci  達文西  /  作品
The Virgin and Child with Saint Anne
藝術家 arts  /  Leonardo  da Vinci  達文西
作品年份:1510
所屬類型:Painting 繪畫
作品出處:Louvre, Paris
資料提供者:Kate Liu/劉紀雯; image credit - wikipedia

Freud on Leonardo

"Born in 452 in the little village of Vinci outside Florence, Leonardo was the illegitimate son of a notary, Ser Piero, and a peasant girl, Caterina.  Leonardo lived with Caterina .  Leonardo lived with Caterina for approximately five years before entering the house of his father, who had in the meantime married Donna Albiera.  Later--at what age is not known--Leonardo was apprenticed to Andrea del Verrochhio, a leading Florentine artist. p. 15

Mona Lisa --the woman who posed for Mona Lisa smile in a way that reawakened the artist's repressed memory of his mother's smile.

Eissler related the ambiguity of Mona Lisa's smile to the artist's ambivalence toward his mother.

[Leonardo's tendencies to art and scientific investigation.]

sublimation
"Freud explains Leonardo's psychology in terms of classical drive theory as follows.  His instinct for loving was transformed first into insatiable research, which later substituted for creating art.   What had begun, in Leonardo's case, as investigation in the service of art took over and became the master.  Freud's discovery of infantile led him to connect adult research with childhood sexual curiosity.  In Leonardo's case, Freud concludes, the artist renounced passion and emotion by redirecting affective energy into intellectual investigation. p. 16
p. 25 [his instinctual sexual curiosity sublimated into science  25

missing father (1)
For Freud, the father's absence was a crucial factor in the development of Leonardo's homosexuality.  . . .
a boy whose father is absent (either literally or emotionally) is apt to enhance his identification with his mother; he may emulate his mother in choosing a male love object.  In this way, the boy "finds the object of his love along the path of narcissism."  p. 20-21

Mother's smile -- Mona Lisa's smile
Freud connected the repetition of the smile in this painting to the
unusual youthfulness of Saint Anne, Mary's mother.

 

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