|
|
|
|
|
Africa
and South Africa: History
|
|
South Africa Nations
History: Background / South Africa
Images
|
|
Nations |
|
References
National
Flower: Giant or King Protea (image source)
National Animal: Springbuck/Springbok
|
|
|
|
(source)
|
|
|
History:
Background / South Africa |
|
Background
1.
Slavery
15th -
19th century: Waystations on the the African coasts and slavery
Motivation
1: middle station to Asia -- The Arabs were blocking access to
Asia. The Europeans (Portuguese in the vanguard), began to
explore Africa's coastline and to establish bases.
1482 -- the
first trading post at Elmina
1498 -- Vasco da Gama rounded the Cape of Good Hope and sailed to
India. (Asbury et al, p. 11)
Motivation
2: slavery -- The development of sugar plantation in the
Caribbean and Americas leads to the need for )labour. (See Slavery & The Middle Passage.)
Effects--
1. enabled Europeans to industrialize at the expense of
Africa;
2. disrupted African families and communities;
3. increased violence of some African elites and states against the
other states;
4. African labour strained.
5. the beginning of African diaspora. (Asbury
et al, p. 12)
2. Colonialism --
19th century to the end of World War II: Commercial
possibilities --> "Scramble for Africa" 1880s - 1910
Motivation 1: For European
industrialists, the growing need was for raw materials and
markets. Their exploration was made easier by the advance of
medicine, weaponry and steam engines. (Asbury
et al, p. 13)
Ways of Exploration--
1. popularity of adventure stories (e.g. Solomon's Treasure by David
Livingston)
2. missionary
3. commerce --> production for exportation
Motivation 2: Need to exert
more control -- Capitalism leads to intense political struggle and
competition. . . . each nation's businessmen, soldiers,
adventurers, missionaries feared that their growing purchase on Africa
could be stopped in its tracks or even reversed by rivals. (Asbury et al, p. 14)
colonial control (Scramble
for Africa)--
1. Land occupation -- Berlin Conference in 1884 --agreement to divide
up Africa among European nations such as Britain, France, Germany,
Italy, Portugal and Belgium.
2. exploitation of labour power --> direct production away from the
growing of food
3. economic 'thumbscrews' -- Africans were taxed, and failure to pay
the tax was a criminal offence (Asbury et al, p. 15)
4. cultural imposition -- "the civilize" the colonized
Effects:
(Besides those mentioned above)
1. 'tribalism': colonial borders split some ethnic groups into two,
while bringing into the same political unit previous relationships or,
worse, hostile to each other.
2. position of women:
1) the burden of food production and child care increasingly fell on
women
2) their position lowered in commerce and local crafts (e.g. textiles)
3) seen as inferior, not offered education or employment (Asbury
et al, p. 14)
3. Different Kinds
of Colonization
1. invasion and settlement
2. The British -- 'indirect rule,' using any traditional elitocal
elites like local chiefs they could find, or create, as
intermediaries. . . . As long as they did not act as foci of
resistance, or offend Victorian sensibilities, traditional cultures
were tolerated.
The French --more interventionist and culturally
committee. . . .creating local elites who would serve them
and, in the process, become Frenchmen in language and cultural outlook,
though never quite equal to whites.
The Belgians and Portuguese were the most authoritarian of
colonialists.
4. The End of
Colonialism
Factors:
1. resentment against economic exploitation;
2. reception of and resentment against third-rate education; -->
Africans began to turns ideals that colonialists espoused--of national
independence, democracy and human rights--against colonialism.
3. social changes, e.g. the forming of trade unions.
4. Pan-Africanism;
5. World War II: Africans helped fight the war for democracy, but the
Europeans planned to keep colonial rule after the War. (Asbury et al, p. 18-19)
|
BACK
TOP
South
Africa: History of Racial Conflicts
Time
Line:
- mid-17th century -- the
Dutch East India Company set up a provisioning station on the Cape
- By the end of the 18th
century--over 10,000 whites were living there, expelling indigenous
peoples like the Khoihoi and San.
- 1795 -- The British
seized Cape Town, and the Afrikaaners began the 'Great Trek' to find
new bases.
- 1867 -- diamonds were
discovered.
- 1886 -- gold was
discovered.
- 1899-1902
Anglo-Boer war
- 1910, the four colonies
were joined together under the Act of the Union, and the British handed
the administration of the country over to the White locals.
- 1913/14 -- The Mines and
Works Act and the Land act: a 'color bar' was legalized and blacks were
prohibited from owning land anywhere but in 'native reserves'--7
percent of the whole.
- apartheid
officially began in 1948
-- e.g.
Population Registration Act: Divided people into three groups
(Black, Colored, or White), prohibiting interracial marriages.
-- e.g. Group Areas Act: Restricted the entrance of Blacks into the
urban, industrial, and agricultural areas, reserving these areas only
for the Whites.
-- e.g. The Abolition of Passes and Coordination of Documents Act:
required all Africans to carry a pass-book
-- e.g. The Bantu Authorities Act: assigned all Africans to their
native land
- 1960/3/21 -- Sharpville
Massacre -- The police opened fire at a group demonstrating
against pass laws and killed 69 people. Cause: against carrying
pass-books;
- the 60's -- banning,
censoring and detaining dissidents
Sharpville
Massacre
- 1976 -- student riots
originated in Soweto -- 16-month protest saw
575 dead, 2389 injured. Cause: against imposing Afrikaan on
secondary education. (Before 1974, the policy was to use both
English and Afrikaan. In 1974,
however, the government decided to impose the use of Afrikaans in at
secondary school level. The students resisted it since the
language was seen as that of the oppressor's.
Hector
Peterson
"It was a picture
that got the world's
attention: A frozen moment in
time that showed 13-year-old
Hector Peterson dying after being
struck down by a policeman's
bullet.
At his side was his 17-year-old sister.
"I saw that he was bad, but I thought
that he was just wounded, you
know," remembers Hector's sister
Antoinette Sithole, " because I
couldn't figure out where." (source)
|
|
Soweto
student protest
-
1985-1990
-- state of emergency
-
1990 --
lifting the ban on ANC and PAC, release of Nelson Mandela, abolition of
Apartheid
(another chronology)
|
BACK
TOP
|
|
|
|
|
|
|
Images |
|
1. William
Kentridge
"Mine
is an art (and politics) in which optimism is kept in check, and
nihilism is kept at bay." (source)
"I have spent all my life in Johannesburg. School, university, my
studio, are all within a three-kilometer radius of where I was
born. So even when my pictures are set in Paris or New York, in
the end they are about Johannesburg--that is to say, a rather
bewildered provincial city. The pictures are not all little
morals or illustrations of apartheid life. But they are all provoked by the question of how it is that
one is able to construct a more or less coherent life in a situation so
full of contradiction and disruption."
William Kentridge, born in Johannesburg in 1955, works on film,
animation and painting.
(image source)
|
Links:
William Kentridge:
his bio, work and interview; another intro
His works in South
African Art Virtual Library
TOP
2. Signs of Resistance and Ironies on Ad Billboards
The
following two photographs (by S. Sack) "were taken in Soweto during
1986. As one frives into Soweto on the Baragwanath Hospital
highway, these [two] signs were the visual landmarks of the township
landscape. They have all been removed and replaced with new
signs. The advertising billboards in Soweto tend to dominate the
landscape and become transient landmarks. They get woven into the
social fabric and serve as literal and metaphorical indicators of the
underlying social forces.
The sign only stayed for
display for a few months before it was removed.
The Deadliest Doom Even sign
takes an ironic meaning, particularly with soweto in the
background.
An ad in
Braamfontein Johannesburg, contrasting the South African reality, the
good time, Coke is it, and the security Peaceforce that
makes it possible and impossible. In the background is the
Johannesburg to Soweto train. (image source)
|
TOP
3. Dumile Feni
"One
of the finest of South Africa's artists, who never tasted his country's
freedom from apartheid's yoke, and who died largely unappreciated in
New York, Dumile's work embodies the suffering and turmoil of the
oppressed under apartheid, the resistance and defiance of the human
spirit, and the pathos of exile." (source: Dumile Feni : profiles)
born in Worcester in the
western Cape, on May 21, 1939. "Remembering the case paintings of
his ancestors seen as a child--paintings which still inspire the style
and sensibility of his work--Feni says, "I am amazed by one thing that
I'm glad never left me--that is the beauty of the line, the fine
lines." . . .He was also an active sympathizer of the
banned African National Congress. After being in and out of
prison, and often in hiding, he was finally forced into exile"
Mother and Son
Statements
. . .
|
Links:
Another
piece of his work
Feni, Dumile - Profiles
TOP
|
|
References |
|
Insight Guides:
南非》。 繆靜芬譯。 臺北︰台灣英文雜誌社有限公司。1995.
Ashbury, Roy, Wendy Helsby and Maureen O'Brien. Teaching
African Cinema. London: British Film Institute, 1998.
Campschreur William & Joost Divendal eds. Culture
in Another South Africa. Zed Books, 1989.
Bunn, David, and Jane Taylor, eds. From South Africa: New
Writing, Photographs, and Art. U of Chicago P, 1987. |
|
|
|
|
|